French Horror Films Codexery

The Infernal Trio

A 1974 film based on the real Sarret-Schmidt murder case.

The Infernal Trio

The Infernal Trio (French: *Le Trio infernal*, also released as *Lady of Hell*) is a 1974 film blending crime, comedy, and horror. Francis Girod directed it from a screenplay he wrote with Jacques Rouffio, adapting Solange Fasquelle’s novel of the same name. The story is based on the real-life case of Georges Sarret and the Schmidt sisters, who were tried and convicted in Aix-en-Provence in autumn 1933. Sarret was publicly guillotined on 10 April 1934.

The plot begins in 1920s Marseille. During a pompous ceremony where a tinny municipal band plays, middle-aged lawyer Georges Sarret receives a military medal. A beautiful nurse-attendant wheels a rich elderly woman in a bath-chair; as her eyes meet Sarret’s, the old lady slips down, dead. The attendant, Philomena Schmidt, a now-unemployed German, begins an affair with Sarret. He arranges her marriage to an older man so she can stay in France. After the wedding, Sarret also beds her sister Catherine, and a lustful ménage à trois develops.

The trio turns to insurance fraud. Catherine marries an elderly man named Deltreuil. Sarret bribes a dubious priest, Chambon, to impersonate Deltreuil at a medical exam. With Chambon’s mistress Noémie, they pull off a profitable fraud. Sarret decides to eliminate Chambon and Noémie, shooting them at a rented villa near Aix-en-Provence. He has already bought carboys of sulphuric acid. With the sisters’ help, the bodies are dissolved in two baths upstairs, and the ghastly, gooey residue is ladled and bucketed into a corner of the garden. This prolonged scene is the film’s grisly comic set-piece.

The trio appropriates Chambon’s assets and splits the loot. Catherine goes to Paris; Philomena returns to Sarret in Marseille. When Catherine rejoins them and money runs low—now the early 1930s—they start new swindles. They befriend and insure fragile patients in a tuberculosis hospital. Philomena poses as a charitable lady, Catherine as a maid. They persuade the hospital nuns to release a terminally ill young patient, Magali Herbin, into their care, where they pamper her with luxuries, casinos, and high living.

Magali and Catherine begin an affair. Then, without explanation, as Sarret and Philomena dance, Catherine’s body falls dead from an upper window. Distraught, Philomena attacks Sarret while Magali watches, confused.

Quick Facts

Native Name
fr · Le Trio infernal
Director
Francis Girod
Screenplay
Francis Girod · Jacques Rouffio
Based On
Le Trio infernal · Solange Fasquelle
Producer
Raymond Danon · Jacques Dorfmann · Wolfdieter von Stein
Starring
Michel Piccoli · Romy Schneider · Mascha Gonska · Philippe Brizard · Francis Claude · Hubert Deschamps · Monica Fiorentini · Papinou
Cinematography
Andréas Winding
Editing
Claude Barrois
Music
Ennio Morricone
Studio
Belstar Productions · Lira Films · Films 66 · Les Productions Fox Europa · Oceania Produzioni Internazionali Cinematografiche · TIT Filmproduktion GmbH
Distributor
Fox-Lira (France) · Cinerama Filmgesellschaft MBH (West Germany)
Released
22 May 1974 · France · 1974 · 8 · 30 · West Germany

Facts from the source article.

Lore & Background

The film follows fairly accurately the general events of the real case, though key details are adjusted. In real life, Catherine did not die as in the film, Magali was poisoned because she didn't succumb to tuberculosis swiftly enough, and Sarret did not marry Philomena. The trio survived to be arrested, tried and convicted, the sisters serving long prison sentences and Sarret being executed. The Sarret case was a headline-grabbing sensation in 1930s France, with both trial and execution turning into a fiasco.

Reader's Guide

The Infernal Trio is significant as a cinematic adaptation of a notorious true crime case from 1930s France, blending crime, comedy, and horror. Director Francis Girod, co-writing with Jacques Rouffio, drew on Solange Fasquelle's novel to emphasize the amorality, cynicism, and corruption of the trio and their society. Beneath period glamour, the film maintains a bleakly comic tone, supported by Ennio Morricone's score. The real case of Georges Sarret and the Schmidt sisters was a popular entry in true crime anthologies, first written up in English by Roland Wild, and reprinted in Murder in the 1930s and The Murder Casebook. The film's legacy lies in its faithful yet adjusted portrayal of a sensational historical crime, capturing the grisly humor and moral decay of its subjects.

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