The Attack (painting)
Finnish painting symbolizing resistance against Russian oppression.
The Attack (Finnish: *Hyökkäys*), painted by Edvard Isto, is among Finland’s most well-known artworks. It shows a double-headed eagle, representing Russia, lunging at the Finnish Maiden and trying to take her book of laws. Isto finished the painting in 1899, the year Tsar Nicholas II issued the February Manifesto. The title came from Emmi Ajo, wife of Isto’s close friend Benjamin Ajo. The image spread widely as prints; Isto had thousands produced in both Finland and Germany. The model was Emma Kyöstäjä, a fellow native of Alatornio. In autumn 1899, the painting was shown secretly at a beach villa in Helsinki’s Kaivopuisto district. The Tilgmann press made at least a couple hundred prints. When the gendarmerie learned of it, Isto fled to Germany via Sweden, taking the painting and prints. In Berlin, the press Meissenbach & Rippart produced over ten thousand rotogravure photographic reproductions (48 × 37.5 cm, with a picture size of 30 × 21.5 cm). At least six postcard editions were made, one with Russian text. Alex Federley created a postcard variation in which the eagle has given up and left the Finnish Maiden alone with her law book. In 1900, Isto brought the painting to the Alatornio clergy house, but later moved it back to Sweden for safety. A few years on, he tried to dispose of it through a lottery; the Helsinki woman who won it dared not accept it. Isto bought it back and sold it to a Swedish businessman from Luleå, who then gave it to municipal official Niilo Helander in Heinola. Helander’s widow donated the painting to the Finnish Heritage Agency.
- Artist
- Edvard Isto
- Completed
- 1899
- Medium
- Painting
- Nationality
- Finnish
- Known for
- Depicting Russian double-headed eagle attacking Finnish Maiden
Lore & Background
The painting was completed in 1899, the same year Emperor Nicholas II of Russia issued the February Manifesto. Its name was suggested by Emmi Ajo, wife of Isto's friend Benjamin Ajo. The model for the painting was Emma Kyöstäjä, from Alatornio like Isto himself. In autumn 1899, the painting was displayed secretly at a beach villa in Kaivopuisto, Helsinki. The Tilgmann press made at least a couple hundred prints. After the gendarmerie learned of the painting, Isto escaped to Germany via Sweden with the painting and its prints. In Berlin, the press Meissenbach & Rippart made over ten thousand rotogravure photographic reproductions (48 × 37.5 cm, picture size 30 × 21.5 cm). At least six editions of postcards were made, one with texts in Russian. Alex Federley made a postcard variation where the double-headed eagle has given up and left the Finnish Maiden alone with her book of laws.
Reader's Guide
The Attack spread as prints all over Finland, becoming one of the most famous Finnish paintings. Its imagery—the Russian double-headed eagle attacking the Finnish Maiden—captured the nationalist sentiment during the Russification period. The painting's secret display and Isto's flight to Germany underscore its political sensitivity. The painting's journey continued: in 1900, Isto took it to the Alatornio clergy house, then to Sweden for safety. Later, Isto tried to sell it via lottery tickets, but the winner dared not accept it. He bought it back and sold it to a Swedish businessman, who gave it to Niilo Helander in Heinola. His widow donated it to the Finnish Heritage Agency. The painting remains a potent symbol of Finnish national identity and resistance.
Frequently Asked Questions
What is The Attack (painting) and who created it?
The Attack (Finnish: Hyökkäys) is a Finnish painting completed in 1899 by Edvard Isto. It depicts a double-headed eagle swooping down on a Finnish Maiden who clutches a book of laws, and it has become one of the most recognizable artworks in Finnish cultural history.
What does the double-headed eagle symbolize in The Attack?
The double-headed eagle stands in for the Russian Empire and its imperial authority. In the composition it is shown aggressively lunging toward the Finnish Maiden, visually framing Russian rule as a predatory force attempting to seize Finland's legal autonomy.
Why is 1899 significant for The Attack?
Isto finished the work in the same year Tsar Nicholas II issued the February Manifesto, which curtailed Finnish legislative independence. That political backdrop is what gave the painting its immediate resonance as a symbol of resistance against Russian oppression.
Who gave the painting its title 'The Attack'?
The name was suggested by Emmi Ajo, the wife of Benjamin Ajo, a close friend of Isto. Before that, the work did not carry the now-famous title that fans and scholars use to identify it.
How did The Attack reach such a wide audience?
Isto commissioned thousands of printed reproductions of the image in both Finland and Germany, turning a single canvas into a widely circulated visual emblem. The painting was also displayed covertly in autumn 1899 at a beach gathering, underscoring how politically sensitive its public showing was under Russian rule.
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