Avant-garde Metal Musical Groups Codexery

Kekal

Indonesian band that bridged extreme metal and global audiences.

Kekal

Kekal is an Indonesian band blending extreme metal and electronic music, founded in Jakarta in 1995. AllMusic notes it was among the first heavy metal groups from Indonesia to gain international attention, and metal sociologist Keith Kahn-Harris describes it as one of the few Southeast Asian extreme metal acts to make more than a minor mark globally. Originally rooted in black metal, the band evolved into progressive metal, avant-garde metal, and electronic music, also drawing from ambient, jazz fusion, and progressive rock.

The group was started by two musicians using the pseudonyms Yeris (later identified as Jeff Arwadi) and Newbabe (later identified as Newin Atmarumeksa), initially as a one-off project. They recruited a vocalist named Harry to record a four-song demo, which circulated and attracted guitarist Leo Setiawan, who had played in a Metallica and Megadeth cover band. In June 1996, bassist Azhar Levi Sianturi joined, and the band recorded its official demo, *Contra Spiritualia Nequitiae*, using a 4-track recorder and a karaoke microphone with a bucket for reverb. The demo gained attention through tape trading and fanzines, leading to label offers. Leo joined later that year, and in 1998 the band released its self-produced debut album, *Beyond the Glimpse of Dreams*, licensed to labels in Indonesia and Singapore. Harry left after that album, and the remaining trio released *Embrace the Dead* in 1999, which Jeff Arwadi later criticized for its mainstream direction and recording quality. The band contributed a cover to a Living Sacrifice tribute album in 2000. Their third album, *The Painful Experience*, came out in October 2001, though Leo had left before recording and moved to Australia, still credited for songwriting. By 2002, the band was a duo, collaborating with Dutch band Slechtvalk on a split album and recording a Christmas cover for a compilation.

In 2003, with Leo absent, Jeff and Azhar recorded a Cradle of Filth cover for a tribute album and released the progressive *1000 Thoughts of Violence*, which earned an 8/10 rating from *Rock Hard* and was called a 2003 highlight by Powermetal.de. A best-of collection, *Introduce Us to Immortality*, also came out that year. The album’s success led to a two-week European mini-tour in March 2004, with shows in the Netherlands, Germany, and Sweden, promoted by the band’s European label Fear Dark.

Quick Facts

Landscape
yes
Origin
Jakarta, Indonesia
Genre
Avant-garde metal · progressive metal · experimental rock · electronic · black metal
Years Active
–present
Label
THT, Whirlwind, Fear Dark, Majemuk, Hitam Kelam, Yes No Wave, Persetan, Elevation, Eastbreath, Open Grave, Clenchedfist, Sonic Wave, HROM, Rock Express
Associated Acts
Excision, Doctor D, Worldhate, Mournphagy, Inner Warfare, Altera Enigma, Armageddon Holocaust
Past Members
Jeff Arwadi / Azhar Levi Sianturi / Leo Setiawan / Harry / Newin Atmarumeksa "Newbabe" / Yeris / Didi Priyadi

Facts from the source article.

Lore & Background

Kekal was officially formed on 15 August 1995 by two friends using pseudonyms Yeris (later revealed as Jeff Arwadi) and Newbabe (later revealed as Newin Atmarumeksa). The name Kekal is Indonesian for 'Immortal' or 'Eternal'. The band began as a one-time project, recording a four-song demo that caught the attention of future guitarist Leo Setiawan. In June 1996, Azhar Sianturi joined, and the band recorded its official demo, Contra Spiritualia Nequitiae, using a 4-track recorder and a karaoke microphone with a bucket over the microphone head for reverb. The demo circulated via tape trading and fanzines, attracting international attention. The debut album, Beyond the Glimpse of Dreams, was released in 1998.

Reader's Guide

Kekal's significance lies in its role as one of the first Indonesian heavy metal bands to gain international recognition, breaking through the global extreme metal scene from Southeast Asia. The band's stylistic evolution from black metal to progressive, avant-garde, and electronic music, incorporating genres like ambient and jazz fusion, demonstrated versatility and innovation. Despite the departure of all original members in 2009, Kekal persisted as a legal entity, releasing albums with anonymous contributions after 2015. Its legacy includes influencing perceptions of Indonesian metal and maintaining a presence through free downloads and volunteer-maintained pages.

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