Jayadeva

Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born around 1170 CE), also known as Jaideva, was a 12th-century Sanskrit poet. He is best remembered for his epic poem *Gita Govinda*, which focuses on Krishna’s romantic relationship with the gopi Radha during a spring ritual. The poem elevates Radha above Krishna and is regarded as a key work in Hinduism’s Bhakti movement. Not much is known about his life, except that he was a solitary poet and a Hindu mendicant, admired for his poetic skill in eastern India. Jayadeva is also the earliest known author of hymns included in the *Guru Granth Sahib*, the central scripture of Sikhism—a faith that emerged centuries after his time.

**Biography** Jayadeva was born into a Brahmin family, but the exact date and place of his birth are uncertain. The *Gitagovinda* suggests he was born in a village called "Kindubilva." Scholars have identified this with various locations, including Kenduli Sasan near Puri in Odisha, Jaydev Kenduli in West Bengal’s Birbhum district, and a Kenduli near Jhanjharpur in Mithila (Bihar). Several 16th-century texts state Jayadeva came from 'Utkala,' another name for Odisha. Most surviving *Gita Govinda* manuscripts are found in Odisha, in many shapes and sizes, where the poem is deeply woven into regional culture. A wanderer, Jayadeva likely visited Puri at some point; tradition holds that he married a dancer named Padmavati there, though early commentators and modern scholars do not support this. His parents were Bhojadeva and Ramadevi. Temple inscriptions reveal that Jayadeva studied Sanskrit poetry at a place called Kurmapataka, identified near Konark in Odisha.

**Historical records on Jayadeva's life** Inscriptions at the Lingaraja temple, and more recently at the Madhukeswara and Simhachala temples—read and interpreted by Padmashri Dr. Satyanarayana Rajguru—shed light on his early years. These records indicate that Jayadeva was a member of the teaching faculty at the school in Kurmapataka, and he may have studied there as well. It appears that after his childhood education in Kenduli village, he went to Kurmapataka to gain experience in composing poetry, music, and dance.

**Literary contributions** Scholar Thomas Donaldson notes that the *Gitagovinda* was known at Puri soon after it was written, as the earliest commentary on it was composed in Odisha around 1190. The village of Kenduli Sasana is described as "teeming with Vaishnava ruins and temples, perhaps more than any other site in India." Donaldson also observes an increase in Krishna images in Odishan sculpture from the late 12th century onward, "long before such images became popular in Bengal or elsewhere in India." At the Jagannatha temple in Puri, the *Gita Govinda* has been sung every night during the Badasinghara ritual since Jayadeva’s time. Inscriptions record that the maharis, or devadasis, were instructed to perform the *Gitagovinda* faithfully using the ragas of Odissi music. During the Badasinghara Besa—the nighttime attire ritual—the deities wear a special fabric called Kenduli Khandua or Gita Gobinda Khandua, woven with lines from the poem using the ikat technique. Weavers from Kenduli Sasana have supplied these fabrics, a tradition also dating back to the poet’s era.

Odisha has a tradition of creating *Gita Govinda* manuscripts in various forms, such as fish-shaped designs or garlands of small round palm-leaf pieces used as portable texts. Many manuscripts have been written and illustrated in Odisha, some considered among the finest examples of Indian art. Dr. Bhagyalipi Malla, curator of the manuscripts section at the Odisha State Museum, notes that the museum holds an exceptionally large number of *Gitagovinda* manuscripts—210 in total. These include 21 illustrated, 180 non-illustrated, and nine in shapes like garlands, fish, and daggers. Besides palm leaf, there are versions on ivory, bamboo leaf, and handmade paper, along with 18 different commentaries preserved in the museum. Even today, traditional craftsmen and scribes in Odisha stitch palm leaves together to create manuscripts that open like charts of folios, with the *Gita Govinda* text and illustrations.

A few of Jayadeva’s poems in archaic Odia have been published by the Directorate of Culture, Odisha. They describe the romance of Radha and Krishna and contain ideas similar to those in the *Gita Govinda*. Jayadeva is widely regarded as one of the earliest musicians of Odissi music. Every night during the Badasinghara—the final ritual at the Jagannatha temple in Puri—the *Gitagovinda* is sung in traditional Odissi ragas and talas, such as Mangala Gujjari. This tradition has continued unbroken since Jayadeva’s time, when he himself sang in the temple. After his death, singing the *Gitagovinda* in authentic Odissi ragas and talas became a mandatory service at the temple, performed by the maharis or devadasis, as recorded in inscriptions, the *Mādalā Pānji*, and other official documents. To this day, the Jagannatha temple remains the source of Odissi music and the oldest authentic compositions, including a few archaic Odia chhandas and jananas by Jayadeva himself.