Creations (band)

Lore & Background

Creations formed in Sydney, Australia, in 2009. Their first studio album, The Gospel, was released on 30 August 2011 through Mediaskare Records and Rite of Passage Music. Their second studio album, Unworthy/Humility, followed on 11 June 2013, also via Mediaskare Records. The band announced their disbandment in 2016.

The band's final lineup consisted of vocalist Thomas Hirst, guitarist Jared Laycock, bassist Jonny Blackwell, and drummer Mike Mitchell. Past members included vocalist Michael Foss, guitarists Blake Carter and James Thorpe, and drummer Blair Gowan. They also released an independent EP titled Ruined in 2009 and a cover of P.O.D.'s 'Boom' for the Goes Undercover compilation in 2013.

Reader's Guide

Creations represent a niche intersection of Christian faith and aggressive hardcore music, specifically within the Beatdown Hardcore and Metalcore subgenres. Their two studio albums, The Gospel and Unworthy/Humility, were released on Mediaskare Records, a label known for heavy music. The band's significance lies in their contribution to the Australian Christian metal scene, though their impact was limited to a relatively short active period from 2009 to 2016. Their music, while not widely known outside hardcore circles, provided a platform for Christian themes within a sonically intense framework. The band's disbandment in 2016 marked the end of their recorded output, leaving behind a small discography that includes two albums, one EP, and a cover. Their legacy is primarily of interest to collectors of Christian hardcore and Australian metal history.

Did You Know?

• Creations primarily played Beatdown Hardcore with Metalcore influences.
• Their first two studio albums were released by Mediaskare Records alongside Rite of Passage Music.
• The band announced they were disbanding in 2016.
• They released a cover of P.O.D.'s 'Boom' on the Goes Undercover compilation in 2013.

Origins & Musical Identity

Creations emerged from Sydney, New South Wales, in 2009 as a four-piece unit blending the aggressive weight of Beatdown Hardcore with the layered intensity of Metalcore. Rooted firmly in the Christian hardcore and Christian metal traditions, the group carved out a niche that married faith-driven lyrical content with the crushing riffs and breakdowns characteristic of the broader hardcore and deathcore scenes. Their sound has also been described as falling within the melodic deathcore variety, suggesting an emphasis on melodic guitar work layered atop the heavier structural elements of the genre. Operating from Australia's largest city, the band brought a distinctly local energy to a scene that, while globally connected through shared musical DNA, still benefits from regional voices pushing the boundaries of how faith and extreme music intersect. Their 2009 inception marked the start of a focused, if relatively short, run that would see them release a self-produced EP before moving to established labels for their full-length records.

Discography & Label History

Creations' catalog, though compact, traces a clear trajectory from independent beginnings to label-backed releases. Their earliest recorded output was the EP Ruined, put out independently in 2009, the same year the band first began making music. Two years later, on 30 August 2011, they delivered their debut studio album The Gospel through a joint release between Mediaskare Records and Rite of Passage Music, marking their first step onto a more established distribution platform. The follow-up, Unworthy/Humility, arrived on 11 June 2013 under Mediaskare Records alone, suggesting a streamlined partnership as the group refined their sound. Beyond full-length and EP material, the band also contributed a cover of P.O.D.'s "Boom" to the Goes Undercover compilation in 2013, demonstrating their willingness to engage with the broader Christian music community beyond their own original compositions. Across these releases, the relationship with Mediaskare and the one-time involvement of Rite of Passage Music anchored their distribution strategy during a career spanning roughly seven years of active output.

Personnel & Lineup Evolution

Over the course of their seven-year run, Creations cycled through several members, reflecting the natural turnover common in bands navigating the demands of touring, recording, and personal growth. The group's final configuration featured Thomas Hirst on vocals, Jared Laycock handling guitar duties, Jonny Blackwell on bass, and Mike Mitchell behind the drums. Before settling into this last iteration, the band had also counted Michael Foss as a vocalist, Blake Carter and James Thorpe as guitarists, and Blair Gowan as a drummer. The presence of two former guitarists alongside the final guitarist suggests a period where the band explored a heavier, more layered guitar texture, while the vocal transition from Foss to Hirst points to a shift in tonal delivery or stylistic direction. The bass position, occupied by Blackwell in the final lineup, and the drum seat held by Mitchell appear to have remained more stable, providing rhythmic continuity even as the front and guitar lines evolved. This personnel history underscores that Creations were a living, adapting unit rather than a static formation.

Legacy & Dissolution

Creations' story is one of concentrated output within a relatively brief window. From their first musical activity in 2009 to their announced disbanding in 2016, the band operated for roughly seven years, a span that yielded one independent EP, two studio albums, and a compilation contribution. Their decision to call it a close in 2016 brought a definitive end to a project that, while modest in the number of releases, maintained a consistent identity as a Christian hardcore and metal act within the Australian scene. The band's association with Mediaskare Records and, briefly, Rite of Passage Music placed them within a network of labels dedicated to faith-based extreme music, ensuring their work reached listeners who specifically sought that intersection of belief and sonic intensity. Though their discography is short, the fact that they produced material across both independent and label-backed channels speaks to a group that was building momentum before their departure. Their Facebook page remains as a digital footprint, a small but persistent marker of a Sydney band that carved a distinct space in the global Christian hardcore landscape before choosing to step away.

Gallery