Angband (band)
Persian-American power metal band from Tehran.
ZyMOS · Public domain
Angband is a Persian-American power metal band that started in Tehran in 2004. They made history as the first heavy metal act from Iran to secure a deal with an international label, Germany's Pure Steel Records.
The group was founded by Mahyar Dean, a classically trained musician and author who has written books about the bands Death and Testament. Originally a progressive metal and instrumental project, Angband shifted toward a power metal and progressive metal sound after vocalist Ashkan Yazdani joined. The band's name comes from the fortress of the Dark Lord Morgoth in J. R. R. Tolkien's *The Silmarillion*.
Drummer Ramin Rahimi joined in 2007, allowing the band to record their debut album, *Rising from Apadana*. Dean handled both guitar and bass on the record, but shortly after its release, M. Halaji became the full-time bassist. Rahimi later signed a solo deal with ARC Music, focusing on Iranian percussion and drums. Angband incorporates the Persian percussion instrument daf into their music exclusively.
After Halaji left in April 2011, bassist Farshad Shokuhfar—whom Dean had seen at a concert months earlier—replaced him.
The band entered the studio in July 2007 to record *Rising from Apadana*, which came out on September 26, 2008, to positive reviews. In June 2009, they announced their second album, *Visions of the Seeker*, originally due in late 2009 but delayed to 2010 due to a production issue. In May 2010, Germany's *Metal Hammer* featured a full interview and article about the band. The album was mixed and mastered by producer Achim Kohler (Primal Fear, Brainstorm) and released on October 29, 2010. Their first official video, "Forsaken Dreams," came out in December 2010.
In April 2011, the band began work on a third album with Shokuhfar. *Saved from the Truth* was also mixed and mastered by Kohler and released on September 28, 2012, earning acclaim from international press. *Lords Of Metal* noted that "the prog influences have gained much more room on this album."
In 2018, vocalist Ashkan Yazdani and bassist Farshad Shokuhfar left the band. Tim Aymar (Control Denied, Pharaoh) joined as the new singer that same year. Their fourth album, *IV*, took three years to complete—partly due to Aymar's health issues—and was released on August 28, 2020.
Musically, Angband is described as power metal with progressive metal and Persian folk influences.
*
- formed
- 2004
- origin
- Tehran, Iran
- genre
- Power metal with progressive metal and Persian folk music
- nationality
- Persian-American
- known_for
- First Iranian heavy metal band to sign with an international record label
- years_active
- 2004–present
Quick Facts
- Origin
- Tehran, Iran
- Genre
- Power metal, progressive metal
- Years Active
- 2004−present
- Label
- Pure Steel
- Website
- http: · angbandmetal.weebly.com
- Current Members
- Mahyar Dean / Ramin Rahimi
- Past Members
- M. Halaji / Farshad Shokuhfar / Ashkan Yazdani / Tim Aymar
Facts from the source article.
Lore & Background
Angband entered the studio in July 2007 to record Rising from Apadana, which was released on September 26, 2008, through Pure Steel Records. Their second album, Visions of the Seeker, was announced in June 2009 but delayed to 2010 due to production issues; it was finally released on October 29, 2010. The band collaborated with producer Achim Kohler for mixing and mastering. Their first official video, 'Forsaken Dreams', was released in December 2010. In April 2011, bassist M. Halaji left and was replaced by Farshad Shokuhfar. The third album, Saved from the Truth, was released on September 28, 2012, to acclaim. In 2018, vocalist Ashkan Yazdani and bassist Farshad Shokuhfar departed; Tim Aymar (Control Denied, Pharaoh) joined as singer, and the album IV was released on August 28, 2020, after a three-year delay partly due to Aymar's health issues.
Reader's Guide
Angband holds a unique place in heavy metal history as the first Iranian band to secure an international record deal, breaking cultural and logistical barriers. Their music blends power metal with progressive elements and Persian folk music, notably incorporating the Daf, a Persian percussion instrument. The band's persistence through lineup changes and production delays—including a three-year gap for IV due to a singer's health issue—demonstrates their dedication. Their discography of four studio albums and a single reflects a steady evolution, with later work receiving international press acclaim. Angband's significance lies in representing Iranian metal on a global stage while maintaining a distinct cultural identity.
Did You Know?
- Angband is named after the fortress of the Dark Lord Morgoth in J. R. R. Tolkien's The Silmarillion.
- They are the first heavy metal band from Iran to sign with an international record company.
