Vanity
The original 'Nasty Girl' — Prince's early-80s muse and frontwoman of Vanity 6.
Vanity, in the context of Prince's musical universe, refers to Denise Katrina Matthews, the captivating singer and actress who fronted the all-female group Vanity 6. Far from being a rapper or a member of House of Pain, she was a key collaborator with Prince in the early 1980s, known for her sultry vocals and striking presence.
Quick Facts
- Character
- Vanity (Denise Katrina Matthews)
- Role
- Singer
- actress
- Prince collaborator
- Primary affiliation
- Vanity 6
- Genre
- Pop
- Funk
- R&B
- Collaboration era
- Early 1980s
- Status
- Deceased (passed away in 2016)
Lore & Background
Denise Katrina Matthews, known professionally as Vanity, was discovered by Prince in the early 1980s and became the lead singer of Vanity 6, a group he created. Their collaboration produced the hit 'Nasty Girl' and the album 'Vanity 6'. After leaving the group, she pursued a career in acting and later became a born-again Christian. She passed away in 2016 due to complications from kidney disease.
Reader's Guide
In Western art, vanity was often symbolized by a peacock, and in Biblical terms, by the Whore of Babylon. During the Renaissance, vanity was often represented as a naked woman, sometimes seated or reclining on a couch. She attends to her hair with comb and mirror. The mirror is sometimes held by a demon or a putto.
Symbols of vanity include jewels, gold coins, a purse, and the figure of death. Some depictions of vanity include scrolls that read Omnia Vanitas ('All is Vanity'), a quotation from the Latin translation of the Biblical book of Ecclesiastes. Although the term vanitas (Latin, 'emptiness') originally meant not obsession by one's appearance, but the ultimate fruitlessness of humankind's efforts in this world, the phrase summarizes the complete preoccupation of the subject of the picture.
'The artist invites us to pay lip-service to condemning her,' writes Edwin Mullins, 'while offering us full permission to drool over her. She admires herself in the glass, while we treat the picture that purports to incriminate her as another kind of glass—a window—through which we peer and secretly desire her.' The theme of the recumbent woman often merged artistically with the non-allegorical one of a reclining Venus. In his table of the seven deadly sins, Hieronymus Bosch depicts a bourgeois woman admiring herself in a mirror held up by a devil; behind her is an open jewelry box.
A painting attributed to Nicolas Tournier, which hangs in the Ashmolean Museum, is An Allegory of Justice and Vanity: a young woman holds a balance, symbolizing justice; she does not look in a mirror or the skull on the table before her. Johannes Vermeer's painting Girl with a Pearl Earring is sometimes believed to depict the sin of vanity, because the young girl has adorned herself before a glass without further positive allegorical attributes. All is Vanity, by Charles Allan Gilbert (1873–1929), carries on this theme.
An optical illusion, the painting depicts what appears to be a large grinning skull. Upon closer examination, it reveals itself to be a young woman gazing at her reflection in the mirror. In the 1997 film The Devil's Advocate, Satan (Al Pacino) claims that 'vanity is his favourite sin'. Such artistic works served to warn viewers of the ephemeral nature of youthful beauty, as well as the brevity of human life and the inevitability of death.
Did You Know?
- Her collaboration with Prince was primarily in the early 1980s, not the 1990s.
- Vanity passed away in 2016, making her no longer an active artist.
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