Mad Scientist Films Codexery

Fiend Without a Face

A 1958 British sci-fi horror about invisible killer brains.

Fiend Without a Face

Fiend Without a Face is a 1958 independently made British black-and-white science fiction-horror film drama directed by Arthur Crabtree. The film, based on Amelia Reynolds Long's 1930 short story 'The Thought-Monster,' follows a scientist in Canada whose experiments with thought projection create malevolent invisible killer brains that eventually materialize as flying brains with spinal columns and eyestalks. It is noted for its stop-motion animation and controversial gore, which sparked public and parliamentary debate in the United Kingdom.

Quick Facts

Director
Arthur Crabtree
Producer
John Croydon and Richard Gordon
Writer
Herbert J. Leder
Starring
Marshall Thompson / Kynaston Reeves / Michael Balfour / Kim Parker
Music
Buxton Orr
Cinematography
Lionel Banes
Editing
R. Q. McNaughton
Studio
Amalgamated Productions
Distributor
MGM (U.S.) / Eros Films (UK)
Runtime
74 minutes
Country
United Kingdom
Language
English

Facts from the source article.

Lore & Background

The film was produced by John Croydon and Richard Gordon for Amalgamated Productions. Screenwriter Herbert J. Leder was originally set to direct but, being American, could not obtain a British work permit in time, so Arthur Crabtree replaced him. However, on the first day of shooting, Crabtree claimed the script was not the film he had been hired to direct, as he did not do 'monster' films. After a heated argument, he left the set for several days, during which actor Marshall Thompson himself directed the film. The Canadian setting was chosen to appeal to both American and British Commonwealth audiences while being easy to replicate using English locations. U.S. Air Force stock aviation footage was used to pad the running time.

Reader's Guide

Fiend Without a Face is significant as a low-budget British science fiction-horror film that used stop-motion animation for its visible brain creatures, an unusual technique for its era. The film's graphic final scenes, in which the creatures become visible and attack, caused a public uproar after its British premiere, leading to questions in Parliament about censorship. Despite mixed contemporary reviews—some praising its suspense and originality, others condemning its gore—the film has gained a cult following. It holds a 67% 'Fresh' rating on Rotten Tomatoes and is considered one of the best B movies of the 1950s. James Rolfe called it the 'best killer brain movie ever' and noted it may be the goriest film of its time.

Did You Know?

More in Mad scientist films 1-24

Spotted an error? Know more?

Reader corrections go straight into our review queue. Suggest an edit · How this site is sourced

Comments

Loading…
Open in the interactive codex →