Get the Rope
A racially charged riot forces the Knick staff to act.
The seventh episode of *The Knick*, titled "Get the Rope," aired on Cinemax on September 26, 2014. Series creators Jack Amiel and Michael Begler wrote it, with executive producer Steven Soderbergh directing. The story begins when Officer Sears mistakes an African-American woman for a prostitute; her boyfriend stabs Sears in self-defense, and the couple flees. Brought to the Knickerbocker Hospital, Sears is treated by Dr. John Thackery and his colleagues, but his internal bleeding proves fatal. Outside, a mob gathers, and Sears’ mother, Fionnula, incites them to attack every African-American they find. The hospital locks its doors, and Thackery orders Dr. Algernon Edwards to hide. The man who stabbed Sears also hides inside, enraging the mob, which tries to break in. Thackery moves staff and patients to Edwards’ underground clinic, where Gallinger and Barrow resent finding hospital equipment and Thackery’s knowledge. Sister Harriet suggests taking some African-Americans to a monastery, but the mob has stolen the horses, forcing the staff to deliver patients on foot, covered in blankets. At another hospital, Thackery, Edwards, Cornelia, and Elkins help treat the injured. After the riots end, they return to a ravaged Knick. Edwards’ clinic is untouched, and Cornelia, impressed by his resolve, shares a flirtatious conversation that ends in a kiss. Thackery accompanies Elkins home, where they have sex and use cocaine. The next morning, Elkins laughs off her roommate’s questions. Nielsen Media Research reported 0.358 million household viewers and a 0.11 ratings share among adults 18–49, matching the previous episode. Critics praised the directing, performances, writing, character development, and themes. Rotten Tomatoes gave it a 91% approval rating from 11 reviews, calling it “the show’s most explosive outing yet.”
Quick Facts
- Series
- The Knick
- Season
- 1
- Episode
- 7
- Released
- 2014-09-26
- Length
- 43 minutes
- Director
- Steven Soderbergh
- Writer
- Jack Amiel / Michael Begler
- Prev
- Start Calling Me Dad
- Next
- Working Late a Lot
Facts from the source article.
Lore & Background
In the episode, officer Sears is stabbed by an African-American man in self-defense, prompting a mob of rioters to gather outside the Knickerbocker Hospital. Sears' mother, Fionnula, demands the man be killed, and after Sears dies from internal bleeding, she incites the mob to attack every African-American. The hospital locks its doors, and Dr. John Thackery tells Dr. Algernon Edwards to hide. The man who stabbed Sears also hides in the Knick, angering the mob, which tries to enter the building. Thackery moves the staff to Edwards' underground clinic, and Sister Harriet suggests taking some African-Americans to a nearby monastery. With the horses stolen by the mob, the staff delivers patients on foot, covering them with blankets. At another hospital, Thackery, Edwards, Cornelia, and Elkins help treat patients. After the riots end, Edwards and Cornelia discover his clinic untouched, and their conversation turns flirtatious, culminating in a kiss. Thackery accompanies Elkins home, where they have sex; the next morning, Elkins finds they used cocaine.
Reader's Guide
The episode received critical acclaim, with critics praising the directing, performances, writing, character development, and themes. According to Nielsen Media Research, it was seen by an estimated 0.358 million household viewers and gained a 0.11 ratings share among adults aged 18–49. The review aggregator Rotten Tomatoes reported a 91% approval rating based on 11 reviews, with the consensus stating: 'In The Knick's most explosive outing yet, racial tensions come to a head, and the episode's nimble handling of a singular stressful event is gripping and provocative.' Critics such as Matt Fowler of IGN gave it a 9 out of 10, calling it the show's first full 'oh s***!' moment. Brandon Nowalk of The A.V. Club gave it an 'A' grade, noting how the plot moves from one problem to the next. The episode is significant for its unflinching portrayal of racial violence and the moral dilemmas faced by the hospital staff.
Did You Know?
- The episode was written by series creators Jack Amiel and Michael Begler and directed by executive producer Steven Soderbergh.
- Rotten Tomatoes reported a 91% approval rating for the episode based on 11 reviews.
