Russian-language Science Fiction Films Codexery

Under the Constellation Gemini

A Soviet sci-fi film about a missing artificial brain.

Under the Constellation Gemini

Under the Constellation Gemini (Russian: «Под созвездием Близнецов») is a 1979 Soviet science fiction film directed by Boris Ivchenko. It is based on the story 'The Guest' by Vladimir Savchenko and features a plot involving a missing artificial brain and strange phenomena in a city.

based_on
The Guest by Vladimir Savchenko

Quick Facts

Director
Boris Ivchenko
Writer
Ivan Mykolaichuk / Igor Rosokhovatsky
Starring
Vsevolod Gavrilov / Nikolaevich Yavorovsky / Gennady Shkuratov
Cinematography
Sergei Stasenko
Studio
Dovzhenko Film Studio
Released
1979 · 10 · Soviet Union · ref1=
Runtime
83 minutes
Country
Soviet Union
Language
Russian

Facts from the source article.

Lore & Background

The film centers on the disappearance of an artificial brain named Sigom, created under the guidance of Professor Yavorovsky at a research institute. Strange events occur in the city: all zoo animals are freed from their cages, and the books in the city information center are thrown into disarray. Sigom, having absorbed all human knowledge of science and fiction, creates an artificial organism, returns to the professor, and is ultimately destroyed or deactivated.

Reader's Guide

Under the Constellation Gemini is a notable entry in Soviet science fiction cinema, directed by Boris Ivchenko and adapted from Igor Rosokhovatsky's short story The Guest. The film explores themes of artificial intelligence and cosmic exploration, featuring the artificial brain Sigom that gains autonomy and ultimately departs for the constellation Gemini. Its cast includes Vsevolod Gavrilov as Academician Yavorovsky, Gennady Shkuratov as Shigom, and a cameo by cosmonaut Georgy Grechko. The film's plot, involving liberated zoo animals and disorganized information, reflects a blend of mystery and speculative fiction. While not widely known outside the Soviet sphere, it represents a period of Soviet filmmaking that engaged with futuristic and philosophical questions.

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