Gene Kelly
The dancer who brought ballet to the masses and transformed the Hollywood musical.
Wikipedia / Wikimedia Commons
Eugene Curran Kelly, born August 23, 1912, and passing on February 2, 1996, was an American performer and filmmaker—dancer, actor, singer, director, and choreographer. His dancing style was famous for its athleticism and high energy. He aimed to develop a distinctly American dance form that anyone could enjoy, a concept he described as "dance for the common man." Along with Stanley Donen, he starred in, choreographed, and co-directed many of the most celebrated musical films from the 1940s and 1950s.
His most famous roles came in *An American in Paris* (1951), which won the Academy Award for Best Picture, and *Singin' in the Rain* (1952), which he and Donen directed and choreographed. For playing Joseph "Joe" Bradley in *Anchors Aweigh* (1945), he earned an Academy Award nomination for Best Actor. His first directing job was *On the Town* (1949), which he co-directed with Donen and also starred in. As musicals became less popular later in the 1950s, he appeared in *Brigadoon* (1954) and *It's Always Fair Weather* (1955), the last film he directed with Donen. His first solo directorial effort was *Invitation to the Dance* (1956), one of MGM's final musicals, which did poorly at the box office.
His film debut was *For Me and My Gal* (1942) alongside Judy Garland, with whom he also worked in *The Pirate* (1948) and *Summer Stock* (1950). He took on dramatic roles in *Black Hand* (1950) and *Inherit the Wind* (1960), earning critical praise for the latter. In the 1960s, he continued directing, with credits including *A Guide for the Married Man* (1967) and *Hello, Dolly!* (1969), which received an Oscar nomination for Best Picture. He co-hosted or appeared in several compilation films: *Ziegfeld Follies* (1946), *That's Entertainment!* (1974), *That's Entertainment, Part II* (1976), *That's Dancing!* (1985), and *That's Entertainment, Part III* (1994).
His innovations reshaped the Hollywood musical, and he is widely credited with making ballet commercially viable for movie audiences almost by himself. Dance historian Beth Genné noted that, through his work with Donen on *Singin' in the Rain* and with director Vincente Minnelli, Kelly fundamentally changed how movies are made and how we view them, all from a dancer's perspective. In 1952, he received an Academy Honorary Award for his career achievements; that same year, *An American in Paris* won six Oscars, including Best Picture. Later honors included lifetime achievement awards from the Kennedy Center Honors (1982), the Screen Actors Guild, and the American Film Institute. In 1999, the American Film Institute ranked him the 15th greatest male screen legend of Classic Hollywood Cinema.
Kelly was born in Pittsburgh's East Liberty neighborhood, the middle of five children. His father, James Patrick Joseph Kelly, sold phonographs, and his mother was Harriet Catherine Curran. His father was born in Peterborough, Ontario, to an Irish Canadian family; his maternal grandfather emigrated from Derry, Ireland, and his maternal grandmother had German roots. When he was eight, his mother enrolled him and his brother James in dance classes alongside their sisters. Kelly recalled that both boys rebelled, disliking it and getting into fistfights with neighborhood kids who called them sissies. He didn't dance again until he was 15. As a child, he dreamed of playing shortstop for the Pittsburgh Pirates.
By the time he chose to dance, he was a skilled athlete who could defend himself. He attended St. Raphael Elementary School in Pittsburgh's Morningside neighborhood and graduated from Peabody High School at 16. He entered Pennsylvania State College as a journalism major but left after the 1929 crash to help his family financially. With his younger brother Fred, he created dance routines to win prize money in local talent contests and performed in nightclubs. In 1931, he enrolled at the University of Pittsburgh to study economics, joining the Theta Kappa Phi fraternity (later Phi Kappa Theta). He became active in the university's Cap and Gown Club, which staged original musicals. After graduating in 1933, he stayed with the club as director from 1934 to 1938 and was admitted to the University of Pittsburgh Law School.
His family opened a dance studio in Pittsburgh's Squirrel Hill neighborhood. In 1932, they renamed it the Gene Kelly Studio of the Dance, and a second location opened in Johnstown, Pennsylvania, in 1933. Kelly taught there during his undergraduate and law school years. In 1931, the Beth Shalom Synagogue in Pittsburgh hired him to teach dance and stage its annual Kermesse, a successful venture that lasted seven years until he left for New York. He eventually chose a career as a dance teacher and full-time entertainer, dropping out of law school after two months. He focused more on performing, later explaining that teaching became frustrating because the ratio of girls to boys was over ten to one, and most girls dropped out by age 16. In 1937, after successfully managing the family dance-school business, he moved to New York City to find work as a choreographer. He returned to Pittsburgh in 1940, living at his family home on Kensington Street, and worked as a theatrical actor.
After an unsuccessful job search in New York, he came back to Pittsburgh for his first choreography job with the Charles Gaynor musical revue.
