Cy Twombly
American painter known for large-scale scribbled, graffiti-like works on muted fields.
Cy Twombly · CC BY 3.0
Cy Twombly—born Edwin Parker Twombly Jr. in Lexington, Virginia, on April 25, 1928—was an American artist who worked across painting, sculpture, and photography. He is best remembered for his large, scribbled, graffiti-like canvases, often set against muted backgrounds of gray, tan, or off-white. Over time, his work grew more romantic and symbolic, with titles that viewers could read through shapes, forms, and words. Twombly frequently wove in references to poets like Stéphane Mallarmé, Rainer Maria Rilke, and John Keats, as well as classical myths and allegories. Examples include *Apollo and The Artist* and a series of eight drawings that repeat only the word "Virgil."
His art appears in major modern art collections worldwide, including the Menil Collection in Houston, the Tate Modern in London, the Museum of Modern Art in New York, and Munich's Museum Brandhorst. He also received a commission to paint a ceiling at the Musée du Louvre in Paris.
Twombly’s father, also nicknamed “Cy,” was a pitcher for the Chicago White Sox; both father and son took their nickname from baseball legend Cy Young. At age twelve, Twombly began private art lessons with Catalan modernist Pierre Daura. After high school, he studied at the School of the Museum of Fine Arts in Boston, Washington and Lee University, and the Art Students League of New York, where he met Robert Rauschenberg, with whom he had a brief romantic relationship. Rauschenberg encouraged him to attend Black Mountain College, where he studied under Franz Kline, Robert Motherwell, and Ben Shahn, and met John Cage. Poet and college rector Charles Olson also influenced him deeply.
Motherwell arranged Twombly’s first solo show at the Samuel M. Kootz Gallery in New York in 1951. At that time, his work showed the influence of Kline’s black-and-white gestural abstraction and Paul Klee’s imagery. A grant from the Virginia Museum of Fine Arts in 1952 let him travel to North Africa, Spain, Italy, and France with Rauschenberg. After serving as a U.S. Army cryptographer in Washington, D.C., he taught at Southern Seminary and Junior College in Buena Vista, Virginia, painting in New York during summer breaks.
In 1957, Twombly moved to Rome, making it his primary home. There he met Italian artist Tatiana Franchetti, sister of his patron Baron Giorgio Franchetti. They married in 1959 and bought a palazzo on Rome’s Via di Monserrato, also owning a 17th-century palace in Bassano in Teverina, near Viterbo. (That palace was restored and reopened in 2023 as an artists’ residence and exhibition center, with American painter Robert Nava as its first resident.) The couple had a son, Alessandro. Around 1961, through artist Afro Basaldella, Twombly met American painter Joseph Glasco in Mykonos; they saw each other there every summer for years. In 1964, Twombly met Nicola Del Roscio of Gaeta, Italy, who became his longtime assistant, companion, and archivist. Twombly bought a house and rented a studio in Gaeta in the early 1990s. He and Tatiana never divorced and remained friends until her death in 2010.
Twombly died in Rome in July 2011 after a brief hospitalization, following several years of cancer. A plaque in Santa Maria in Vallicella commemorates him.
His time as a cryptologist in the army left a clear mark on his style. From 1955 to 1959, he worked in New York, sharing a studio with Rauschenberg and becoming part of a circle that included Jasper Johns. The emerging New York School pushed him away from figuration toward simplified abstraction. He became fascinated with tribal art and used early-1950s painterly language to evoke primitivism, reversing the usual trajectory of the New York School. He developed a technique of gestural drawing with thin white lines on dark canvas, often applying bitumen quickly and coarsely to create a scarred, tactile surface. He stopped making sculptures in 1959 and did not resume until 1976. During the 1960s, he frequently inscribed the names of mythological figures on his paintings. His move to Gaeta in 1957 brought him closer to classical sources.
- born
- April 25, 1928, Lexington, Virginia
- died
- July 5, 2011, Rome
- field
- Painting, sculpture, photography
- nationality
- American
- known_for
- Large-scale scribbled, graffiti-like works; romantic symbolism; mythological and
Verified Timeline
Lore & Background
Twombly was born in Lexington, Virginia, on April 25, 1928. His father, also nicknamed "Cy," pitched for the Chicago White Sox; both were nicknamed after baseball great Cy Young. At age 12, Twombly began private art lessons with Catalan modern master Pierre Daura. After graduating from Lexington High School in 1946, he attended Darlington School in Rome, Georgia, studied at the School of the Museum of Fine Arts, Boston (1948–49), and at Washington and Lee University (1949–50). On a tuition scholarship from 1950 to 1951, he studied at the Art Students League of New York, where he met Robert Rauschenberg, with whom he was briefly romantically involved. Rauschenberg encouraged him to attend Black Mountain College near Asheville, North Carolina. At Black Mountain in 1951 and 1952 he studied with Franz Kline, Robert Motherwell and Ben Shahn, and met John Cage. The poet and rector Charles Olson had a great influence on him. Motherwell arranged Twombly's first solo exhibition, organized by the Samuel M. Kootz Gallery in New York in 1951. In 1952, Twombly received a grant from the Virginia Museum of Fine Arts enabling him to travel to North Africa, Spain, Italy, and France with Rauschenberg. In 1954, he served in the U.S. Army as a cryptographer in Washington, D.C. From 1955 through 1956, he taught at the Southern Seminary and Junior College in Buena Vista, Virginia. In 1957, Twombly moved to Rome and made it his primary city. He met Tatiana Franchetti, sister of his patron Baron Giorgio Franchetti; they married at New York City Hall in 1959. They had a son, Alessandro. In July 2011, after suffering from cancer for several years, Twombly died in Rome after a brief hospitalization.
Reader's Guide
Cy Twombly's significance lies in his distinctive fusion of gestural abstraction, asemic writing, and classical mythology. He influenced artists such as Anselm Kiefer, Francesco Clemente, Julian Schnabel, and Jean-Michel Basquiat. His best-known works are large-scale, freely-scribbled, calligraphic and graffiti-like pieces on solid fields of mostly gray, tan, or off-white colors. Later works shifted toward "romantic symbolism," with titles interpretable visually through shapes, forms, and words. Twombly often quoted poets such as Stéphane Mallarmé, Rainer Maria Rilke, and John Keats, as well as classical myths and allegories, as seen in his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word "Virgil." His works are in permanent collections of modern art museums globally, including the Menil Collection in Houston, the Tate Modern in London, New York's Museum of Modern Art and Munich's Museum Brandhorst. He was commissioned for a ceiling at the Musée du Louvre in Paris. In a 1994 retrospective, curator Kirk Varnedoe described Twombly's work as "influential among artists, discomfiting to many critics and truculently difficult not just for a broad public, but for sophisticated initiates of postwar art as well." Writing in Artforum, Travis Jeppesen declared Twombly "the greatest American painter of the twentieth century, and the greatest painter after Picasso, period."
Did You Know?
- Twombly's father and he were both nicknamed after baseball great Cy Young, who pitched for the Cardinals, Red Sox, Indians, and Braves.
- At age 12, Twombly began private art lessons with Catalan modern master Pierre Daura.
- Twombly served in the U.S. Army as a cryptographer in Washington, D.C. in 1954.
- In 1964, Twombly met Nicola Del Roscio of Gaeta, Italy, who became his longtime assistant, companion, and archivist.
- Twombly was commissioned for a ceiling at the Musée du Louvre in Paris.
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