The World of the Knickerbocker Hospital
The Knick is set in 1900 New York City, where the Knickerbocker Hospital serves as a crucible for medical innovation and institutional struggle. The hospital's staff—surgeons, nurses, and support personnel—operate within the severe constraints of early twentieth-century medical knowledge, constantly battling to reduce patient deaths and complications. Beyond the operating theater, the institution faces a persistent financial crisis, forcing its leadership to court wealthy patients while maintaining the quality of care that defines its mission. This dual pressure of scientific ambition and economic survival creates a backdrop where every decision carries weight. The series, created by Jack Amiel and Michael Begler, uses this period setting to explore how medical progress was achieved not in sterile laboratories but in the messy, resource-starved reality of a working hospital. The show ran for two ten-episode seasons on Cinemax, premiering in August 2014 and concluding its second run in December 2015.
Two Surgeons, One Operating Room
At the heart of The Knick stand two surgeons whose ambitions and backgrounds create an electric tension. Dr. John W. Thackery, portrayed by Clive Owen, is the brilliant but self-destructive chief surgeon, whose cocaine and opium addictions shadow his genuine talent for pioneering operating techniques. His character draws partial inspiration from the historical figure William Stewart Halsted. Opposite him, Dr. Algernon C. Edwards, played by André Holland, is a Harvard-educated Black American surgeon who trained in Paris and is arguably the most qualified physician in the building. Yet he must fight for basic respect in an all-white staff and a racially charged city, while also running a secret after-hours clinic in the hospital basement for Black patients who would otherwise be turned away. Their dynamic—Thackery's reckless genius against Edwards's quiet, hard-won excellence—anchors the series' exploration of race, class, and the cost of medical progress in the early 1900s.
Soderbergh's Multifaceted Vision
Steven Soderbergh's involvement in The Knick went far beyond the typical director's chair. For the first season's ten episodes, he directed every single one while simultaneously serving as director of photography under his pseudonym Peter Andrews and as editor under the name Mary Ann Bernard. This triple role gave the series a singular visual and rhythmic identity, with Soderbergh controlling the look, the cut, and the performance all at once. The production also benefited from deep period authenticity: Dr. Stanley Burns, founder of The Burns Archive, served as on-set medical adviser, working closely with actors and crew to ensure that everything from antiseptic atomizers to early X-ray machines to a prosthetic limb felt historically grounded. Jack Amiel and Michael Begler wrote the majority of episodes and served as executive producers alongside Soderbergh, Gregory Jacobs, and Michael Sugar of Anonymous Content. This concentration of creative authority made the first season feel like a unified authorial statement.
Cancellation and the Road Ahead
Despite the critical attention it received, The Knick's run on Cinemax ended abruptly. After the second ten-episode season concluded in December 2015, the network announced in March 2017 that the series would not return. For several years, the show's future hung in uncertainty. Then in 2020, Soderbergh publicly confirmed that a new season was in development, this time led by director Barry Jenkins, with Amiel and Begler having already written a pilot episode. The announcement signaled that the creative team still saw untold stories within the Knickerbocker Hospital's world. By 2023, Begler further confirmed that a spin-off series remained in active development, with its pilot set in 1919 Harlem—a setting that would extend the show's exploration of race, medicine, and community into a new neighborhood and era. These developments suggest that, for the writers and their collaborators, the Knick's story is far from finished.
Frequently Asked Questions
What is the main conflict in The Knick episode "Get the Rope"?
The episode revolves around a racially motivated mob that forms outside the hospital after Officer Sears is fatally stabbed in a self-defense incident. Sears' mother, Fionnula, fuels the crowd's anger, and the Knick staff are forced to barricade themselves inside as violence escalates.
Who wrote and directed "Get the Rope"?
Jack Amiel and Michael Begler penned the screenplay, and Steven Soderbergh directed the episode in his dual role as showrunner and executive producer.
What does the title "Get the Rope" refer to?
The phrase evokes the lynch-mob imagery of the early 1900s, pointing to the gathering of an angry crowd outside the hospital intent on targeting Black residents in the episode's climactic riot.
When did "Get the Rope" first air and on what network?
It premiered on Cinemax on September 26, 2014, as the seventh episode of The Knick's first season.
What happens to Officer Sears in "Get the Rope"?
Sears is stabbed by a man defending his girlfriend after the officer wrongly assumed she was a prostitute. Despite the Knick team's efforts, his internal bleeding proves unsurvivable and he dies before the riot reaches its peak.
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