Turlough O'Carolan
Blind harper and composer, considered by some Ireland's national composer.
McCarthy, Justin, 1830-1912; Egan, Maurice Francis, 1852-1924; Hyde, Douglas, 18 · Public domain
Turlough O'Carolan (Toirdhealbhach Ó Cearbhalláin in Irish) lived from 1670 to 25 March 1738. A blind harper, composer, and singer, he earned lasting fame for his melodic talent. Though not a classical composer, some regard him as Ireland's national composer. Old Irish harpers survived into the late 1700s; ten attended the 1792 Belfast Harp Festival, including Donnchadh Ó hÁmsaigh, who played Carolan's music but found it too modern. Carolan's works show continental classical influences, while pieces like "Farewell to Music" reflect older Gaelic harping styles.
Carolan was born in Nobber, County Meath, where his father worked as a blacksmith. His family, a branch of the Mac Brádaigh sept of County Cavan, lost their estates during the civil wars. In 1684 they moved to Ballyfarnon, County Roscommon, at the invitation of the MacDermot Roe family. His father worked for them, and Mrs. MacDermott Roe educated Turlough, who showed poetic talent. Blinded by smallpox at eighteen, she apprenticed him to a harper. At twenty-one, given a horse and guide, he began traveling Ireland to compose songs for patrons.
For nearly fifty years, Carolan journeyed across Ireland, composing and performing. One early piece was about Brigid Cruise, the teenage daughter of a schoolmaster at a blind school he attended in Cruisetown. In 1720, at age fifty, he married Mary Maguire. They settled in a cottage near Mohill, County Leitrim, and had seven children—six daughters and one son. Mary died in 1733. Carolan died on 25 March 1738 and was buried in the MacDermott Roe family crypt at Kilronan Burial Ground near Ballyfarnon. The annual O'Carolan Harp Festival and Summer School in Keadue commemorates him. A bronze monument by Oisín Kelly was unveiled in Mohill on 10 August 1986 by President Patrick Hillery. A statue was erected at his birthplace in 2002 during the festival, first held in Nobber in 1988.
Carolan composed songs and instrumental harp music in varied styles. About a third of his surviving music has Irish lyrics, though these are largely unknown to modern musicians, who often adapt his tunes into jigs and reels.
Quick Facts
- Birth Date
- 1670
- Birth Place
- Nobber, Ireland
- Death Date
- 1738-03-25
Facts from the source article.
Lore & Background
Carolan was born in 1670 in Nobber, County Meath, where his father was a blacksmith. The family forfeited their estates during the civil wars and moved in 1684 to Ballyfarnon, County Roscommon, on the invitation of the MacDermot Roe family. After being blinded by smallpox at age eighteen, Carolan was apprenticed to a good harper. At twenty-one, given a horse and a guide, he set out to travel Ireland and compose songs for patrons. For almost fifty years, he journeyed from one end of Ireland to the other, composing and performing his tunes. One of his earliest compositions was about Brigid Cruise, with whom he was infatuated. In 1720, at age 50, he married Mary Maguire; they had seven children. Mary died in 1733. Carolan died on 25 March 1738.
Reader's Guide
Carolan composed both songs and instrumental harp music, reflecting various styles. About a third of his surviving music has associated Irish lyrics. Modern Irish was the majority language in Ireland during his time; he composed only one song in English, 'Carolan's Devotion'. Most of his songs were dedicated to specific patrons. His activities are only partially documented, leading to inaccurate information and unfounded stories. For instance, Edward Bunting referred to a 'very ancient air' the Fairy Queen, but the words are not ancient and fit the original music Carolan composed. Carolan is said to have typically composed the tune first while riding, then added words later. Many of his songs are designated as 'planxties', an obscure word he apparently invented or popularized. Most of his compositions were not published in his lifetime; they survived in the repertoires of fiddlers, pipers, and the last old Irish harper/singers. The definitive work containing all 214 of his tunes as identified by Donal O'Sullivan is the 1958 edition of 'Carolan: The Life Times and Music of an Irish Harper'. Since 1967, hundreds of recordings of Carolan songs have been released by dozens of artists, greatly expanding the number of his pieces known to the public.
Did You Know?
- Carolan was blinded by smallpox at age eighteen.
- He is buried in the MacDermott Roe family crypt in Kilronan Burial Ground.
- A bronze monument of Carolan was erected in Mohill on 10 August 1986, unveiled by President Patrick Hillery.
