Russian-language Science Fiction Films Codexery

Heart of a Dog (1988 film)

A dog becomes human, with disastrous results.

Heart of a Dog (1988 film)

Heart of a Dog (Russian: Собачье сердце, Sobachye serdtse) is a 1988 Soviet television film in black and white, blending comedy, drama, and science fiction. Directed by Vladimir Bortko, it adapts Mikhail Bulgakov’s novel of the same name. The two-episode film first aired on 20 November 1988 at 18:45 on Central Television Programme One.

Set in Moscow shortly after the October Revolution, the story follows a stray dog searching for food and shelter. A wealthy surgeon, Professor Philipp Philippovich Preobrazhensky, lures the animal to his apartment with sausage. The dog, named Sharik, is cared for by the doctor’s maids but remains uncertain of his purpose. He eventually learns he is a test subject: Preobrazhensky implants the pituitary gland and testicles of a deceased alcoholic criminal, Klim Chugunkin, into Sharik. Over time, Sharik becomes increasingly human, inheriting the donor’s negative traits—rudeness, aggression, swearing, and heavy drinking—while still hating cats (a dog trait, not from the donor). He adopts the absurd name Poligraf Poligrafovich Sharikov, works for the Moscow municipal cleaning department (specifically, the sub-department for clearing stray animals), and aligns with the Bolshevik building administration trying to seize part of Preobrazhensky’s apartment. Sharikov’s behavior wreaks havoc: stealing money, breaking furniture, and flooding the apartment during a cat chase. After failed attempts to reform him, Preobrazhensky discovers Sharikov has tried to denounce him to the secret police. When ordered to leave, Sharikov refuses and pulls a revolver. Dr. Bormental, Preobrazhensky’s assistant, subdues him in a violent struggle, and the professor reverses the procedure. Sharik returns to dog form, remembering little, and is allowed to stay in the apartment.

The film is renowned for its faithfulness to Bulgakov’s novel; the director gave the cinematographer the novel’s text as the script, crossing out only descriptions of nature and similar details. Some scenes—involving spiritualism, a circus prophetess, and a Soviet-style “Octobering” ceremony—were drawn from Bulgakov’s early short stories rather than the novel.

Awards include honors at several domestic and international festivals, notably the Prix Italia (1989) and the Vasilyev Brothers State Prize of the RSFSR (1990). A 1976 joint Italian-German comedy film, *Dog’s Heart*, directed b

Release year
1988
Country
Soviet Union
Director
Vladimir Bortko
Genre
Comedy-drama, science fiction
Format
Black-and-white television film, two episodes
Based on
Mikhail Bulgakov's novel Heart of a Dog
Awards
Prix Italia (1989); Vasilyev Brothers State Prize of the RSFSR (1990)

Quick Facts

Director
Vladimir Bortko
Screenplay
Natalya Bortko
Based On
Heart of a Dog · Mikhail Bulgakov
Starring
Yevgeny Yevstigneyev / Boris Plotnikov / Vladimir Tolokonnikov / Nina Ruslanova
Music
Vladimir Dashkevich
Cinematography
Yuri Shaigardanov
Editor
Leda Semyonova
Company
Lenfilm, Actors Association of Television Films, 20th Century Fox Televisiondate=November 2023
Released
1988-11-19
Runtime
130 minutes
Country
Soviet Union
Language
Russian

Facts from the source article.

Lore & Background

The film is set in Moscow shortly after the October Revolution. A stray dog is lured by a piece of sausage into the apartment of Professor Philipp Philippovich Preobrazhensky, a well-known surgeon. The professor implants the pituitary gland and testicles of a deceased alcoholic and petty criminal, Klim Chugunkin, into the dog, named Sharik. Over the following days, Sharik transforms into a human, inheriting the donor's negative traits: bad manners, aggressiveness, profanity, and heavy drinking. His hatred of cats, however, remains a dog trait, not inherited from the donor.

Reader's Guide

Heart of a Dog is significant for its faithful adaptation of Bulgakov's satirical novel, a rarity in Soviet cinema of the era. The director famously used the novel's text as the script, crossing out only descriptions of nature and other details. The film won several awards, including the Prix Italia in 1989 and the Vasilyev Brothers State Prize of the RSFSR in 1990. Its legacy lies in its unflinching portrayal of the dangers of social and scientific experimentation, mirroring the political upheaval of post-revolutionary Russia. The film remains a touchstone for discussions of adaptation fidelity and Soviet-era filmmaking.

Did You Know?

