Book of Daniel
Biblical apocalypse set in the 6th century BC, written in the 2nd century BC.
The Book of Daniel is a work of biblical apocalyptic literature. While its story is set in the 6th century BCE, mainstream scholars date its composition to the 2nd century BCE. It presents itself as an account of Daniel, a Jewish exile in Babylon, and his experiences and prophetic visions. The book’s prophecies are grounded in Jewish history, but its depiction of the end times is both cosmic and politically focused. Its core message for its original audience was that, just as the God of Israel rescues Daniel from his enemies, so too would he rescue the Israelites from their current oppression.
In the Hebrew Bible, Daniel is placed among the Ketuvim ("Writings"), whereas Christian canons group it with the Major Prophets. The book has two main parts: six court tales (chapters 1–6), mostly in Biblical Aramaic, and four apocalyptic visions (chapters 7–12), mainly in Late Biblical Hebrew. The Greek Septuagint includes three additional sections in Koine Greek: the Prayer of Azariah and Song of the Three Holy Children, Susanna, and Bel and the Dragon. Like other Jewish apocalyptic writings from antiquity (excluding the Book of Revelation), Daniel is pseudonymous.
The book’s themes have resonated across centuries, influencing the Dead Sea Scrolls community, the authors of the canonical gospels, and the Book of Revelation. From the 2nd century onward, movements such as the Reformation and later millennialist groups have been deeply shaped by it. The work is considered a *vaticinium ex eventu*—a prophecy written after the events it claims to predict.
**Structure**
The book divides along two lines: the court tales (chapters 1–6) versus the apocalyptic visions (chapters 7–12), and the Hebrew of chapters 1 and 8–12 versus the Aramaic of chapters 2–7. This division is reinforced by a chiastic arrangement in the Aramaic chapters and a chronological progression: chapters 1–6 move from Babylonian to Median rule, while chapters 7–12 move from Babylonian to Persian rule. Scholars suggest the language division and concentric structure of chapters 2–6 are artificial literary devices meant to bind the two halves together. Collins’s commentary provides this outline:
**Part I: Tales (chapters 1:1–6:29)** 1. Introduction (1:1–21 – Babylonian era; Hebrew) 2. Nebuchadnezzar’s dream of four kingdoms (2:1–49 – Babylonian era; Aramaic) 3. The fiery furnace (3:1–30 – Babylonian era; Aramaic) 4. Nebuchadnezzar’s madness (3:31–4:34 – Babylonian era; Aramaic) 5. Belshazzar’s feast (5:1–6:1 – Babylonian era; Aramaic) 6. Daniel in the lions’ den (6:2–29 – Median era with mention of Persia; Aramaic)
**Part II: Visions (chapters 7:1–12:13)** 7. The beasts from the sea (7:1–28 – Babylonian era; Aramaic) 8. The ram and the he-goat (8:1–27 – Babylonian era; Hebrew) 9. Interpretation of the seventy weeks’ prophecy (9:1–27 – Median era; Hebrew) 10. The angel’s revelation: kings of the north and south (10:1–12:13 – Persian era, mention of Greek era; Hebrew)
**Chiastic structure in the Aramaic section**
The Aramaic chapters form a chiasm (a concentric literary structure where the main point sits at the center, framed by parallel elements in an “ABBA” pattern). Paul Redditt’s “Introduction to the Prophets” presents it as follows:
A1 (2:4b-49) – A dream of four kingdoms replaced by a fifth B1 (3:1–30) – Daniel’s three friends in the fiery furnace C1 (4:1–37) – Daniel interprets a dream for Nebuchadnezzar C2 (5:1–31) – Daniel interprets the handwriting on the wall for Belshazzar B2 (6:1–28) – Daniel in the lions’ den A2 (7:1–28) – A vision of four world kingdoms replaced by a fifth
**Content**
**Introduction in Babylon (chapter 1)** In the third year of King Jehoiakim, God allows Jerusalem to fall to Nebuchadnezzar II of Babylon. Young Israelites of noble or royal birth—physically perfect, handsome, wise, and fit for palace service—are taken to Babylon to learn its language and literature. Among them are Daniel and three companions, who refuse the king’s food and wine. Their overseer fears for his life, but Daniel proposes a trial: after ten days on only vegetables and water, the four emerge healthier than their peers. They are allowed to continue abstaining, and God grants Daniel insight into visions and dreams. At the end of their training, Nebuchadnezzar finds them ten times better than all his wise men, so they remain at court. Daniel serves there until the first year of King Cyrus.