Early Life and the Road to the Harp
Turlough O'Carolan entered the world in 1670 in Nobber, County Meath, the son of a blacksmith. His family traced their lineage to the Mac Brádaigh sept of County Cavan, and his great-grandfather had held the chieftaincy of that group as late as 1607. The upheavals of the civil wars stripped the family of their estates, prompting a relocation in 1684 to Ballyfarnon in County Roscommon, where his father found employment with the MacDermott Roe household at Alderford House. It was Mrs. MacDermott Roe who provided young Turlough with an education, and he displayed a natural aptitude for poetry. At eighteen, however, smallpox took his sight forever. Rather than ending his musical path, this tragedy redirected it: Mrs. MacDermott Roe arranged for him to be apprenticed to a skilled harper. Three years later, at twenty-one, he was given a horse and a guide and set out to cross Ireland, composing songs for the patrons who would welcome him.
Fifty Years on the Road
For nearly half a century, O'Carolan rode from one corner of Ireland to another, living by his harp and his gift for melody. His method, as tradition holds, was to compose the instrumental tune first while in motion, then craft the words afterward. Many of his pieces were planxties, a term he apparently coined or popularized, marking a tribute to a generous host. In exchange for these compositions, wealthy patrons welcomed him as an honoured guest on their estates, and it was said that weddings and funerals were sometimes put on hold until he could arrive to play. One of his earliest known compositions was inspired by Brigid Cruise, a teenage daughter of a schoolmaster at the blind school in Cruisetown where he had studied. In 1720, at the age of fifty, he married Mary Maguire, and the couple settled in a cottage near Manachain, now Mohill, in County Leitrim. They raised seven children—six daughters and a single son. Mary's death in 1733 left him in his final years, and he passed on 25 March 1738, buried in the MacDermott Roe family crypt at Kilronan Burial Ground near Ballyfarnon.
A Repertoire Between Two Worlds
Carolan's surviving body of work—two hundred and fourteen tunes as catalogued by Donal O'Sullivan—spans a remarkable stylistic range. Some pieces bear the fingerprints of continental classical composition, while others, such as Farewell to Music, reach back into the older idiom of Gaelic harping. About a third of the surviving music still carries Irish lyrics, though most modern performers have stripped those words away, adapting the tunes to the jigs and reels that dominate contemporary Irish sessions. Because Carolan composed in an era when Modern Irish was the dominant tongue, he wrote only one song in English, Carolan's Devotion. The historical record of his career remains fragmentary, and this gap has bred confusion: alternate or incorrect titles have been attached to his songs, and writers like Edward Bunting introduced inaccuracies, claiming for instance that the words to The Fairy Queen were very ancient when in fact they fit the music Carolan himself composed. O'Sullivan's 1958 edition, reprinted in 2001, remains the standard reference, though it omits a handful of pieces he deemed spurious.
Commemoration and Living Memory
Long after the last of the old Irish harpers had passed—ten, including Arthur O'Neill and Donnchadh Ó hÁmsaigh, still played at the Belfast Harp Festival in 1792—Carolan's name has been kept vivid through festivals, monuments, and recordings. The annual O'Carolan Harp Festival and Summer School, held in Keadue, County Roscommon, honours his life and work; its first edition took place in Nobber in 1988. A bronze sculpture by Oisín Kelly, showing Carolan at his harp, was unveiled by President Patrick Hillery in Mohill's Market Square on 10 August 1986, and a further statue was erected at his birthplace in Nobber in 2002. In the recording studios, his songs continue to find new voices: Gráinne Yeats performed at the 1992 Belfast Harp Festival, the group Garlic Bread recorded O'Carolan's Dream in 2007, and Ensemble Musica Humana released a full album, Turlough O'Carolan: a Life in Song, in 2013. Even those who disliked his work, like Ó hÁmsaigh, who found it too modern, could not deny that his melodies had outlived the tradition that produced them.
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Frequently Asked Questions
Who is Turlough O'Carolan?
Turlough O'Carolan (1670–1738) was a blind Irish harper, singer, and composer born in Nobber, County Meath. He is best known for his extraordinary melodic gift and is sometimes referred to as Ireland's national composer.
What was Carolan's role in Irish music?
Carolan was a traveling harper who composed and performed for patrons across Ireland, weaving older Gaelic harping traditions together with continental classical influences. His work sits at a crossroads between the ancient Irish harping lineage and the emerging 18th-century classical style.
Why is Turlough O'Carolan considered important?
Carolan is often called Ireland's national composer because he raised the harp to a vehicle for highly individualized, sophisticated melody. His compositions remain central to Irish musical identity and continue to be performed and studied well beyond his own lifetime.
What style of music did Carolan compose?
Carolan wrote primarily for the Irish harp, producing pieces that span older Gaelic modal styles—exemplified by works like 'Farewell to Music'—to more ornate compositions showing clear continental European influence. Though not a classical composer in the formal sense, his melodic invention set him apart among his contemporaries.
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