Goldface, the Fantastic Superman
A wrestler-scientist battles The Cobra in a 1967 co-production.
Tjaarke Maas · CC BY-SA 3.0
Goldface, the Fantastic Superman (Italian: *Goldface, Il fantastico superman*) is a 1967 superhero film directed by Bitto Albertini. It is an international co-production involving Italy, Spain, and Venezuela. The story centers on a wrestler-scientist who takes on a megalomaniac villain called The Cobra.
At a party hosted by businessman Matthews, his industrial property is attacked and destroyed by terrorists working for The Cobra. Meanwhile, a famous wrestler named Goldface wins a match. A German reporter tries to interview him but learns that no one knows the man behind the mask. In truth, Goldface is Dr. Vilar, a scientist and womanizer employed in the laboratory of millionaire Perera. The Cobra demands $2 million from Perera for protection of his factories. Company executives send Dr. Vilar to deliver the money. He meets The Cobra’s agent, Number 2, who takes the suitcase. After the exchange, Dr. Vilar follows the men to a hotel, changes into Goldface, attacks the terrorists, and recovers the cash. When The Cobra learns the money was returned, he devises a new plan.
The Cobra targets Perera’s daughter, Pamela. During a motorcycle race, an assassin sabotages her bike, but Goldface saves her. A second attempt occurs at a beach while Pamela and her friend Olga are waterskiing. Goldface uses a borrowed radio-controlled toy plane loaded with explosives to destroy the killers’ boat. Frustrated by the failures, The Cobra kills the assassins for seeing his face. It is revealed that The Cobra is actually Matthews, who plans to collect insurance by destroying his own property and rebuilding. Matthews and a promoter arrange a wrestling match with a fake Goldface to lure the real one. The impostor loses, and the real Goldface arrives. He and his assistant, Kotar, search for clues but are ambushed unsuccessfully. Goldface tells police Captain Claridge that he suspects Perera’s administrator, Gunner, is The Cobra’s inside man. Goldface intimidates Gunner and follows him to The Cobra’s secret base. The Cobra kidnaps Pamela and demands $4 million ransom. Goldface and Kotar infiltrate the base. Matthews kills Gunner. Goldface rescues Pamela and signals the police to storm the base. Matthews kills Number 2 and escapes by helicopter. Goldface pursues him. Police shoot down the helicopter, and Goldface returns to the wrestling ring.
Quick Facts
- Director
- Bitto Albertini
- Starring
- Espartaco Santoni / Evi Marandi
- Distributor
- <!-- or
- Released
- 1967 · Italy · 1971 · 9 · 18 · Spain
- Country
- Italy / Spain / Venezuela
Facts from the source article.
Lore & Background
The film follows Dr. Vilar, a scientist and womanizer who secretly operates as the masked wrestler Goldface. When businessman Matthews's property is attacked by terrorists working for The Cobra, Dr. Vilar is tasked with delivering a $2 million ransom. He recovers the money and later saves Perera's daughter, Pamela, from multiple assassination attempts, including a sabotaged motorcycle and a waterskiing attack thwarted by a radio-controlled toy plane with explosives. The Cobra is revealed to be Matthews himself, who plans to collect insurance on his destroyed property. Goldface ultimately rescues Pamela from The Cobra's secret base, and the police shoot down The Cobra's helicopter as he tries to escape.
Reader's Guide
Goldface, the Fantastic Superman is a notable example of 1960s European superhero cinema, blending wrestling, espionage, and action. Directed by Bitto Albertini, the film was shot in and near Caracas, Venezuela, with professional wrestlers in the cast. Its production included a dangerous climax where actor Attilio Severini was hung from a helicopter and dropped into the sea, with barracudas present. The film was released in Italy in 1967 and later in Spain in 1971, where it sold 522,832 admissions. While not widely known today, it represents an early international co-production in the superhero genre and reflects the global appeal of masked crime-fighters during that era.
Did You Know?
- The climax involved actor Attilio Severini being hung from a helicopter and dropped into the sea, which was full of barracudas.
- The villain The Cobra is revealed to be businessman Matthews, who planned to collect insurance on his own destroyed property.
- Goldface uses a radio-controlled toy plane with explosives to destroy the assassins' boat during a waterskiing attack.
