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Foucault's Pendulum

A satirical novel of esoteric conspiracies and the Foucault pendulum.

Foucault's Pendulum

Umberto Eco’s novel *Foucault’s Pendulum* was first published in Italian in 1988, and an English translation by William Weaver came out the following year. The story is structured around the ten Sefiroth of Kabbalah. It is a satirical work, packed with esoteric material on Kabbalah, alchemy, and conspiracy theories; critic and novelist Anthony Burgess remarked that the book was so dense it needed an index. The title refers to the real pendulum built by physicist Léon Foucault to prove the Earth’s rotation, and this object carries symbolic weight in the novel. Some readers have linked the title to philosopher Michel Foucault, given Eco’s friendship with him, but Eco explicitly denied any intentional reference to Michel Foucault—a denial often taken as another layer of literary humor.

The story begins with a man named Casaubon hiding in the Musée des Arts et Métiers after hours. He believes a secret society has kidnapped his friend Jacopo Belbo and is now hunting him, and he expects the group to gather at the museum. As he waits, he reflects on his past, but the narrative suggests he is an unreliable narrator whose thinking has been distorted by conspiracy theories.

In the 1970s in Milan, Casaubon—a former participant in the 1968 Italian protests—is researching the Knights Templar for his thesis. He meets Belbo and a colleague, Diotallevi. Belbo works as an editor at a publishing house and asks Casaubon to review a manuscript about the Templars. The manuscript, by Colonel Ardenti, claims to have uncovered a secret Templar plan for world domination, based on a coded note. Ardenti then disappears. Casaubon moves to Brazil for a relationship with a woman named Amparo and meets an elderly man, Agliè, who hints he is the legendary Comte de Saint-Germain. After a disturbing Umbanda ritual causes Amparo to lose control, their relationship ends. Casaubon returns to Milan and is hired by Belbo’s boss, Mr. Garamond, as a researcher. He discovers that Garamond runs both a respected publishing house and a vanity press called Manutius, which charges incompetent authors to print their work. Garamond decides to launch two occult book lines—one serious, one for vanity authors. Agliè, now in Milan, becomes a consultant. Belbo grows jealous of Agliè’s charm with Lorenza, Belbo’s former mistress. Casaubon begins a relationship with a woman named Lia, who calls him “Pow.”

Belbo, Diotallevi, and Casaubon immerse themselves in occult manuscripts that make weak connections between historical events. As a game, they create their own conspiracy, using Belbo’s computer “Abulafia” and Ardenti’s manuscript as a base. They develop “The Plan,” a program that randomly rearranges pre-typed sentences to generate ideas. The Plan becomes an elaborate web of theories about the Templars using “telluric currents,” whose focal point can be found with a Foucault pendulum and a special map. They invent a fictional secret society called the Tres (Templi Resurgentes Equites Synarchici). Over time, the three grow obsessed, wondering if The Plan might be real. Casaubon shows the original coded note to Lia, who now has his child. She deciphers it: the note is a modern cipher, not ancient, and is actually a merchant’s laundry list. Casaubon argues they elevated it to poetry; Lia calls it a dangerous lie, “hair oil,” and a bad joke.

Diotallevi is diagnosed with cancer and sees it as divine punishment for his role in The Plan. Belbo, consumed by jealousy over Lorenza, tells Agliè he possesses a Templar map showing a “valve” controlling the telluric currents. Agliè demands it; Belbo refuses, claiming he burned it but remembers the details. Agliè, Garamond, Ardenti, and other manuscript authors convince themselves they are the real Tres, with Agliè as leader. They blackmail and kidnap Belbo, taking him to Paris. Casaubon reads Belbo’s personal files, then goes to the Musée des Arts et Métiers to rescue him. There, Agliè’s group gathers around the pendulum for a ritual. Ectoplasmic forms appear; one claims to be the real Comte de Saint-Germain and denounces Agliè. Belbo refuses to reveal what he knows, sparking a riot in which he is hanged from the pendulum’s cable. Casaubon escapes to Belbo’s childhood villa in the countryside. He learns that Diotallevi died of cancer at midnight on St. John’s Eve, the same time Belbo died. Casaubon reflects on events and resigns himself to capture by the Tres, planning to follow Belbo’s example.

author
Umberto Eco
original_title
Il pendolo di Foucault
first_published
1988
genre
Novel, satire
themes
Conspiracy theories, Kabbalah, alchemy, Knights Templar

Quick Facts

Title Orig
Il pendolo di Foucault
Translator
William Weaver
Author
Umberto Eco
Country
Italy
Language
Italian
Genre
Postmodern literature · encyclopedic novel
Publisher
Bompiani · Secker & Warburg (U.K.)
Pub Date
October 1988
English Pub Date
16 October 1989
Media Type
Print (Hardcover)
Pages
687 pp. (Italian) · 641 pp. (English)
Isbn
88-452-1591-1

Facts from the source article.