A Near-Verbal Translation of Bulgakov

This 1988 screen adaptation of Mikhail Bulgakov's novel is widely noted for its extraordinary commitment to the original text. Rather than commissioning a traditional screenplay, director Vladimir Bortko handed the cinematographer a magazine containing the novel itself. When the crew member expressed confusion, Bortko returned the following day with the same text, but with passages describing nature and similar atmospheric details crossed out. Practically nothing was excised in the process, making the film feel like a direct visual transcription of the book. A small number of scenes, however, draw from Bulgakov's earlier short stories rather than the novel proper: a spiritualism sequence, a prophetess appearing at a circus, and a Soviet-style christening ritual dubbed an "Octobering." These insertions enrich the narrative while maintaining the author's voice, and the overall effect is a screen version that treats the source material with near-devotional respect.

Satire, Chaos, and the Reversal

Set in Moscow in the immediate aftermath of the October Revolution, the film follows a stray dog lured into a professor's apartment by a piece of sausage. Surgeon Philipp Preobrazhensky, needing a test subject, transplants the pituitary gland and testicles of a deceased alcoholic criminal named Klim Chugunkin into the animal, named Sharik. Over subsequent days Sharik transforms into a human, but inherits every flaw of his donor: profanity, aggression, heavy drinking, and poor manners. He christens himself Poligraf Poligrafovich Sharikov, takes a job at the Moscow department for stray-animal extermination, and aligns himself with the new Bolshevik building administration, which is already scheming to seize part of the professor's large flat. Sharikov's tenure turns the household into a nightmare—stealing money, smashing furniture, flooding the apartment during a cat chase. When Preobrazhensky discovers Sharikov has tried to denounce him to the Soviet secret police, he orders him out. Sharikov draws a revolver; assistant Dr. Bormental subdues him in a violent scuffle. Preobrazhensky reverses the procedure, and Sharik, remembering little, contentedly resumes life as a dog.

Production and Broadcast

Heart of a Dog is a black-and-white, two-episode television film classified as a comedy-drama with science-fiction elements, produced in the Soviet Union and directed by Vladimir Bortko. Its premiere broadcast took place on 20 November 1988 at 18:45 on the Central Television Programme One channel. The film subsequently crossed borders, airing at 8:00 PM on the ABC network in 1989. The two-part structure allowed the narrative to unfold with the pacing of a stage play across two sittings. The decision to shoot in monochrome reinforced the period setting—Moscow in the years immediately following the October Revolution—and lent the production a timeless, almost theatrical quality that complemented Bortko's near-verbatim adaptation approach. The film's format as a television event, rather than a theatrical release, meant it reached a broad domestic audience in a single evening, a distribution model that was both practical and culturally significant in the late Soviet period.

Recognition and Place in Adaptation History

The film's fidelity to Bulgakov's text and its sharp satirical edge earned it recognition on multiple fronts. It received awards at several domestic and international film festivals, most notably the Prix Italia in 1989. The following year, in 1990, it was honored with the Vasilyev Brothers State Prize of the RSFSR, a significant domestic accolade. In the broader landscape of screen adaptations of Heart of a Dog, Bortko's version stands alongside the 1976 joint Italian-German comedy directed by Alberto Lattuada, which also drew on Bulgakov's novel but carried a purely comedic genre label. The 1988 film has continued to generate interest in the years since its release; a documentary was produced specifically about its making, and a June 29, 2016 episode of the television programme Secrets of Our Cinema revisited the production, keeping the film in public conversation well after its initial broadcast.

Frequently Asked Questions

What is Heart of a Dog (1988 film)?

It is a two-episode black-and-white Soviet television film that mixes comedy, drama, and science fiction. The movie is a screen adaptation of Mikhail Bulgakov's well-known novel of the same title and premiered on Central Television Programme One in late November 1988.

Who directed Heart of a Dog (1988 film)?

Vladimir Bortko helmed the production, bringing Bulgakov's satirical story to Soviet state television in a two-part format. His version preserves the novel's blend of dark humor and social critique within a science-fiction framing.

What is the plot of Heart of a Dog (1988 film)?

In Moscow shortly after the October Revolution, a wealthy surgeon lures a stray dog named Sharik into his apartment and performs a radical operation that turns the animal into a crude, aggressive human being. The professor then struggles to manage the disastrous social fallout of his creation.

How does Heart of a Dog (1988 film) end?

The professor is compelled to reverse the operation, and Sharik reverts to being a dog. The story closes with the animal back in his original form, stripped of the brief humanity the surgery had imposed on him.

Why is Heart of a Dog (1988 film) notable?

It stands as one of the rare screen realizations of Bulgakov's politically sharp satire, a novel that had long resisted adaptation under Soviet censorship. Its 1988 release, on the eve of the USSR's collapse, lent the story's critique of social engineering and revolutionary hubris an especially pointed resonance.

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