**Nebuchadnezzar’s dream of four kingdoms (chapter 2)** In his second year, Nebuchadnezzar has a dream he knows is important. Suspicious that his wise men might fabricate an interpretation, he demands they first tell him the dream itself, then explain it. When they protest this is impossible, he orders all wise men—including Daniel and his friends—executed. Daniel receives a vision from God revealing the dream: a huge statue with a gold head, silver chest and arms, bronze belly and thighs, iron legs, and feet of mixed iron and clay, then destroyed by a rock that becomes a mountain filling the earth. Daniel tells the king the statue represents four successive kingdoms, beginning with Nebuchadnezzar’s.
- field
- Biblical apocalypse / prophetic literature
- language
- Biblical Aramaic, Late Biblical Hebrew, Koine Greek (Septuagint additions)
- known_for
- Court tales and apocalyptic visions; vaticinium ex eventu; influence on later religious movements
- canonical_placement
- Hebrew Bible: Ketuvim; Christian canons: Major Prophets
Lore & Background
The Book of Daniel is structured in two distinct halves: the first six chapters present court tales, while chapters seven through twelve contain apocalyptic visions. The language of the book is divided as well, with chapters 2 through 7 written in Biblical Aramaic and the remainder in Late Biblical Hebrew, a literary device that binds the two halves together. The Septuagint includes three additional sections in Koine Greek: the Prayer of Azariah and Song of the Three Holy Children, Susanna, and Bel and the Dragon. The book is considered vaticinium ex eventu, meaning it was written after the events it purports to predict. Its themes have resonated across centuries, influencing the Dead Sea Scrolls community, the authors of the canonical gospels, and the Book of Revelation. From the 2nd century onward, religious movements including the Reformation and later millennialist groups have been deeply shaped by its content. The narrative follows Daniel, a Jewish exile in Babylon, whose experiences and prophetic visions detail a cosmic and political portrayal of the end times. The intended message for its original audience was that the God of Israel, who saves Daniel from his enemies, would similarly save the Israelites in their present oppression. The book’s defining characteristic is its pseudonymous authorship, typical of Jewish apocalyptic literature from antiquity outside of John’s Revelation.
Reader's Guide
The Book of Daniel has resonated throughout the ages, including with the community of the Dead Sea Scrolls and the authors of the canonical gospels and the Book of Revelation. From the 2nd century to the modern era, religious movements, including the Reformation and later millennialist movements, have been deeply influenced by it. The book's themes—God's sovereignty over history, the vindication of the faithful, and the establishment of an everlasting kingdom—have made it a cornerstone of Jewish and Christian eschatology. Its chiastic structure in the Aramaic section (chapters 2–7) and the division between court tales and apocalyptic visions have been noted by scholars. The book is pseudonymous, as is typical of Jewish apocalyptic literature from antiquity outside of John's Revelation.
Did You Know?
- The Hebrew Bible includes Daniel as one of the Ketuvim ('Writings'), while Christian biblical canons group the work with the major prophets.
- The book is considered vaticinium ex eventu, meaning prophecy written after the events it describes.
- The Septuagint contains three additional sections in Koine Greek: the Prayer of Azariah and Song of the Three Holy Children, Susanna, and Bel and the Dragon.
- The Aramaic section (chapters 2–7) has a recognized chiastic structure, with the main point placed in the center and framed by parallel elements.
Frequently Asked Questions
What is the Book of Daniel about?
It is a prophetic-apocalyptic text that follows a Jewish court official named Daniel through his exile in Babylon, blending palace narratives (dream interpretation, the lions' den) with sweeping cosmic visions of empires rising and falling. The narrative is framed as 6th-century BC history, though most scholars place its actual composition in the 2nd century BC, when its message of divine rescue would have spoken directly to Jews under Hellenistic pressure.
What are the most famous scenes in Daniel?
Readers most often recall the fiery furnace, the lions' den, and the 'Son of Man' figure who receives an eternal kingdom from the Ancient of Days. The Greek-language additions (Susanna, Bel and the Dragon) also became part of the wider Christian canon and are frequently cited in art and liturgy.
Why is Daniel important in Christian theology?
It anchors much of Christian eschatology: the Son of Man imagery in Daniel 7 is the very title Jesus applies to himself in the Gospels, and the book's four-beast empire sequence shaped how early Christians read Roman history. It also sits in the Major Prophets section of most Christian Bibles, giving it a canonical weight beyond its relatively short length.
How does the Book of Daniel end?
Chapters 11–12 shift to a detailed catalogue of future wars between kingdoms, closing with the angel Gabriel telling Daniel that the dead will be raised and that the scroll should remain sealed until the time of the end. The final beat is one of patient expectation: vindication is promised, but its timing is withheld.
In what languages was Daniel originally written?
The core text alternates between Late Biblical Hebrew (chapters 1, 8–12) and Biblical Aramaic (chapters 2–7), a bilingual structure unique among prophetic books. The Septuagint version adds two Greek narratives (Susanna and Bel and the Dragon) that later entered the Catholic and Orthodox canons but not the Protestant one.
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