Lore & Background

The book opens with a man named Casaubon hiding in the Musée des Arts et Métiers after closing. He believes that a secret society has kidnapped his friend Jacopo Belbo and is now after him, and that they will soon convene in the museum. As he waits, Casaubon reflects on his life, but it is implied that he is an unreliable narrator whose mind has been warped by conspiracy theories. In the 1970s in Milan, Casaubon, who as a student had participated in the 1968 Italian uprisings, is studying the Knights Templar for his thesis when he meets Belbo and his colleague Diotallevi. Belbo works as an editor in a publishing house and invites Casaubon to review a manuscript about the Templars. The manuscript, by Colonel Ardenti, claims he discovered a secret plan of the Templars to take over the world, basing it on a mysterious note written in an ancient code. Ardenti mysteriously vanishes after meeting with Belbo and Casaubon. Casaubon then moves to Brazil to pursue a relationship with a woman named Amparo and meets Agliè, an elderly man who implies he is the mystical Comte de Saint-Germain. Casaubon's relationship with Amparo falls apart after attending an Umbanda rite due to her loss of personal control, and he returns to Milan, where he is hired by Belbo's employer, Mr. Garamond, as a researcher. Casaubon learns that Garamond also owns Manutius, a vanity publisher. Garamond has the idea to begin two lines of occult books. Agliè, now also in Milan, becomes a consultant to Garamond. Belbo grows jealous of Agliè's ability to charm Belbo's former mistress Lorenza. Casaubon enters into a relationship with a woman named Lia, who nicknames him 'Pow'.

Reader's Guide

Belbo, Diotallevi, and Casaubon become submerged in occult manuscripts that draw flimsy connections between historical events, and soon have the idea to develop their own as a game. Using Belbo's personal computer 'Abulafia' and Ardenti's manuscript as a foundation, the three create what they call 'The Plan' using a program that rearranges pre-typed sentences at random to suggest ideas. The Plan becomes an intricate web of conspiracy theories about the Templars and their goal to reshape the world using 'telluric currents', whose focal point can be determined using the Foucault pendulum and a unique map. They invent a fictional secret society, the Tres (Templi Resurgentes Equites Synarchici). As time passes, the three become increasingly obsessed with The Plan. Casaubon talks to Lia, who now has a child with him, and shows her the note the entire Plan is based upon. She analyzes it for a day and a night and reconstructs it — the note was encoded using a modern cipher, not an ancient one, and is actually a laundry list for a merchant. Diotallevi is diagnosed with cancer and attributes it to divine retribution. Belbo, overcome by jealousy over Lorenza, discusses The Plan with Agliè and claims to be in possession of a Templar map revealing the location of a 'valve' that controls the telluric currents. Agliè demands to see it and is refused. Agliè, Garamond, Ardenti, and many manuscript authors convince themselves they are the Tres, and Agliè forces Belbo to accompany him to Paris. Casaubon visits Belbo's apartment and reads his personal files, then goes to Paris and Foucault's Pendulum. In the present, a group led by Agliè gathers around the pendulum for an arcane ritual. Belbo is questioned but refuses to reveal what he knows, inciting a riot during which he is hanged from the cable of Foucault's Pendulum. Casaubon escapes and flees to the countryside villa where Belbo grew up, soon learning that Diotallevi succumbed to his cancer at midnight on St. John's Eve, coincidentally the same time Belbo died. Casaubon meditates on events and finds an old manuscript by Belbo that relates a mystical experience he had when he was twelve, in which he perceived ultimate meaning beyond signs and semiotics.

Did You Know?

Frequently Asked Questions

What is Foucault's Pendulum?

It is a 1988 satirical novel by Italian writer Umberto Eco in which a small group of publishing-house employees become consumed by constructing an all-encompassing conspiracy theory that weaves together Kabbalah, alchemy, and the Knights Templar. The first English translation, rendered by William Weaver, appeared in 1990.

Who are the main characters in Foucault's Pendulum?

The narrative follows Belbo, a semi-fictional editor at a Milanese publishing house, together with his colleagues Casaubon and the brilliant but increasingly fragile Diotallevi. The three men spiral deeper into an elaborate web of esoteric symbolism and conspiracy plotting as their shared obsession takes over their lives.

What does the title 'Foucault's Pendulum' refer to?

It points to the real pendulum built by 19th-century physicist Léon Foucault to demonstrate the Earth's rotation. Within the novel the pendulum becomes a charged symbol that mirrors the characters' desperate search for a single hidden pattern governing all of history.

What are the central themes of Foucault's Pendulum?

Eco uses the book to satirize the human impulse to impose grand, interconnected narratives on scattered, unrelated events, drawing heavily on Kabbalistic numerology, alchemical symbolism, and Templar lore. The novel ultimately asks whether elaborate conspiracy theories reveal genuine truth or merely satisfy a psychological need for meaning.

How does Foucault's Pendulum connect to The Name of the Rose?

It functions as a loose sequel because Belbo, a character from The Name of the Rose, reappears as one of the protagonists. Eco later added The Island of the Day Before to form what fans call the 'Roscruda' trilogy, though each volume can be read independently.

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