- born
- August 23, 1912, East Liberty neighborhood of Pittsburgh
- died
- February 2, 1996
- field
- Dancer, actor, singer, director, choreographer
- nationality
- American
- known_for
- Energetic and athletic dancing style; creating 'dance for the common man'; starring in and co-directing An American in Paris (1951) and Singin' in the Rain (1952)
Lore & Background
Kelly was born in the East Liberty neighborhood of Pittsburgh. He was the middle of five children of James Patrick Joseph Kelly, a phonograph salesman, and his wife, Harriet Catherine Curran. His father was born in Peterborough, Ontario to an Irish Canadian family. His maternal grandfather was an immigrant from Derry, Ireland, and his maternal grandmother was of German ancestry. When he was eight, Kelly's mother enrolled him and his brother James in dance classes, along with their sisters. As Kelly recalled, they both rebelled: 'We didn't like it much and were continually involved in fistfights with the neighborhood boys who called us sissies ... I didn't dance again until I was 15.' At one time, his childhood dream was to play shortstop for the hometown Pittsburgh Pirates. By the time he decided to dance, he was an accomplished sportsman and able to defend himself. He attended St. Raphael Elementary School in the Morningside neighborhood of Pittsburgh and graduated from Peabody High School at age 16. He entered the Pennsylvania State College as a journalism major, but after the 1929 crash he left school and found work in order to help his family financially. He created dance routines with his younger brother Fred to earn prize money in local talent contests. They also performed in local nightclubs. In 1931, Kelly enrolled at the University of Pittsburgh to study economics, joining the Theta Kappa Phi fraternity (later known as Phi Kappa Theta after merging with Phi Kappa). He became involved in the university's Cap and Gown Club, which staged original musical productions. After graduating in 1933, he continued to be active with the Cap and Gown Club, serving as the director from 1934 to 1938. Kelly was admitted to the University of Pittsburgh Law School. His family opened a dance studio in the Squirrel Hill neighborhood of Pittsburgh. In 1932, they renamed it the Gene Kelly Studio of the Dance and opened a second location in Johnstown, Pennsylvania in 1933. Kelly served as a teacher at the studio during his undergraduate and law-student years at Pitt. In 1931, he was approached by the Beth Shalom Synagogue in Pittsburgh to teach dance, and to stage the annual Kermesse. The venture proved a success, Kelly being retained for seven years until his departure for New York. Kelly eventually decided to pursue a career as a dance teacher and full-time entertainer,
Reader's Guide
Kelly is best known for his performances in An American in Paris (1951), which won the Academy Award for Best Picture and Singin' in the Rain (1952), which he and Donen directed and choreographed. He received a nomination for the Academy Award for Best Actor for his role as Joseph 'Joe' Bradley in Anchors Aweigh (1945). Kelly's director debut was On the Town (1949), which he co-directed with Donen and also played the lead role. Later in the 1950s, as musicals waned in popularity, he starred in Brigadoon (1954) and It's Always Fair Weather (1955), the last film he directed with Donen. His solo directorial debut was Invitation to the Dance (1956), one of the last MGM musicals, which was a commercial failure. Kelly made his film debut in For Me and My Gal (1942) with Judy Garland, with whom he also appeared in The Pirate (1948) and Summer Stock (1950). He also appeared in the dramas Black Hand (1950) and Inherit the Wind (1960), for which he received critical praise. He continued as a director in the 1960s, with his credits including A Guide for the Married Man (1967) and Hello, Dolly! (1969), which received an Oscar nomination for Best Picture. He co-hosted and appeared in Ziegfeld Follies (1946), That's Entertainment! (1974), That's Entertainment, Part II (1976), That's Dancing! (1985), and That's Entertainment, Part III (1994). His innovations transformed the Hollywood musical, and he is credited with almost single-handedly making the ballet form commercially acceptable to film audiences. According to dance and art historian Beth Genné, working with his co-director Donen in Singin' in the Rain and in films with director Vincente Minnelli, 'Kelly ... fundamentally affected the way movies are made and the way we look at them. And he did it with a dancer's eye and from a dancer's perspective.' Kelly received an Academy Honorary Award in 1952 for his career achievements; the same year, An American in Paris won six Academy Awards, including Best Picture. He later received lifetime achievement awards in the Kennedy Center Honors (1982) and from the Screen Actors Guild and American Film Institute. In 1999, the American Film Institute also ranked him as the 15th greatest male screen legend of Classic Hollywood Cinema.
Did You Know?
- Kelly was the middle of five children, not three.
- His mother enrolled him and his brother James in dance classes along with their sisters.
- He created dance routines with his younger brother Fred, not his sister Louise.
- He did not dance again until age 15, as he himself recalled.
Notable Quotes (Wikiquote)
"Gene Kelly (born Eugene Curran Kelly, August 23, 1912 – February 2, 1996) was an American dancer, actor, singer, director, producer, and choreographer." — Gene Kelly "I really don't know why I clicked. I didn't want to be a dancer, I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally." — Gene Kelly "Quoted in "Gene Kelly's Musical Memories" — Gene Kelly "Fred Astaire represented the aristocracy, I represented the proletariat." — Gene Kelly
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