Osamu Tezuka Anime Codexery

Phoenix 2772

1980 Japanese animated sci-fi fantasy based on Tezuka's Phoenix manga.

Phoenix 2772

Phoenix 2772 (火の鳥2772 愛のコスモゾーン, Hi no Tori 2772: Ai no Kosumozōn) is a 1980 Japanese animated science fiction fantasy drama film directed and written by Osamu Tezuka and Taku Sugiyama. Based on Tezuka's manga series Phoenix, the film is notable for its exploration of love, sacrifice, and environmental collapse in a dystopian future.

Release Year
1980
Country
Japan
Director
Osamu Tezuka, Taku Sugiyama
Genre
Science fiction fantasy drama
Based On
Tezuka's manga series Phoenix
Distributor
Toho
Awards
Inkpot Award (1980 San Diego Comic Convention), Animation Award (1st Las Vegas Film Festival)

Quick Facts

Native Name
火の鳥2772愛のコスモゾーン
Director
Osamu Tezuka · Taku Sugiyama
Screenplay
Osamu Tezuka · Taku SugiyamaGalbraith IV · 2008 · p=321
Story
Osamu Tezuka
Based On
Phoenix / by Osamu Tezuka
Music
Yasuo Higuchi
Cinematography
Ban Yamaki
Editing
Kazuo Inoue
Studio
Tezuka Productions
Distributor
Toho Co., Ltd.Galbraith IV · 2008 · p=321
Released
1980 · 2 · 15 · Japan · df=y
Runtime
121 minutesGalbraith IV · 2008 · p=321

Facts from the source article.

Lore & Background

The film is set in a distant future where Earth is dying from energy shortages and a totalitarian system produces humans in test tubes, assigning roles by computer. The protagonist Godo, a cadet raised by a robot-maid named Olga, is selected by the dictatorial candidate Rock to capture the mystical Phoenix, whose blood can heal Earth. Godo's mission is complicated by his love for all living creatures and his romantic involvement with Rena, daughter of an elite and Rock's bride-to-be.

Reader's Guide

Phoenix 2772 represents a key entry in Osamu Tezuka's filmography, adapting his long-running Phoenix manga into a feature-length animated work. The film won the Inkpot Award at the 1980 San Diego Comic Convention and the Animation Award at the 1st Las Vegas Film Festival, indicating recognition within both comic and film circles. Its narrative themes—environmental collapse, artificial intelligence, class hierarchy, and self-sacrifice—reflect Tezuka's recurring concerns. The film received mixed reviews; Variety praised its imagination and visuals but criticized its length and the design of the Phoenix. The American release, titled Space Firebird, was initially subtitled and later cut for home video. The film's legacy lies in its ambitious scope and its place within the broader Phoenix saga, though it remains less known than Tezuka's other works.

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