Modern & Contemporary Artists Codexery

Tracey Emin

English artist known for autobiographical and confessional artwork.

Tracey Emin

via Wikipedia: Tracey Emin · see source

Dame Tracey Karima Emin was born on 3 July 1963 in Croydon, south London, to an English mother of Romanichal descent and a Turkish Cypriot father. She grew up in Margate, Kent, with her twin brother Paul. Her paternal great-grandfather is also the great-grandfather of her second cousin, Baroness Meral Hussein-Ece. At 13, while living in Margate, Emin was raped; she later described such assaults as common for girls in the area and said she had “no memory of being a virgin,” citing multiple rapes as a young teenager. Her work is often examined in the context of childhood and adolescent abuse and sexual assault.

She studied fashion at Medway College of Design (1980–82), where she met expelled student Billy Childish and became involved with The Medway Poets. She and Childish were a couple until 1987, and she administered his small press, Hangman Books, which published his confessional poetry. From 1983 to 1986, she studied printmaking at Maidstone Art College, earning a first-class degree. There she encountered Roberto Navickas (also spelled Navikas), whose name later appeared in her tent artwork, though she misspelled it by dropping a “C”; Navickas later used this error in two of his own works. In a 1995 interview, when asked who had the greatest influence on her life, Emin replied it was not a person but the time at Maidstone Art College, living by the River Medway and hanging around with Billy Childish. In 1987, she moved to London to study at the Royal College of Art, earning an MA in painting in 1989. After graduation, two traumatic abortions led her to destroy all her graduate art, a period she called “emotional suicide.” One surviving painting from that time, *Friendship*, is in the Royal College of Art’s collection. Her influences include Edvard Munch and Egon Schiele, and she briefly studied philosophy at Birkbeck, University of London.

On 3 January 1993, Emin and fellow artist Sarah Lucas opened The Shop at 103 Bethnal Green Road in Bethnal Green, selling their own works, including T-shirts and ashtrays with Damien Hirst’s picture on the bottom. The space also had a life-drawing room and studio. Lucas funded it with money from Charles Saatchi. The Shop closed after six months with Emin’s 30th birthday party, titled “Fuckin’ Fantastic at 30 and Just About Old Enough to Do Whatever She Wants.” After closing, Emin burned everything left from The Shop in gallerist Carl Freedman’s garden, and the ashes were shown at her first solo exhibition, *My Major Retrospective*, at White Cube in November 1993. That show was autobiographical, featuring personal photographs, photos of her destroyed early paintings, and other items.

In 1997, Emin’s work *Everyone I Have Ever Slept With 1963–1995*—a tent appliquéd with the names of everyone she had ever slept with—was displayed at Charles Saatchi’s *Sensation* exhibition at the Royal Academy in London. That same year, she gained media attention when she appeared drunk and swore repeatedly on a live TV discussion program called *The Death of Painting*. In 1999, she had her first U.S. solo exhibition, *Every Part of Me’s Bleeding*, at Lehmann Maupin Gallery. Later that year, she was nominated for the Turner Prize and exhibited *My Bed*, a readymade installation of her own unmade, dirty bed, where she had spent weeks drinking, smoking, eating, sleeping, and having sex during a period of emotional turmoil. The piece included used condoms and blood-stained underwear.

Emin has lectured at the Victoria and Albert Museum, the Art Gallery of New South Wales (2010), the Royal Academy of Arts (2008), and Tate Britain (2005) on creativity, autobiography, and the role of personal history in art. In December 2011, she was appointed Professor of Drawing at the Royal Academy, becoming—along with Fiona Rae—one of the first two female professors since the Academy’s founding in 1768. Once called the “enfant terrible” of the Young British Artists in the 1980s, she was elected a Royal Academician in 2016. She lived in Spitalfields, East London, before returning to Margate, where she funds TKE Studios, providing workspace for aspiring artists.

born
3 July 1963
nationality
English
known_for
Autobiographical and confessional artwork, including Everyone I Have Ever Slept

Verified Timeline

196319801983198719891993199519971999200420052008201020112016

Lore & Background

Tracey Emin was born on 3 July 1963 in Croydon, south London, to an English mother of Romanichal descent and a Turkish Cypriot father. She was brought up in Margate, Kent, with her twin brother, Paul. She studied fashion at Medway College of Design (1980–82), printmaking at Maidstone Art College (1983–86), and obtained an MA in painting from the Royal College of Art in 1989. After graduation, she had two traumatic abortions and destroyed all the art she had produced in graduate school, describing the period as "emotional suicide."

In 1993, Emin opened a shop with fellow artist Sarah Lucas, called The Shop at 103 Bethnal Green Road, selling works including T-shirts and ashtrays with Damien Hirst's picture stuck to the bottom. Later that year, she had her first solo show at White Cube, My Major Retrospective, featuring personal photographs and items such as a packet of cigarettes her uncle was holding when he was decapitated in a car crash. In 1995, her tent Everyone I Have Ever Slept With 1963–1995 was first exhibited, appliquéd with the names of everyone she had slept with, including relatives, her twin brother, and her two aborted children. The tent was later bought by Charles Saatchi and included in the 1997 Sensation exhibition at the Royal Academy, then toured to Berlin and New York; it was destroyed in the 2004 Momart warehouse fire. Emin gained considerable media exposure in 1997 when she appeared drunk and swore repeatedly on a live television broadcast of a discussion programme called The Death of Painting. In 1999, she was nominated for the Turner Prize and exhibited My Bed, a readymade installation of her own unmade dirty bed, featuring used condoms and blood-stained underwear. Two performance artists, Yuan Chai and Jian Jun Xi, jumped onto the bed with bare torsos to "improve" the work. In July 1999, she created monoprints inspired by Diana, Princess of Wales for a themed exhibition called Temple of Diana. She was appointed Professor of Drawing at the Royal Academy in December 2011; with Fiona Rae, she is one of the first two female professors since the Academy was founded in 1768. Emin lived in Spitalfields, East London, before returning to Margate, where she funds the TKE Studios with workspace for aspiring artists.

Reader's Guide

Tracey Emin's significance lies in her unflinching autobiographical and confessional approach, which challenged traditional boundaries between public and private life in art. Her work, often drawing on personal trauma including rape at age 13 and two abortions, brought intimate experiences into gallery spaces. The tent Everyone I Have Ever Slept With 1963–1995 and the installation My Bed became iconic works of the Young British Artists movement, provoking debate about the nature of art and the role of the artist's biography. Emin's election as a Royal Academician in 2016 and her appointment as Professor of Drawing at the Royal Academy in 2011 marked institutional recognition of her influence. Her legacy includes expanding the possibilities of confessional art and inspiring a generation of artists to incorporate personal narratives into their practice. She continues to produce work across multiple media and funds TKE Studios in Margate for aspiring artists.

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