Historical Figures Codexery

James Cagney

The Professional Againster: James Cagney's energetic performances defined Hollywood's Golden Age.

James Francis Cagney Jr. (July 17, 1899 – March 30, 1986) was an American actor and dancer celebrated for his high-energy performances, distinctive voice, and deadpan comic timing. He rose to fame portraying complex tough guys in films like *The Public Enemy*, *Taxi!*, *Angels with Dirty Faces*, *The Roaring Twenties*, *City for Conquest*, and *White Heat*, though this typecasting defined his early career. He successfully negotiated dancing roles into his films, winning the Academy Award for Best Actor for his portrayal of George M. Cohan in the musical *Yankee Doodle Dandy* (1942). The American Film Institute ranked him eighth among the greatest male stars of Hollywood’s Golden Age, and Orson Welles called him “maybe the greatest actor who ever appeared in front of a camera.”

Born on Manhattan’s Lower East Side, Cagney was the second of seven children in a poor Irish-Norwegian family. He was sickly as an infant and later credited his health struggles to poverty. After graduating from Stuyvesant High School in 1918, he briefly attended Columbia College, intending to study art, but left after his father’s death during the 1918 flu pandemic. He held numerous jobs—including junior architect, copy boy, book custodian, bellhop, and night doorkeeper—giving all earnings to his family. He learned tap dance as a boy, earning the nickname “Cellar-Door Cagney” for dancing on slanted cellar doors, and was a skilled amateur boxer, nearly winning the New York state lightweight title. His acting career began after he filled in for his brother in an amateur production, relying on a photographic memory of rehearsals. He debuted professionally in 1919, spent years in vaudeville as a dancer and comedian, and landed his first major role in 1925. Al Jolson was so impressed by his 1929 stage performance in *Penny Arcade* that he bought the rights, securing Cagney’s part in the Warner Bros. film adaptation, beginning a long but turbulent studio relationship. Cagney walked out on Warner Bros. twice, suing for breach of contract in 1935 and later forming his own production company in 1942 before returning in 1949. He also served as president of the Screen Actors Guild and made numerous USO troop tours. After retiring in 1961, he returned for a role in *Ragtime* (1981) to aid his recovery from a stroke.

born
July 17, 1899, Lower East Side of Manhattan, New York City
died
March 30, 1986
field
Actor and dancer
nationality
American
known_for
Playing multifaceted tough guys; winning the Academy Award for Yankee Doodle Dandy (1942); being ranked eighth among greatest male stars of the Golden Age of Hollywood

Lore & Background

Cagney is remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), The Roaring Twenties (1939), City for Conquest (1940) and White Heat (1949), finding himself typecast in the early years of his career. He was able to negotiate dancing opportunities in his films and ended up winning the Academy Award for his role of George M. Cohan in the musical Yankee Doodle Dandy (1942). In 1999, the American Film Institute ranked him eighth on its list of greatest male stars of the Golden Age of Hollywood. Orson Welles described him as 'maybe the greatest actor who ever appeared in front of a camera'. After making his debut in 1919, he spent several years in vaudeville as a dancer and comedian and played his first major acting role in 1925. Al Jolson was sufficiently impressed by his performance in 1929's Penny Arcade that he bought the rights to it, securing Cagney's part in the Warner Bros. adaptation of the play. This marked the beginning of a lengthy, albeit turbulent association with the studio. Cagney's fifth film, The Public Enemy, became one of the most influential gangster movies of the period. He became one of Hollywood's leading stars and one of Warner Bros.' biggest contracts at the time. In 1938, he received his first Academy Award nomination for Best Actor for his subtle portrayal of the tough guy/man-child Rocky Sullivan in Angels with Dirty Faces. He was nominated a third time in 1955 for Love Me or Leave Me with Doris Day. Cagney retired from acting and dancing in 1961. He came out of retirement 20 years later for a part in the movie Ragtime (1981), mainly to aid his recovery from a stroke. Cagney walked out on Warner Bros. twice over the course of his career, each time returning on much improved personal and artistic terms. In 1935, he sued Warner for breach of contract and signed with Edward L. Alperson's independent company Grand National Pictures. In 1942, he established his own production company, Cagney Productions, before returning to Warner seven years later. In reference to Cagney's refusal to be pushed around, Jack L. Warner called him 'the Professional Againster'. Cagney also made numerous USO troop tours before and during World War II and served as president of the Screen Actors Guild for two years.

Reader's Guide

James Francis 'Jimmy' Cagney Jr. was born in 1899 on the Lower East Side of Manhattan in New York City. His biographers disagree as to the actual location: either on the corner of Avenue D and 8th Street, or in a top-floor apartment at 391 East 8th Street, the address that is on his birth certificate. His father, James Francis Cagney Sr. (1875–1918), was of Irish descent. At the time of his son's birth, he was a bartender and amateur boxer, although on Cagney's birth certificate, he is listed as a telegraphist. His mother was Carolyn Elizabeth (née Nelson; 1877–1945); her father was a Norwegian ship's captain, and her mother was Irish. Cagney was the second of seven children, two of whom died within months of their births. He was sickly as an infant—so much so that his mother feared he would die before he could be baptized. He later attributed his poor health to the poverty his family endured. The family moved twice while he was still young, first to East 79th Street, and then to East 96th Street. He was confirmed at St. Francis de Sales Roman Catholic Church in Manhattan; his funeral service would eventually be held in the same church. The red-haired, blue-eyed Cagney graduated from Stuyvesant High School in New York City in 1918, and attended Columbia College, where he intended to major in Art. He also took German and joined the Student Army Training Corps, but he dropped out after one semester, returning home upon the death of his father during the 1918 flu pandemic. Cagney held a variety of jobs early in his life: junior architect, copy boy for the New York Sun, book custodian at the New York Public Library, bellhop, draughtsman, and night doorkeeper. He gave all his earnings to his family. While Cagney was working for the New York Public Library, he met Florence James, who helped him into an acting career. Cagney believed in hard work, later stating, 'It was good for me. I feel sorry for the kid who has too cushy a time of it. Suddenly he has to come face-to-face with the realities of life without any mama or papa to do his thinking for him.' He started tap dance as a boy (a skill that eventually contributed to his Academy Award) and was nicknamed 'Cellar-Door Cagney' after his habit of dancing on slanted cellar doors. He was a good street fighter, defending his older brother Harry, a medical student, when necessary. He engaged in amateur boxing, and wa

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Notable Quotes (Wikiquote)

"James Francis Cagney, Jr. (July 17, 1899 – March 30, 1986) was an American film actor who won acclaim for a wide variety of roles and won the Oscar for Best Actor in 1942 for his role in Yankee Doodle Dandy." — James Cagney "I never actually said "Ooh, you dirty rat." — James Cagney "When receiving his AFI Lifetime Achievement Award in 1974; misattribution noted in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 11." — James Cagney "You don't psych yourself up for these things, you do them... I'm acting for the audience, not for myself, and I do it as directly as I can." — James Cagney

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