Saga Codexery

Demon Hand

A robot guardian must protect humanity's future across 1,200 years.

"Demon with a Glass Hand" is an episode of the American television series The Outer Limits, the second to be based on a script by Harlan Ellison, which Ellison wrote specifically with actor Robert Culp in mind for the lead role. It originally aired on October 17, 1964, and was the fifth episode of the second season. In 2009, TV Guide ranked "Demon with a Glass Hand" #73 on its list of the 100 Greatest Episodes.

Lore & Background

Trent (Robert Culp) is a man with no memory of his life before the previous ten days. His left hand has been replaced by an advanced computer shaped like his missing hand and protected by some transparent material. Three fingers are missing; the computer tells him they must be reattached before it can tell Trent what is going on. Trent is being hunted by a handful of humanoid aliens called the Kyben; they have the missing appendages.

The action takes place in a large rundown office building (the historic Bradbury Building in downtown Los Angeles) which the Kyben have sealed off from the world. For reasons unknown to him, Trent was sent into the past via a "time mirror", located in the building. A captured Kyben tells Trent that both of them are from a thousand years in the future. In that future, Earth has been conquered by the Kyben, but all the surviving humans except Trent have mysteriously vanished.

The aliens are being obliterated by a "radioactive plague" that is killing all of the Kyben occupation force, a plague apparently unleashed by the humans in a last-ditch effort to repel the invasion.

Reader's Guide

The episode won the 1965 Writers Guild of America Award for Outstanding Script for a Television Anthology. Ellison's story outline depicted a sprawling, cross-country chase between the Kyben and Trent (then named Mr. Fish). Because this would have been prohibitively expensive, producer Ben Brady suggested that Ellison contain most of the action in a single structure when he went to script. Ellison agreed, realizing that by forcing the plot into an enclosed space, the change from a linear pursuit to a vertical climb — ascending as the action developed — would make for heightened tension.

Most of this episode was shot in the Bradbury Building, the same location used for the final scenes of Blade Runner and a closing scene in the 1950 film noir classic, D.O.A. Ellison's friendship with Robert Culp dated from the production of this episode. He found Culp to be very intelligent, quite a contrast to Ellison's opinion of most actors, whom he described as "dips — strictly non compos mentis." When Culp first met Ellison at the Bradbury building location for filming, Ellison introduced himself in a loud voice and told the actor that he had written the episode just for him. Culp also stated that he felt it was one of the best-written episodes of television in the history of the medium.

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