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Transcendental Idealism

Kant argues that the conscious subject recognizes the objects of experience not as they are in themselves, but only the way they appear to us under the conditions of our sensibility.

Transcendental idealism is a philosophical system founded by German philosopher Immanuel Kant in the 18th century. Kant's epistemological program is found throughout his Critique of Pure Reason (1781). By transcendental (a term that deserves special clarification) Kant means that his philosophical approach to knowledge transcends mere consideration of sensory evidence (the hallmark of the empiricist philosophers who immediately preceded him) and requires an understanding of the mind's innate modes of processing that sensory evidence.

In the "Transcendental Aesthetic" section of the Critique of Pure Reason, Kant outlines how space and time are pure forms of human intuition contributed by our own faculty of sensibility. Space and time do not have an existence "outside" of us, but are the "subjective" forms of our sensibility and hence the necessary a priori conditions under which the objects we encounter in our experience can appear to us at all. Kant describes time and space not only as "empirically real" but transcendentally ideal.

Lore & Background

Kant's doctrine restricts the scope of our cognition to appearances given to our sensibility and denies that we can possess cognition of things as they are in themselves, i.e. things as they are independently of how we experience them through our cognitive faculties. Kant first described it in his Critique of Pure Reason and distinguished his view from contemporary views of realism and idealism, but it remains the case that philosophers do not agree on how sharply Kant differs from each of these positions.

Transcendental idealism is associated, if not identified, with the formalistic idealism Kant discusses in his Prolegomena to any Future Metaphysics, although recent research has tended to dispute this identification. Transcendental idealism was also adopted as a label by the subsequent German philosophers Johann Gottlieb Fichte and Friedrich Wilhelm Joseph von Schelling, Arthur Schopenhauer, and in the early 20th century by Edmund Husserl in the novel form of transcendental-phenomenological idealism.

Reader's Guide

In The Bounds of Sense, P. F. Strawson suggests a reading of Kant's first Critique that, once accepted, forces rejection of most of the original arguments, including transcendental idealism. Strawson contends that, had Kant followed out the implications of all that he said, he would have seen that there were many self-contradictions implicit in the whole. Strawson views the analytic argument of the transcendental deduction as the most valuable idea in the text, and regards transcendental idealism as an unavoidable error in Kant's greatly productive system. In Strawson's traditional reading (also favored in the work of Paul Guyer and Rae Langton), the Kantian term phenomena (literally, things that can be seen—from Greek: phainomenon, "observable") refers to the world of appearances, or the world of "things" sensed.

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