No Direction Home
Scorsese's documentary on Dylan's early career and cultural impact.
Martin Scorsese directed the 2005 documentary No Direction Home: Bob Dylan, which explores the singer's life and his effect on American music and culture. It covers the years from Dylan's 1961 arrival in New York until his 1966 touring hiatus after a motorcycle crash. The film's name comes from his 1965 song "Like a Rolling Stone."
Quick Facts
- Director
- Martin Scorsese
- Starring
- Bob Dylan
- Country
- United States
- Language
- English
- Producer
- Susan Lacy
- Jeff Rosen
- Martin Scorsese
- Nigel Sinclair
- Anthony Wall
- Editor
- David Tedeschi
- Cinematography
- Mustapha Barat
- Runtime
- 208 minutes
Facts from the source article.
Did You Know?
- The documentary's depiction of the 1960 New York folk scene inspired Justin Timberlake for his role in the Coen brothers' film Inside Llewyn Davis (2013).
- Scorsese made a second Dylan documentary, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019), covering the 1975 Rolling Thunder Revue tour.
Production and content
The film first aired on television in the United States on PBS's American Masters series and in the United Kingdom on BBC Two's Arena series on September 26–27, 2005. A DVD and a soundtrack album, The Bootleg Series Vol. 7: No Direction Home: The Soundtrack, were released that same month. The project began taking shape in 1995 when Dylan's manager, Jeff Rosen, arranged interviews with Dylan's friends and associates. Those interviewed included poet Allen Ginsberg and folk musician Dave Van Ronk, both of whom died before the film was completed.
Dylan's former girlfriend Suze Rotolo gave a rare interview, later telling Rolling Stone she was pleased with the results. Dylan himself sat for ten hours in a relaxed conversation with Rosen in 2000. Other interviewees from that period include Joan Baez, Pete Seeger, Liam Clancy, Maria Muldaur, Peter Yarrow, John Cohen, Mavis Staples, Bob Neuwirth, Al Kooper, promoters Harold Leventhal and Tom Nelson, record industry figures Izzy Young, Mitch Miller, John Hammond, Artie Mogul, and filmmaker D. A. Pennebaker.
An unnamed source close to the project claimed Dylan had no involvement beyond the interview, stating that Dylan has no interest in looking back. Work on Dylan's autobiography Chronicles: Volume One overlapped production, though the degree of influence between the two is unclear. Rosen sought a filmmaker to edit the material, and Martin Scorsese was approached, agreeing to direct in 2001. Dylan's offices gathered hundreds of hours of historical film footage, including a scratchy recording of his high school rock band, his 1965 screen test for Andy Warhol, and newly discovered color footage of the May 17, 1966 Manchester Free Trade Hall concert, shot by D. A. Pennebaker, where an angry fan called out 'Judas!' before Dylan and the Hawks performed 'Like a Rolling Stone'. This footage was found in 2004 in a pile of water-damaged film from Dylan's vault.
Critical reception
The film received positive reviews, with 88% of critics giving positive reviews according to Rotten Tomatoes, based on 14 reviews. Roger Ebert of the Chicago Sun-Times awarded it four out of four stars, stating it creates a deep, sympathetic, perceptive portrait that leaves Dylan shrouded in mystery. Sam Wollaston of The Guardian called it a remarkable knitting together of tangled strands into sense and beauty. A 2024 Screen Rant article described the documentary as putting Dylan's unmatched place in 20th-century American popular music into perspective in a digestible way, while maintaining his mysterious appeal.
More in Films
Elsewhere in Martin Scorsese
Spotted an error? Know more?
Reader corrections go straight into our review queue. Suggest an edit · How this site is sourced