American Black Metal Musical Groups Codexery

I Shalt Become

Atmospheric-depressive black metal project from the United States.

I Shalt Become

I Shalt Become is a black metal project founded in 1995 by S. Holliman in the United States. Its music falls within the atmospheric–depressive black metal style, and its lyrics explore abstract ideas like emptiness and desolation. Holliman recorded two official demos—*Wanderings* (1998) and *In the Falling Snow* (1999)—before the project disbanded in 1999. That same year, the *In the Falling Snow* demo was bootlegged under the title *Birkenau*. In 2008, *In the Falling Snow* was remastered and reissued as an official I Shalt Become release, and the project resumed activity. The current lineup includes S. Holliman on vocals, guitar, and bass, with A. J. Scherer joining on drums in 2010.

Formed
1995
Country
United States
Genre
Atmospheric-depressive black metal
Key member
S. Holliman
Notable releases
Wanderings (1998), In the Falling Snow (1999)

Lore & Background

I Shalt Become was formed in 1995 by S. Holliman, who handled vocals, guitar, and bass. Before the project disbanded in 1999, Holliman recorded two official demos: Wanderings in 1998 and In the Falling Snow in 1999. In the same year, the In the Falling Snow demo was released as a bootleg under the name Birkenau. The project became active again in 2008, when In the Falling Snow was remastered and reissued as an I Shalt Become record. Drummer A. J. Scherer joined in 2010. The band's lyrical themes deal with abstract concepts such as desolation and emptiness.

Reader's Guide

I Shalt Become occupies a niche within the atmospheric–depressive black metal subgenre, known for its focus on abstract themes of desolation and emptiness. The project's early demos, Wanderings (1998) and In the Falling Snow (1999), were foundational to its sound, with the latter being bootlegged under the name Birkenau in 1999. After a period of inactivity, the project was revived in 2008 with a remastered reissue of In the Falling Snow, followed by several full-length albums including Requiem (2008), The Pendle Witch Trials (2009), Poison (2010), and Louisiana Voodoo (2013). The project's significance lies in its consistent exploration of depressive atmospheres within black metal, and its re-emergence after a decade-long hiatus helped solidify its place in the underground scene. The addition of drummer A. J. Scherer in 2010 marked a shift toward a fuller sound, though the project remains primarily the vision of S. Holliman.

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