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The Canopy of Time

A collection of linked science fiction short stories by Brian W. Aldiss.

The Canopy of Time

The Canopy of Time is a science fiction short story collection by British author Brian W. Aldiss, released in 1959 through Faber and Faber. An American edition, retitled Galaxies Like Grains of Sand, appeared in a different arrangement that Aldiss himself favored.

The stories are linked by a framing device: Aldiss likens historical time to a treacherous mirror, and the stories themselves to shards of that mirror. A short introduction ties each tale to the one before it.

"Three’s a Cloud" – Slightly drunk, Clemperer stumbles into a nearly empty restaurant in a seaside town where he has washed up. He joins the two other patrons and feels a strange sense of unity with them, which persists as a storm rages over Union Bay. Believing his new friends have drowned, he returns to the restaurant and finds them waiting for him, soaking wet.

"All the World's Tears" – On the last day of summer in the 83rd Century, in a war-weary world where people avoid direct contact, J. Smithlao visits Charles Gunpat’s estate to fit the old man with a hate brace before a meeting. As Smithlao’s sneering remarks about Gunpat’s mutant daughter provoke a screaming rage, he witnesses an incident that will provide excellent material for his next hate-brace session.

"Who Can Replace a Man?" – Robots on a vast farm receive no orders from the city and learn that humans are extinct. Guided by the most intelligent among them, they begin planning a glorious robot civilization free of human rule—until they encounter a lone human.

"Blighted Profile" – Chun Hwa rides his horse along the rim of a burnt-over remnant of ancient radiation wars. His grandchildren’s generation plans a great city on Union Bay, and he wants to travel to the future to gather proof it is a mistake. A wild boy tells him he has found a time machine, and Chun Hwa follows his heart.

"Judas Danced" – In the city of Union, Alexander Abel Ybo is sentenced to death for the second time for murdering Parowen Scryban for the second time. In a world where people view history through timescreens and express their feelings via interpretive dance, Ybo is an outcast. Though he resembles Jesus Christ, his club foot prevents him from dancing the Passion, so he murders his twin, who can.

Quick Facts

Author
Brian Aldiss
Cover Artist
John Griffiths
Country
United Kingdom
Language
English
Genre
Science fiction
Published
1959 (Faber and Faber)
Media Type
Print (Hardback)
Pages
222 (Hardback edition)
Oclc
1933121

Facts from the source article.

Lore & Background

The Canopy of Time presents a series of short stories that together reflect a forty-million-year history of the City of New Union. Aldiss describes historical time as 'a treacherous mirror,' and the book offers only shards of that mirror. A brief introduction ties each story to the previous one.

The stories include 'Three’s a Cloud,' in which a mildly drunk man named Clemperer experiences a strange gestalt with two strangers during a storm; 'All the World’s Tears,' set on the last day of summer in the 83rd Century in a war-exhausted world where a man named J. Smithlao gives a hate brace to Charles Gunpat; and 'Who Can Replace a Man?,' in which robots on a farm learn humans are extinct but then encounter a lone human. Other stories explore time travel, interpretive dance, galactic civilizations, and the collapse of matter.

Reader's Guide

The Canopy of Time is significant as a collection that uses a linked-story structure to present a sweeping, episodic future history of humanity. Floyd C. Gale described the book as 'a Stapletonesque Long View of Man’s future,' referencing Olaf Stapledon’s cosmic-scale narratives. The collection showcases Aldiss’s early work, with stories originally published in magazines such as New Worlds Science Fiction, Nebula Science Fiction, and The Magazine of Fantasy and Science Fiction. The US edition, retitled Galaxies Like Grains of Sand, was the version Aldiss preferred. The book’s themes include the cyclical nature of history, the dangers of technology, and the fragility of human civilization, all framed within a speculative future spanning millions of years.

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