Renée Fleming

Renée Lynn Fleming was born on February 14, 1959, in Indiana, Pennsylvania, to two music teachers. She has great-grandparents who were born in Prague and later moved to the United States. She grew up in Churchville, New York, and attended Churchville-Chili High School. After studying with Patricia Misslin at the Crane School of Music at SUNY Potsdam, she earned a Bachelor of Music Education in 1981. While there, she sang with a jazz trio at an off-campus bar. Jazz saxophonist Illinois Jacquet invited her to tour with his big band, but she chose instead to pursue graduate studies at the Eastman School of Music, where she received a Master of Music in 1983 under voice teacher John Maloy. At Eastman, she played Zerlina in a 1982 production of *Don Giovanni*.

During several summers at the Aspen Music Festival and School, Fleming studied with Jan DeGaetani and worked with director Edward Berkeley. She performed roles including Anne Sexton in *Transformations* (1983), the Countess Almaviva in *The Marriage of Figaro* (1984)—the role in which she later made most of her major opera house debuts—and Anne in *The Rake’s Progress* (1987). She also performed scenes from *Der Rosenkavalier*, and the Marschallin became one of her signature roles worldwide. A Fulbright Scholarship in 1985 allowed her to study in Europe with Arleen Augér and Elisabeth Schwarzkopf, and she studied lieder with Hartmut Höll in Frankfurt. She sang in jazz clubs to fund further studies at Juilliard, where her teacher was Beverley Peck Johnson. At Juilliard’s Opera Center, she appeared as Musetta in *La bohème* and the Wife in *Tamu-Tamu*, among others. She earned an Artist Diploma from Juilliard in 1986 and was among the first recipients of the Richard F. Gold Career Grant in 1987.

Fleming began performing professionally in smaller concerts and with small opera companies while still at Juilliard. In the 1980s, she sang frequently in the Musica Viva concert series at the New York Unitarian Church of All Souls. In 1984, she sang nine songs by Hugo Wolf in the world premiere of Eliot Feld’s ballet *Adieu*, which she performed again in 1987.

A full lyric soprano, Fleming has performed coloratura, lyric, and lighter spinto roles in Italian, German, French, Czech, and Russian, as well as English. A major part of her career involves new music, including world premieres of operas, concert pieces, and songs composed for her by André Previn, Caroline Shaw, Kevin Puts, Anders Hillborg, Nico Muhly, Henri Dutilleux, Brad Mehldau, and Wayne Shorter. In 2008, she became the first woman in the Metropolitan Opera’s 125-year history to solo headline a season opening night gala. Conductor Sir Georg Solti said he had met maybe two sopranos with her quality of singing in his long life.

Beyond opera, Fleming has sung and recorded lieder, chansons, jazz, musical theatre, and indie rock, and has performed with artists including Luciano Pavarotti, Lou Reed, Wynton Marsalis, Paul Simon, Andrea Bocelli, Sting, John Prine, Joe Jackson, and Dead & Company. A 2018 Tony Award nominee, she has acted on Broadway and in theatrical productions in London, Los Angeles, and Chicago. She has recorded songs for film soundtracks, including two that won the Academy Award for Best Picture: *The Shape of Water* and *The Lord of the Rings: The Return of the King*. She has made numerous television appearances and is the only classical singer to have performed the US National Anthem at the Super Bowl. In July 2025, she made her directing debut with a production of Mozart’s *Così fan tutte* at the Aspen Music Festival and School.

Fleming has received the National Medal of Arts, 18 Grammy nominations with five wins, and was one of five Kennedy Center Honors recipients in December 2023. Other honors include the Crystal Award from the World Economic Forum, the Chevalier de la Légion d’Honneur from France, Germany’s Cross of the Order of Merit, Sweden’s Polar Music Prize, and honorary membership in England’s Royal Academy of Music. Unusually for an artist who began in opera, she has name recognition beyond the classical world.

Fleming is a prominent advocate for awareness of music and the creative arts’ impact on health and neuroscience, winning a Research!America award for Impact on Public Opinion. In May 2023, the World Health Organization appointed her a Goodwill Ambassador for Arts and Health. In 2024, she launched the Renée Fleming Neuroarts Investigator Awards with the NeuroArts Blueprint Initiative at Johns Hopkins University and the Aspen Institute; the annual grants fund interdisciplinary research by early-career scientists working with arts practitioners. In April 2024, Penguin Random House published her anthology *Music and Mind: Harnessing the Arts for Health and Wellness*. In January 2025, she was appointed an inaugural member of the World Economic Forum Global Arts and Culture Council.