Game of Thrones Codexery

Game of Thrones title sequence

A changing map of Westeros and Essos.

The title sequence for every episode of HBO’s *Game of Thrones* acts as a visual tour of the series’ fictional world. Created by the design firm Elastic, it features music by Ramin Djawadi. The sequence shows a three-dimensional map of the world, set on the inside of a curved sphere. A small sun sits inside an armilla—a spherical astrolabe—at the center, with carvings on the armilla depicting major events from the world’s history, such as the Doom of Valyria, Aegon’s Conquest, and the rise of House Baratheon. The camera flies across the map, zooming in on the locations where the episode’s action takes place. As it does, clockwork mechanisms make buildings and structures rise from the ground. The names of the main cast appear alongside their characters’ family sigils, followed by the creative staff. The sequence ends after about ninety seconds with the title card and brief credits for the episode’s writers and directors.

The map uses the same geography found at the start of the book series, showing the continents of Westeros and Essos. Each episode’s sequence changes to reflect the locations visited in that episode, with new places added each season. However, no more than six locations can appear in any single episode due to time limits. King’s Landing, Winterfell, the Wall, and wherever Daenerys is located are always included, even if the episode’s story doesn’t feature them. Sigils on the map shift with the storyline—for example, Winterfell shows the Bolton flayed man when they hold it, then reverts to the Stark dire wolf after the Starks retake it. After Winterfell is burned, smoke rises from it. In the final season, the sequence was redesigned: it now starts at the breached Wall and follows the army of the dead south. For the first time, it shows interiors, including the crypts of Winterfell and the Red Keep’s throne room. The armilla and its carvings also update to reflect events like the Wall’s fall.

The sequence was a collaboration among three teams: Elastic handled the design, a52 did the computer graphics, and Rock Paper Scissors edited it. Elastic had previously created title sequences for HBO shows like *Rome*, *Big Love*, and *Carnivale*. HBO’s Carolyn Strauss, who had worked with them on those shows, brought them in for *Game of Thrones*.

Field
Television title design
Known for
Game of Thrones title sequence
Award
2011 Primetime Emmy Award for Outstanding Main Title Design
Creative director
Angus Wall
Art director
Robert Feng
Animator
Kirk Shintani
Designer
Hameed Shaukat

Contexte et histoire

The title sequence was created by three teams: design by Elastic, computer graphics by a52, and editing by Rock Paper Scissors. Elastic had previously created title sequences for Rome, Big Love, and Carnivale for HBO. They were approached by Carolyn Strauss of HBO to create the sequence for Game of Thrones. Angus Wall met with Strauss, showrunners David Benioff and Dan Weiss, and producer Greg Spence about a year before the show debuted. An early suggestion to use animated maps as scene transitions was rejected, and the map idea was reconsidered for the title sequence. The original pilot had a crow's flight from King's Landing to Winterfell, but Elastic devised the 3-D models within a sphere to avoid the question of what lies beyond the horizon. The sphere is lit by a sun in the middle. Producer Greg Spence explained that Angus Wall envisioned a mad monk in a tower creating automatons from materials like stone, tin, or wood, operated by gears and cogs reminiscent of Leonardo da Vinci's inventions.

Guide du lecteur

The Game of Thrones title sequence is significant for its innovative use of a three-dimensional map that changes each episode to reflect the locations visited. It serves as a navigational guide for viewers, orienting them to the geography of Westeros and Essos. The sequence features clockwork mechanisms that cause buildings to emerge from the map, and sigils of reigning families appear at each location. King's Landing, Winterfell, The Wall, and wherever Daenerys may be appear in every episode regardless of whether they are featured. The sequence won the 2011 Primetime Emmy Award for Outstanding Main Title Design. Its legacy includes being ranked one of the best TV title sequences of all time. The final season received a major revamp, showing the breached wall first and interiors of the crypts of Winterfell and the Red Keep. HBO released an interactive 360-degree video of the title sequence in season 6.

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