My Date with a Vampire II

Lore & Background

The series opens during the Second Sino-Japanese War, where Chinese guerrilla fighter Fong Kwok-wah and Japanese major Yamamoto Kazuo duel, attracting the attention of Cheung-San, the progenitor of all vampires. Sorceress Ma Dan-na intervenes, but Cheung-San later bites Fong and the boy Fuk-sang, turning them into vampires. In the present day (2000), Fong, unchanged in appearance, assumes his deceased grandson's identity and begins a romance with Ma Siu-ling, a descendant of Ma Dan-na and heiress to the Ma clan, who hunt supernatural beings. The goddess Nüwa, disappointed by humanity's corruption, plans to end the world on 2 January 2001, forcing Fong, Ma, and their allies to oppose her and Cheung-San, who loves Nüwa.

Reader's Guide

My Date with a Vampire II is significant for its ambitious fusion of Eastern and Western vampire traditions, integrating Chinese mythology (Nüwa, Pangu) with eschatological themes. The series features a large ensemble cast, with many actors reprising roles from the first season in similar capacities. Its plot explores the conflict between vampire progenitors, goddesses, and human descendants, while introducing unique vampire powers and a complex hierarchy of vampire generations. The show's legacy lies in its cult following among Hong Kong television audiences and its role in expanding the My Date with a Vampire franchise, which concluded with a third season in 2004. The series also incorporates elements of Japanese horror (the ghost Sadako) and historical figures (Qin Shi Huang as a vampire), showcasing a broad mythological scope.

Did You Know?

• The series is a reboot of the original My Date with a Vampire (1998) despite being marketed as a sequel.
• Eric Wan portrays both the protagonist Fong Kwok-wah and his previous incarnation as a general under Qin Shi Huang.
• The character Larry is a vampire who owns a castle in England, but he is not Qin Shi Huang; Qin Shi Huang appears separately in flashbacks as a previous incarnation of Fong Kwok-wah.

Narrative Arc: From Wartime Duel to Cosmic Apocalypse

The second installment of the My Date with a Vampire franchise opens in the midst of the Second Sino-Japanese War, where Chinese guerrilla fighter Fong Kwok-wah duels Imperial Japanese Army major Yamamoto Kazuo. Their clash draws Cheung-San, the progenitor of all vampires, who moves to bite both men. Sorceress Ma Dan-na intervenes and drives Cheung-San away, but the danger is not fully resolved: Fong and a boy named Fuk-sang are ultimately bitten and transformed. Six decades later, in 2000, Fong—physically unchanged since his wartime transformation—assumes the identity of his deceased grandson, Tin-yau, after the boy dies in the United Kingdom. This identity swap ignites a romance with Ma Siu-ling, a descendant of Ma Dan-na and heir to the Ma clan's long-standing mission of hunting supernatural evil. The stakes then escalate to a cosmic level: Nüwa, the mythological goddess who created humankind, grows so disillusioned by humanity's corruption that she resolves to end the world on 1 January 2001. Fong, Ma, and their allies must confront not only the goddess but also Cheung-San and his devoted followers, who would protect Nüwa by any means necessary.

Cast & Multi-Generational Role-Playing

A defining feature of this production is the way its principal actors inhabit multiple characters across different eras. Eric Wan, who plays the protagonist Fong Kwok-wah, also portrays Fong Chung-tong, a general who served under Qin Shi Huang in a previous incarnation. Joey Meng takes on an even more expansive range: she plays Ma Siu-ling in the present, Ma Dan-na in the wartime flashback, and Ma Ling-yi, the founder of the Ma clan who served as a sorceress under Qin Shi Huang. Simon Yam, as the primary antagonist Cheung-San, also appears in a human disguise as Keung Chan-tso, a ruse he adopts to study human nature. Kenneth Chan plays both Yamamoto Kazuo and his younger clone, Sze-to Fan-yan, who later becomes a second-generation vampire. Kristy Yang appears as Wong Jan-jan in the present and as Yamamoto Yuki in flashbacks. This layered casting reinforces the series' theme of characters existing across centuries, with the Ma clan's lineage and the Fong family's reincarnations forming parallel threads of continuity that stretch back to the Qin dynasty.

Mythological & Genre Fusion

The series distinguishes itself by weaving together an unusually wide range of supernatural traditions into a single narrative fabric. At its core, it merges the Chinese jiangshi tradition—stories of hopping corpses—with the Western vampire archetype, a blend inherited from the 1998 original. Beyond that hybrid foundation, the plot draws heavily on Chinese mythology: Nüwa, the goddess who fashioned humankind, serves as a central figure whose grief over humanity's moral decay drives the apocalyptic climax. The Pangu Tomb, containing a secret weapon capable of destroying Nüwa, adds another layer of mythological worldbuilding. The series also incorporates modern horror iconography, most notably through Fujihara Sadako, a vengeful ghost trapped in a computer network and compelled to kill three thousand people to fulfill a curse. Eschatological themes run throughout, as the very survival of the world hangs in the balance. Japanese cultural elements appear as well, including a Buddhist monk from Mount Kōya and the Yamamoto family's connection to the Imperial Japanese Army. This eclecticism gives the production a distinctly cosmopolitan flavor within the Hong Kong television landscape.

Vampire Genealogy & Power Hierarchy

The series constructs a detailed generational taxonomy of vampires, each tier marked by a distinct supernatural ability. At the apex sits Cheung-San, the progenitor who has existed since before the world came into being and whose devotion to Nüwa defines his motivations. The second generation includes Fong Kwok-wah, whose special power is superhuman speed; Ho Fuk-sang, who can temporarily alter other people's appearances; and Sze-to Fan-yan, the clone of Yamamoto Kazuo. The third generation is represented by Domoto Sei, Yamamoto's maternal grandson, whose gift allows him to enter other people's dreams. The fourth generation features Kam Mei-loi, a distant relative of Kam Ching-chung, who can fire bullets from her fingers after being turned by Domoto Sei to save her life. At the very bottom of the hierarchy sits Domoto El Niño, the offspring of two vampires, born with innate supernatural powers including extraordinarily high intelligence. He plays a crucial role by helping Fong and Ma open the Pangu Tomb. Even the vampire Larry, who owns an ancient English castle, is revealed to be Qin Shi Huang himself, turned immortal by Xu Fu. This layered genealogy gives the franchise a rich internal logic.