Origins & International Production
Goldface, the Fantastic Superman (Italian: Goldface, Il fantastico superman) is a 1967 superhero film directed by Bitto Albertini, produced as a three-nation co-production spanning Italy, Spain, and Venezuela. The project originated when Giuseppe Maggi, head of the distribution company Filmar, arranged a private screening of Albertini's earlier film Supercolpo da 7 miliardi (1966) for his employees, drivers, and friends. The audience's enthusiastic response prompted Maggi to approach Albertini directly and sign a contract for a new picture to be shot in Venezuela. As a condition of the deal, Maggi insisted that Ambrogio Molteni be credited as a co-scripter. Principal photography took place in and around Caracas, and the cast was rounded out with various professional wrestlers, reinforcing the film's central wrestling-ring premise. This multinational collaboration gave the production a distinctive texture, blending Italian direction, Spanish distribution interests, and Venezuelan locations into a single exploitation-era superhero spectacle.
Plot & Narrative Structure
The narrative weaves together a wrestling spectacle and a crime thriller. At businessman Matthews's party, his industrial property is destroyed by the terrorists of a megalomaniac villain called The Cobra. Simultaneously, the masked wrestler Goldface wins a match, though a German reporter discovers that no one knows the identity of the man beneath the mask. In truth, Goldface is Dr. Vilar, a scientist at millionaire Perera's laboratory and something of a womanizer. When Cobra extorts two million dollars from Perera for factory protection, Vilar is sent to deliver the cash. After Cobra's agent Number 2 seizes the suitcase, Vilar chases the men to a hotel, transforms into Goldface, and recovers the money. The villain escalates by targeting Perera's daughter Pamela—first sabotaging her motorcycle in a race, then attacking her during waterskiing. Goldface thwarts both attempts, even deploying a borrowed radio-controlled toy plane loaded with explosives to destroy the assassins' boat. The Cobra, furious and exposed, kills his own henchmen. The scheme ultimately reveals itself as Matthews's insurance fraud, culminating in a helicopter chase and Goldface's triumphant return to the ring.
Cast & Supporting Ensemble
Espartaco Santoni headlines the film in the dual role of Dr. Vilar and the masked wrestler Goldface, a performance that anchors both the laboratory scenes and the high-flying action sequences. The supporting cast includes Evi Marandi as Olga, Pamela's friend during the beach attack, and Micaela Pignatelli as Pamela herself, the daughter of millionaire Perera who becomes the Cobra's primary target. Attilio Severini plays Pamela's Assassin, a role that would later place him at the center of the film's most dangerous stunt. Beyond these credited performers, the production drew on various professional wrestlers to populate the cast, reinforcing the film's central wrestling-ring conceit. Other characters woven through the plot include Goldface's assistant Kotar, police Captain Claridge, Cobra's right-hand agent Number 2, and Perera's administrator Gunner, who serves as the villain's inside man. This ensemble of wrestlers, actors, and character roles gives the film a deliberately crowded, pulp-serial energy.
Release & the Helicopter Stunt
Goldface, the Fantastic Superman first hit Italian screens in 1967. Its Spanish release came considerably later, on 18 September 1971, under the shortened title Goldface, where it drew 522,832 admissions—a respectable figure for a mid-tier exploitation import. One of the film's most memorable production anecdotes involves the climax scene, which the Venezuelan producers staged as a public spectacle, inviting press and television crews to witness the shooting. In that sequence, Attilio Severini is suspended from a helicopter and dropped into the sea. When the camera captured the moment he hit the water, several motorboats drifted into the frame. Rather than reshoot, Albertini had his crew simply zoom in on the action to crop the boats out of the final cut. Meanwhile, the production manager dispatched boats to retrieve Severini from the water, a precaution made urgent because the sea around the location was teeming with barracudas.
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Frequently Asked Questions
Who is Goldface, the Fantastic Superman?
Goldface is the masked protagonist of a 1967 Italian superhero film, played by Espartaco Santoni. He is a famous professional wrestler who secretly works as a scientist and goes up against a megalomaniacal antagonist known as The Cobra.
What are Goldface's powers or role in the story?
Rather than possessing superhuman abilities, Goldface relies on his elite wrestling skills combined with his scientific knowledge to fight back. His dual identity as athlete and researcher is central to the plot, and even a German reporter at a press event cannot uncover who hides behind the mask.
What is the main conflict in Goldface, the Fantastic Superman?
The villain called The Cobra sends terrorists to destroy the industrial property of businessman Matthews during a social gathering. Goldface must step in to stop The Cobra's campaign of destruction and bring the megalomaniac down.
Who directed Goldface, the Fantastic Superman and where was it made?
The film was directed by Bitto Albertini and produced as an international co-production involving Italy, Spain, and Venezuela. It is considered one of the early Italian-language superhero movies from the late 1960s.
Why is Goldface, the Fantastic Superman notable in film history?
Released in 1967, it represents a rare example of a European superhero feature that blends professional wrestling spectacle with science-fiction villainy. Its trilateral co-production and cast—including Evi Marandi, Micaela Pignatelli, and Attilio Severini—make it a curiosity for fans of obscure Italian genre cinema.
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