Avant-garde Metal Musical Groups Codexery

Fake Prophet

Chilean avant-garde metal band formed in Santiago in 2005.

Fake Prophet

Fake Prophet is a Chilean avant-garde metal band from Santiago. It was started in 2005 by vocalist-guitarist José Albornoz and bassist Fernando Gonzalez, initially under the name Death's Tears. The band changed its name to Fake Prophet in 2006 and wrote songs for a first album, *Lágrimas de la Muerte*, which was later canceled. Guitarist Álvaro Pesce and drummer Fernando Macías joined in 2007, but both left soon after, replaced by guitarist Javier Tapia and drummer Paulo Muñoz. The band then set aside the earlier album project to begin a new phase.

In 2012, with sound engineer Sebastián Pinilla, Fake Prophet recorded and released its first album, *Lejos del Hombre*, on February 27. The album received airplay on national stations Radio SONAR and Radio UNO. That year, the band won first place in the Emerging Bands category of the sixth Festival Escudo (now Santiago Gets Louders). After this, Álvaro Pesce rejoined the band, this time playing saxophone and synthesizer.

Winning the festival led to recording a second album at Estudios Rockaxis with engineer Eugenio Marin, alongside Estudio El Profeta and Sebastián Pinilla. That album, *Tractat de un Sannyas*, came out on August 27, 2013. On December 29, 2013, the band released a live bootleg titled *Fin del Registro*, which hinted at a possible breakup. Despite this, in late January 2014, Fake Prophet recorded a third studio album, *Sordos*, at Estudio El Profeta, releasing it on May 5 of that year.

Current members are José Albornoz (vocals, guitar), Fernando González (bass), Álvaro Pesce (vocals, alto saxophone, synthesizer, guitar), Javier Tapia (guitar), and Paulo Muñoz (drums). The only former member is drummer Fernando Macías (2007–2008). The band’s studio albums are *Lejos del Hombre* (2012), *Tractat de un Sannyas* (2013), and *Sordos* (2014), plus the live album *Fin del Registro* (2013).

Quick Facts

Alias
Death’s Tears / (2005–2006)
Origin
Santiago, Chile
Genre
Avant-garde metal, experimental rock
Years Active
2005–present
Current Members
José Albornoz / Fernando González / Álvaro Pesce / Javier Tapia / Paulo Muñoz
Past Members
Fernando Macías

Facts from the source article.

Lore & Background

Fake Prophet was formed in 2005 by Fernando E. Gonzalez and Jose Albornoz under the name Death's Tears. In 2006, the band changed its name to Fake Prophet and composed songs for their first album, Lágrimas de la Muerte. Early lineup changes occurred in 2007–2008, with guitarist Álvaro Pesce and drummer Fernando Macías joining and then leaving, replaced by Javier Tapia and Paulo Muñoz. The band eventually abandoned the Lágrimas de la Muerte project to open a new stage.

In 2012, with sound engineer Sebastián Pinilla, the band recorded and released their first album Lejos del Hombre on February 27, 2012. The album gained airplay on national radio stations Radio SONAR and Radio UNO. That same year, the band won first place in the sixth call of the Festival Escudo (Emerging Bands category). Later, Álvaro Pesce rejoined the band as a saxophonist and synthesizer player.

Their second album, Tractat de un Sannyas, was released on August 27, 2013, recorded at Estudios Rockaxis with engineer Eugenio Marin. On December 29, 2013, the band released a bootleg live album titled Fin del Registro, which hinted at a possible dissolution. Despite this, in late January 2014, they recorded their third studio album Sordos, released on May 5, 2014.

Reader's Guide

Fake Prophet's significance lies in their persistence through lineup changes and near-dissolution, and their success in the Chilean emerging-band scene. Winning first place at the Festival Escudo in 2012 provided a platform for their second album, Tractat de un Sannyas, which was recorded at a notable studio. Their music, categorized as avant-garde metal, incorporates unusual instrumentation such as alto saxophone and synthesizer, introduced by Álvaro Pesce. The band's discography includes three studio albums and one live bootleg, reflecting a steady output despite internal instability. Their legacy is primarily within the Chilean underground metal scene, with radio play on national stations and a reputation for evolving their sound through member changes.

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