- Angband exclusively uses the Daf, a Persian percussion instrument, in their music.
- Their fourth album, IV, took three years to complete because singer Tim Aymar had chronic neck pain.
Origins in Tehran
Angband was born in 2004 in Tehran, the brainchild of Mahyar Dean, a classically trained musician and author who had already made a name for himself writing books about the thrash metal legends Death and Testament. The project initially took shape as a progressive, largely instrumental endeavor, but everything shifted when vocalist Ashkan Yazdani came aboard, steering the sound toward a more melodic power metal and progressive metal direction. The band's name itself is a nod to Tolkien's legendarium—specifically the fortress of Morgoth, the Dark Lord, in The Silmarillion. Once Ramin Rahimi locked in as drummer, the group was finally in a position to record their debut full-length. Dean handled both guitar and bass parts on that first record, though bassist M. Halaji joined shortly after its release to take over that role permanently.
Breaking International Ground
In July 2007, Angband stepped into the studio to record what would become Rising from Apadana, and the project quickly gained international traction. The band signed a record deal with Germany's Pure Steel Records, making them the first heavy metal act from Iran to land a contract with an international label—a milestone that underscored how rare their presence was on the global metal scene. The album dropped on August 29, 2008, and earned positive reviews. The following years saw the band working with renowned producer and sound engineer Achim Kohler, who had previously worked with Primal Fear and Brainstorm, on their second record, Visions of the Seeker. A production issue pushed that release back by roughly a year, but it finally arrived on October 29, 2010, and Germany's Metal Hammer magazine gave the group a full-site feature that same spring.
A Sound Rooted in Two Worlds
Angband's musical identity sits at a distinctive crossroads. Critics and listeners consistently describe the band's output as power metal infused with progressive metal structures and, crucially, elements of Persian folk tradition. The group incorporates the Daf, a traditional Persian percussion instrument, into their arrangements, and they use it exclusively in their catalog. Drummer Ramin Rahimi, an experienced percussionist who later signed a solo deal with ARC Music focused on Iranian percussion, brought a deep understanding of regional rhythmic traditions into the band's sound. Over the course of their four studio albums, the progressive elements grew increasingly prominent; Lords of Metal noted on Saved from the Truth that the prog influences had gained much more room and that the band showed progress on all fronts. This blend of Western power metal vocabulary with Eastern melodic and rhythmic sensibility sets Angband apart in a genre that rarely looks beyond European and American traditions.
Turbulence and the Long Road to IV
Angband's journey was marked by significant personnel shifts and long stretches of silence. Bassist M. Halaji departed in April 2011, replaced by Farshad Shokuhfar, whom Dean had spotted performing live just months earlier. The band continued through 2012 with Saved from the Truth, which drew international acclaim. But by 2017, both vocalist Ashkan Yazdani and bassist Shokuhfar had left the group. Tim Aymar, known for his work with Control Denied and Pharaoh, stepped in as the new frontman with the goal of delivering a fourth album in 2018. That timeline proved optimistic: chronic neck pain plagued Aymar, stretching the production to three full years. IV finally emerged on July 24, 2020, capping a nearly eight-year gap since the previous studio release. Dean, meanwhile, resumed playing bass alongside his guitar duties, while Rahimi remained the constant rhythmic anchor throughout.
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Frequently Asked Questions
Who is Angband (band)?
Angband is a Persian-American metal band that was formed in Tehran, Iran, in 2004 and has remained active since. They blend power metal with progressive structures and Persian folk musical elements.
What genre does Angband (band) play?
Their sound sits at the crossroads of power metal, progressive metal, and Persian folk traditions. The project originally began as an instrumental progressive metal effort before shifting toward a more melodic power metal direction once vocalist Ashkan Yazdani joined the lineup.
Why is Angband (band) historically significant in the metal scene?
They became the first heavy metal group out of Iran to sign a contract with a major international record label, Germany's Pure Steel Records. That milestone broke a barrier for Iranian metal acts seeking global distribution and recognition.
Who founded Angband (band)?
The band was started by Mahyar Dean, a classically trained musician who is also an author known for writing books about the thrash and death metal groups Death and Testament. He initially conceived the project as an instrumental progressive metal vehicle before the addition of a vocalist reshaped the band's overall direction.
What is the origin of the name Angband (band)?
The name is taken from J. R. R. Tolkien's legendarium, where Angband is the great fortress built by the Dark Lord Morgoth. It signals the band's fondness for epic, mythological imagery in their songwriting and thematic content.
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