USS Enterprise
A starship designed to explore strange new worlds.
USS Enterprise (NCC-1701) is the first starship in a series of vessels in the Star Trek media franchise. It serves as the primary setting for the original Star Trek television series, nine films, and Star Trek: Strange New Worlds. The ship has been identified as one of the most influential science fiction spacecraft.
Quick Facts
- Franchise
- Star Trek
- First minor
- The Man Trap
- First date
- 1966
- Last major
- Star Trek: Strange New Worlds
- Last minor
- Level Five Transporter Accident
- Last date
- 2026
- Creator
- Matt Jefferies
- Affiliation
- United Federation of Planets; Starfleet
Facts from the source article.
Development and production
Gene Roddenberry reviewed hundreds of science fiction magazines dating back to 1931 for ideas about the vessel's appearance, but was more certain about what he did not want. He specified a crew of 100–150 and that the ship be incredibly fast. Matt Jefferies, assistant to art director Pato Guzman, was responsible for the design. Jefferies and Roddenberry rejected many designs as too conventional. To achieve believability, Jefferies tried to visualize what fourth or fifth generation equipment would be like. His aviation experience led him to apply aircraft logic, including placing engines apart from the hull due to their power. He initially rejected a disk-shaped component due to flying saucer associations, but a spherical module flattened into a disk. Jefferies wanted a simple, immediately identifiable shape for television.
Depiction
Starfleet commissioned the Enterprise in 2245. Robert April was its first captain, succeeded by Christopher Pike, who commanded for about a decade. Captain James T. Kirk commanded the ship and its 430-person crew on an exploration mission from 2264 to 2269. In 2285, Captain Spock commanded the Enterprise as a training ship.
Khan Noonien Singh's hijacked USS Reliant seriously damaged the Enterprise, and Spock sacrificed his life to save it. Starfleet decided to decommission the damaged ship, but Kirk and his officers stole it to restore Spock. A Klingon attack disabled the Enterprise, and Kirk set it to self-destruct. Kirk later commanded a new USS Enterprise with registry NCC-1701-A. Sybok hijacked this vessel in Star Trek V. In Star Trek VI, the Enterprise thwarted General Chang's attempt to disrupt a peace summit, and was ordered to report for decommissioning. The Enterprise-A later appeared at the Fleet Museum in Star Trek: Picard's third season.
Critical reaction
The original Enterprise has been described as a character in its own right, as important as Kirk, Spock, and McCoy. Rod Roddenberry called the ship Star Trek's first character and its creation the birth of Star Trek. Film critic Scott Jordan Harris considered the Enterprise the franchise's most important character. National Air and Space Museum curator Margaret Weitekamp identified two distinct celebrity Enterprises: the fictional starship as a character or icon, and the physical filming models as an iconic design.
She noted that the two overlap but do not map completely onto each other. The design, which influenced later franchise starships, is iconic. When first televised, the Enterprise was called an elegant and weird looking behemoth. Design expert Jonathan Glancey described it as convincing and exciting, with aesthetic appeal similar to the Concorde, B-17 bomber, and Queen Elizabeth 2.
Impact
The original Enterprise and its 1979 film designs affected subsequent Star Trek productions. The USS Excelsior in Star Trek III was meant to make the Enterprise look old and out of date. Model maker Bill George based his Excelsior refinement on what the Enterprise might look like if designed by the Japanese. Andrew Probert designed the USS Enterprise NCC-1701-D for Star Trek: The Next Generation, retaining the saucer section, engineering section, and two engine nacelles, partly to assuage fans concerned about the original being replaced.
The USS Titan in Star Trek: Picard's third season drew inspiration from the film redesign. The three-foot model was lost until 2024; in 2026, Rod Roddenberry announced it was in the family's possession. Paramount donated the 11-foot model to the Smithsonian in 1974, disassembled and dirty, valued at $5,000. It hung at an exhibit gallery entrance, then moved to the gift shop for 14 years.
The model underwent restorations in 1974, 1984, 1992, and 2016, culminating in a new display in the Milestones of Flight Hall.
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