Witchcraft in Folklore and Mythology Codexery

Nine sorceresses

Recurring nine sorceresses in Arthurian and Celtic myth.

Nine sorceresses

The nine sorceresses—also called the nine witches, nine maidens, or nine sisters (Welsh: *naw chwaer*)—appear repeatedly in Arthurian legend, part of a broader nine-maidens motif found in world mythologies. Their key roles come in Geoffrey of Monmouth’s account of Avalon, where they are sisters of the figure who later becomes Morgan le Fay, and as the central focus of Peredur’s story in the *Mabinogion*’s *Peredur son of Efrawg*.

In the poem *Preiddeu Annwfn*, nine virgin priestesses guard a magic cauldron on the otherworldly island of Annwfn (the Welsh version of the Celtic Otherworld). Their magic includes breathing fire. Arthur and his warband raid the island, stealing or destroying the cauldron, but the poem does not say what happens to the maidens. Similar groups of nine supernatural women appear in other Celtic Otherworld tales, possibly inspired by ancient sisterhoods of priestesses. The nine witches of Ystawingun are mentioned in a single line of the poem *Pa gur* (around 1100), where killing them in that highland is listed among the greatest feats of Cai (later Kay). Ystawingun’s location is unknown, but it may connect to Stanton Moor’s “Nine Ladies” stone circle or to Porthsgiwed. John and Caitlin Matthews suggest these women are the same pagan priestesses from *Preiddeu Annwfn*. Scholars Norris J. Lacy and John T. Koch also link them to the nine witch sisters and their mother in the 7th-century Breton *Vita Prima Samsonis*. There, Saint Samson of Dol meets one sister, a wild witch called Theomacha (“Enemy of God”), flying through a forest on the island of Loire and attacking his deacon. Samson urges her to repent, but she refuses, saying she wishes only evil. When she tries to flee, Samson commands her to stay, freezing her in midair. After she rejects a final chance, he prays for her destruction, and she falls dead.

Geoffrey of Monmouth’s 12th-century *Vita Merlini* introduces Avalon, a paradisal “Isle of Apples,” ruled by nine benevolent enchantress sisters who are great healers, shapeshifters, and spellcasters: Morgen, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and Thiton (in some versions, the last two are both named Thitis, one “best known for her cither”). They receive the dying Arthur from Taliesin, hoping to revive him.

Field
Arthurian legend, Celtic mythology
Known for
Appearing as nine sisters of Avalon, nine witches of Caer Lloyw, and nine priestesses of Annwfn
Nationality
Welsh/British (literary figures)

Lore & Background

The nine sorceresses appear in several distinct forms. In Geoffrey of Monmouth's Vita Merlini, they are the nine benevolent enchantress sisters of Avalon, ruled by Morgen (later Morgan le Fay), who receive the dying Arthur. In Preiddeu Annwfn, nine virgin priestesses of Annwfn guard a magic cauldron and possess fire-breathing magic. The nine witches of Ystawingun are mentioned in the poem Pa gur, where Cai slays them. In the Peredur son of Efrawg part of the Mabinogion, the nine witches of Caer Lloyw (Gloucester) are malignant sorceresses who terrorize Britain and are eventually destroyed by Peredur and Arthur's warband.

Reader's Guide

The nine sorceresses represent a persistent motif across Arthurian and Celtic literature, appearing as healers, priestesses, and malevolent witches. Their significance lies in their connection to the Otherworld, the evolution of Morgan le Fay, and the theme of pagan cults being overcome by Christian heroes. Scholars note possible links to Roman descriptions of nine priestesses on the island of Sein, Greek mythology (Circe, Medea, the nine muses), and historical extermination of Celtic pagan cults. The ambiguity of their nature—benevolent in Avalon, hostile at Caer Lloyw—reflects the fluidity of medieval sources. Their legacy endures as a template for supernatural sisterhoods in later fantasy.

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