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The City in the Middle of the Night

A novel of survival and connection on a tidally locked world.

Charlie Jane Anders wrote The City in the Middle of the Night, a 2019 climate-fiction novel. On a tidally locked world, humans live in two very different cities surrounded by dangerous aliens. The story follows two people who venture outside these settlements, exploring personal bonds and modern social issues. It received the 2020 Locus Award for Best Science Fiction Novel.

Quick Facts

Author
Charlie Jane Anders
Cover artist
Mark Smith
Country
U.S.
Published
2019
Format
Print Hardcover
Language
English
Genre
Climate fiction
Publisher
Tor Books

Facts from the source article.

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Summary

The story is set on the tidally locked planet January, where humans inhabit the twilight zone between extreme heat and cold. Most live in either Xiosphant, an authoritarian city with strict controls, or Argelo, a lawless anarchy ruled by criminal gangs. Traveling groups like the Citizens roam the roads between them. The narrative follows Sophie, a student from Xiosphant who is expelled after taking blame for a theft by her crush Bianca. Left in the frozen wilderness, Sophie is rescued by the crocodiles, an intelligent native species that communicates telepathically. She learns to interact with them and covertly returns to Xiosphant. The other protagonist is Mouth, a former Citizen disturbed by her group's violence, who becomes a trader. Their stories converge when Bianca seeks help for political plans, leading to dangerous journeys across the planet.

Reception

Rebecca Evans, writing for the Los Angeles Review of Books, described the alien setting as a critical form of defamiliarization for discussing climate change, comparing the urban dichotomy to Le Guin's The Dispossessed. She noted the raw honesty of the characters and their diversity in portraying social and environmental issues. Jason Sheehan of NPR called the book a fable-like tale of how grand social ideas break, examining contemporary history through intimate relationships.

Adam Roberts of The Guardian termed it a millennial's novel, with characters who are sometimes judgmental but ultimately sophisticated and passionate. He observed that the story diverges from genre works by focusing on living meaningful lives amid devastation rather than cautionary tales, and praised the rapprochement between humans and aliens, though he found it not particularly original, comparing it to Star Trek episodes.

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