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Iphigenia in Aulis

Euripides' final play on sacrifice, honor, and family conflict.

Iphigenia in Aulis

Iphigenia in Aulis (also known as Iphigenia at Aulis) is the last extant play by the ancient Greek playwright Euripides, written between 408 and 406 BC and first produced posthumously in 406 BC. The play is set before the Trojan War and centers on the conflict between Agamemnon, the Greek leader, and his wife Clytemnestra over the ritual sacrifice of their daughter Iphigenia to appease the goddess Artemis, a decision that ultimately leads to Iphigenia's consent to die for the sake of Greece.

Quick Facts

Writer
Euripides
Chorus
Greek Women of Chalcis.
Characters
Agamemnon / Old servant / Menelaus / First Messenger / Clytemnestra / Iphigenia / Achilles / Second Messenger
Premiere Date
405 BC
Setting
Port of Aulis
Premiere Place
Athens
Original Language
Ancient Greek
Genre
Tragedy

Facts from the source article.

Lore & Background

When Clytemnestra and Iphigenia arrive, the truth emerges. Achilles, furious at being used, vows to defend Iphigenia, but the entire Greek army demands the sacrifice. Iphigenia initially resists but ultimately consents, declaring she will die heroically to save Greece. She leads the chorus in a hymn to Artemis and goes to her death. The manuscript ending reports a deer replacing Iphigenia on the altar, but scholars consider this inauthentic; a fragment may indicate Artemis appeared to console Clytemnestra, but the original ending is not extant.

Reader's Guide

Iphigenia in Aulis is significant as Euripides' final work, produced posthumously and winning first place at the City Dionysia. It explores themes of duty, honor, and the cost of war, and its characters—especially Clytemnestra and Iphigenia—foreshadow later tragedies, such as Agamemnon's murder by Clytemnestra and Orestes' matricide. The play has had lasting cultural influence, inspiring Jean Racine's 1674 tragedy Iphigénie and numerous 18th-century operas, including Christoph Willibald Gluck's Iphigénie en Aulide (1774). In modern times, it formed the basis for Michael Cacoyannis's 1977 film Iphigenia, Barry Unsworth's 2003 novel The Songs of the Kings, and Caridad Svich's 2004 multimedia play Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart, which re-sets the story in Ciudad Juárez. The play's unresolved ending and its focus on moral dilemmas continue to engage artists and audiences.

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