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Tirupati Venkata Kavulu

Telugu poet duo who modernized epic drama.

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Tirupati Venkata Kavulu

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Divakarla Tirupati Sastry and Chellapilla Venkata Sastry, known together as Tirupati Venkata Kavulu, are credited with ushering in modern Telugu poetry. They adapted Hindu epics into dramas and plays featuring singable verses with precise meter. Their play Pandavodyogavijayalu was especially beloved by drama clubs and audiences throughout Andhra Pradesh. Venkata Sastry mentored many later poets, including Viswanatha Satyanarayana, Pingali Lakshmikantam, and Veturi.

Quick Facts

Birth years
Divakarla Tirupati Sastry (1872–1919); Chellapilla Venkata Sastry (1870–1950)
Notable work
pandavodyogavijayalu
Region of influence
Andhra Pradesh
Students of venkata sastry
  • Viswanatha Satyanarayana
  • Pingali Lakshmikantam
  • Veturi

Facts from the source article.

Literary works

The duo produced a wide range of literary works spanning several decades. Their early collaborative effort, Dhatu Ratnakara Campu (1889–1893), is a campu cavya with the story of Ramayana illustrating the use of verbal forms for the roots given by Pāṇini, the Sanskrit grammarian. They wrote Sringara Sringataka (1891), a small playlet called Veedhi with predominantly erotic sentiment, and Kali Sahasram (1891–1894), an incomplete work (300 slokas) modelled on Lakshmi Sahasram in Sanskrit.

Mula Sthaneswara Stuti (1893–1894) was composed in Arya vrittas on Mulasthaneswara, local deity of Nellore. Suka-Rambha Samvadam (1893–1894) is an argumentation between Śuka, the sage and Rambha, the danseuse. Śuka interprets Ananda, the Supreme Bliss, in terms of Vedantic Truth and Rambha interprets it in terms of erotic experience. They also produced devotional works such as Namassivaya Stotram (1914–1915), Kshampanam (1914–1915), Pishtapeshanam (1914–1915), and Salabhalabhanam (1914–1915).

Other works include translations from Sanskrit to Telugu: Devi Bhagavatamu (1896), Siva Leelalu (1896), Purana Gadhalu (1896), Vrata Kathalu (1896), Srinivasa Vilasamu (1896–1897), Rasikanandamu (1893–1894), and a Telugu translation of their own Sanskrit work Suka-Rambha Samvadamu (1893–1894). They translated Buddha Caritramu (1899–1900), Vairagya Sataka of Appaya Dikshita (1899–1900), Bala Ramayana of Rajasekhara (1901–1912), Mudra Rakshasa of Vishakhadatta (1901–1912), Mrichchakatika of Shudraka (1901–1912), Vikramankadeva Caritra of Bilhana (1901–1912), Candraprabha Caritra of Veera Nandi (1901–1912), Harsha Caritra of Bana (1901–1912), and Stories of Rabindranath Tagore from English to Telugu.

Additional works include Sravananandam (1893–1897; 1897–1898), Panigrihita, Lakshana Parinayamu (1897–1901), Ela Mahatmyamu (1898–1900), Jataka Carya (1899–1930) and Iteevali Carya (1930–1950) by Venkata Sastry alone, Divakarastamayamu (1920), George V Pattabhisheka Padyalu (1912), Bobbili Pattabhisheka Kavyamu (1929), Kameswari Satakamu (1901), Arogya Kameswari Stuti (1922), Arogya Bhaskara Stavamu (1929–1930), Mrtyunjaya Stavamu, Saubhagya Kameshwari Stavamu (1938–1941), Sita Stavamu, and Siva Bhakti.

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Sources

Compiled from Wikipedia and the sources listed below. Text from Wikipedia is available under CC BY-SA 4.0; this entry is adapted from it.

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