Historical Figures Codexery

Kazimir Malevich

Founder of Suprematism and pioneer of abstract painting.

He developed Suprematism as an art of pure form, which he believed conveyed the supreme reality of existence: pure feeling.[1] Kazimir Severinovich Malevich, whose work and writings were foundational for the development of 20th-century abstract painting, was a Russian avant-garde artist and art theorist.[2]

Quick Facts

Born
23 February 1879
Birthplace
Kiev, Russian Empire (now Kyiv, Ukraine)
Died
15 May 1935
Place of death
Leningrad, Russian SFSR, Soviet Union (now Saint Petersburg, Russia)
Movement
Suprematism

Facts from the source article.

Life and work

He spoke Polish, Russian, and Ukrainian in his childhood home.[3] He participated in the first exhibition of the Knave of Diamonds collective in December 1910.[4] Malevich's Polish parents, who had relocated after the unsuccessful January Uprising of 1863, gave birth to him near Kiev in 1879.[5][6] Malevich passed away from cancer on 15 May 1935 in Leningrad; the Black Square was positioned above his deathbed.[7]

What the cited sources add

The Gagosian Gallery exhibition "Malevich and the American Legacy" featured six rare paintings, including Painterly Realism of a Football Player—Color Masses in the 4th Dimension (1915).[1] In 2000, a Malevich painting was auctioned for the first time since his death, following a settlement between the Museum of Modern Art and Malevich's heirs.[8] The Malevich family still had lawsuits pending against the Stedelijk Museum in Amsterdam as of 2000.[8] Malevich's works were not exhibited again in the Soviet Union until 1962.[8]

References

  1. Malevich and the American Legacy, March 3 – April 30, 2011 Gagosian Gallery, New York.. facts only, no text reused. gagosian.com
  2. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: // ЦГИАК Украины, ф. 1268, оп. 1, д. 26, л. 13об—14. (original not read by us) en.wikipedia.org
  3. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: Shkandrij 2019, p. 106; Turowski, "Supremus Malewicza: wystawa w 125 rocznicę urodzin artysty", Muzeum Narodowe, 2004; Shatskikh, Aleksandra Semenovna. 2013. Black Square: Malevich and the Origin of Suprematism. New Haven, Conn: Yale University Press. p. 51.; Radio Svododa, "Malevich: Ukrainskyi kvadrat (dokumentalnyi film)", 23 February 2019 (original not read by us) en.wikipedia.org
  4. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: Moran, "Malevich", Tate Publishing, 2014; Sokolov, "P. P. Konchalovsky (1876-1956) (On His Methods as a Painter of Pictures)", Leonardo, 1978, p. 321–325; Malevich, "Notes on Architecture", 1924 (we also read that source) en.wikipedia.org
  5. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: "Kazimir Malevich, 1878-1935", The Armand Hammer Museum of Art and Cultural Center (we also read that source) en.wikipedia.org
  6. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: Moran, "Malevich", Tate Publishing, 2014; Tarasov, "Modernism and the Spiritual in Russian Art: New Perspectives", Open Book Publishers, 2017-11-13 (we also read that source) en.wikipedia.org
  7. Wikipedia, "Kazimir Malevich" (CC BY-SA 4.0), which cites: Schjehldahl, "The Prophet: Malevich's Revolution"; Cole, "Spring", JAMA, 16 March 2011, p. 1066; Sophia Kishkovsky (30 August 2013), Malevich’s Burial Site Is Found, Underneath Housing Development The New York Times. (original not read by us) en.wikipedia.org
  8. Wood, Tony. "The man they couldn't hang". The Guardian, 10 May 2000. Retrieved 21 March 2018.. facts only, no text reused. theguardian.com

Each numbered sentence above was checked against the source it cites before publication. Sentences citing Wikipedia adapt text from the English Wikipedia article Kazimir Malevich (contributors), used under CC BY-SA 4.0; this entry is available under the same licence. Other sources were used for facts only; no text or images are copied from them.

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