We publish our audit record because accuracy claims should be checkable. Every entry on this site runs through an automated fact-audit pipeline (accuracy audit → source-grounded repair → visual QA); this page is generated from that pipeline's own report, not written by hand.
Last full accuracy audit: 2026-09-10 · 36 entries checked · 27 flagged · 63 issues confirmed · 27 corrected · 36 still open
Ambassador Magma — The entry states that Magma, along with his human-sized wife Mol and son Gam, transforms into a giant rocket ship, but in the actual series, Magma transforms into a rocket individually, while Mol and Gam have their own separate rocket forms and do not combine
Bagi, the Monster of Mighty Nature — The Japanese government approved recombinant DNA research guidelines in 1979, not 1984; the entry's claim that Tezuka wrote the film as a response to a 1984 government decision is inaccurate.
Big X — The anime was not Tokyo Movie's first project; Tokyo Movie's first anime production was 'Lupin III' Part 1 (1971), while 'Big X' (1964) was produced by Mushi Production, not Tokyo Movie.
Big X — The claim that most episodes are lost is inaccurate; the series is not considered largely lost. All 59 episodes of 'Big X' are known to exist and have been released on home video in Japan.
Black Jack (manga) — Pinoko is not Black Jack's adopted daughter; she is a girl who claims to be his wife, and he treats her as a ward/assistant, but the term 'adopted daughter' is not canonically accurate.
Black Jack (manga) — Lady Yurie is not Pinoko's twin sister; she is a separate character who is a patient and later becomes a friend, but there is no canonical twin relationship.
Buddha (manga) — The claim that the series 'has become a staple text in Buddhist temples for young adults and teens to learn about the Buddha's life' is not supported by widely-known canon/history; there is no established evidence that Tezuka's Buddha manga is used as a staple
Cleopatra (1970 film) — The entry states the manga adaptation was co-credited to Hisashi Sakaguchi, but it was drawn solely by Osamu Tezuka.
Doggie March — The claim that Hayao Miyazaki worked on in-between frames for 'Doggie March' as his first animation job is factually incorrect; his first in-between work was on 'Wolf Boy Ken' (1963), not this film.
Dororo (1969 TV series) — The series was produced in black and white, but it is not the first installment of World Masterpiece Theater; the first installment was 'Dororo' itself, but it was not part of World Masterpiece Theater at the time—it was later retroactively included in some li
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