Historical Figures Codexery

Inigo Jones

The architect who brought classical Rome and the Italian Renaissance to England.

Inigo Jones

After Anthony van Dyck / William Hogarth · via Wikipedia: Inigo Jones · Public domain

Inigo Jones (15 July 1573 – 21 June 1652) was an English architect who first employed Vitruvian rules of proportion and symmetry in England.[1]

Quick Facts

Born
15 July 1573
Birthplace
London, England
Died
21 June 1652
Place of death
Somerset House, London
Significant buildings
  • Banqueting House, Whitehall
  • Queen's House
  • Wilton House
  • Covent Garden

Facts from the source article.

Life and work

Jones was born in Smithfield, London, the son of clothworker Inigo Jones Snr., and baptised at St Bartholomew-the-Less.[2] Later Welsh sources claim the family was from Wales, but no contemporary records support this.[2] From Italy he traveled to Denmark, where he worked for Christian IV on Rosenborg and Frederiksborg palaces.[3] Jones first became famous as a designer of costumes and stage settings, especially after bringing "masques" to the stage.[3]

Jones's full-time career effectively ended with the outbreak of the English Civil War in 1642.[4] Queen Anne of Denmark's patronage allowed Jones to bring the proscenium arch and movable scenery to English theatre.[3] From 1605 to 1640, Jones produced more than 500 performances, working with Ben Jonson despite their competitive and jealous relationship.[5] Jones became Surveyor of the King's Works on 27 April 1613, then soon traveled through Italy with the Earl of Arundel.[6]

Jones's career began in earnest when he was made Surveyor-General of the King's Works in September 1615.[7]

References

  1. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Strickland, "The Annotated Arch: A Crash Course in the History of Architecture", Andrews McMeel Publishing, 2001, p. 67; Hart, "Inigo Jones: The Architect of Kings", Yale University Press, 2011; Hart, "Inigo Jones: The Architect of Kings", Yale University Press, 2011 (we also read that source) en.wikipedia.org
  2. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Angharad Llwyd, A History of the Island of Mona, Or Anglesey (Ruthin: R. Jones, 1833) 360; Arthur Aitkin, Journal of a Tour Through North Wales (London: J. Johnson, 1797) 108; John Evans, A Tour through Part of North Wales (London: J. White, 1800) 279 (original not read by us) en.wikipedia.org
  3. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Chambers, "The English House", Guild Publishing, 1985, p. 75 (original not read by us) en.wikipedia.org
  4. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Blomfield, "A short History of Renaissance Architecture in England 1500–1800", BoD – Books on Demand, 2017, p. 86; Rakoczy, "Archaeology of destruction: a reinterpretation of castle slightings in the English Civil War", University of York (PhD thesis), 2007, p. 121 (original not read by us) en.wikipedia.org
  5. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: See: The Masque of Augurs; The Staple of News; A Tale of a Tub; Love's Welcome at Bolsover. Jonson's follower Richard Brome also took a swipe at Jones in The We; Orgel, Steven and Strong, Roy C., Inigo Jones and the theatre of the Stuart Court, 1973 (original not read by us) en.wikipedia.org
  6. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Strickland, "The Annotated Arch: A Crash Course in the History of Architecture", Andrews McMeel Publishing, 2001, p. 67 (we also read that source) en.wikipedia.org
  7. Wikipedia, "Inigo Jones" (CC BY-SA 4.0), which cites: Jemma Field, Anna of Denmark: The Material and Visual Culture of the Stuart Courts (Manchester, 2020), pp. 67–8.; Clare McManus, Women on the Renaissance stage (Manchester, 2002), pp. 205–8. (original not read by us) en.wikipedia.org

Each numbered sentence above was checked against the source it cites before publication. Sentences citing Wikipedia adapt text from the English Wikipedia article Inigo Jones (contributors), used under CC BY-SA 4.0; this entry is available under the same licence. Other sources were used for facts only; no text or images are copied from them.

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