Xuxa e os Duendes 2: No Caminho das Fadas

Lore & Background

The film follows Kira (Xuxa Meneghel), the pixie of light, who senses her friend Nanda (Debby Lagranha) is in danger. Nanda and her cousins were attacked by a witch seeking her tears for a curse. Kira meets Rafael (Luciano Szafir), Nanda's uncle, and a romance develops. In the wizarding world, witches Bertilda, Desdemona, and Adastéia cast a spell to turn loving hearts to stone, but the curse fails. Algaz (Betty Lago), the mother witch, realizes a second special tear is needed.

Reader's Guide

The film repeated the success of its predecessor, becoming the fifth highest-grossing film of 2003 in Brazil, with approximately 2,301,152 viewers and earnings over 11,486,623 Brazilian reals. Its budget of more than 5 million Brazilian reals surpassed the first film's 3.8 million. The accompanying soundtrack was released in January 2003. The production was a collaboration with Globo Filmes and distributed by Warner.

Did You Know?

• It earned more than 11,486,623 Brazilian reals, becoming the fifth highest-grossing film of 2003 in Brazil.
• The budget for this sequel was more than 5 million Brazilian reals, surpassing the first film's budget.

The Curse and the Journey to Fairyland

In this sequel, Kira, the pixie of light, is pulled back into action when she senses her friend Nanda is in mortal peril. The girl and her cousins have been attacked by a mysterious witch who hunts for her tears to fuel a devastating spell. In the wizarding realm, three witches—Bertilda, Desdemona, and Adastéia—conspire to petrify the hearts of all lovers, effectively erasing love from the world. Their matriarch, Algaz, discovers the curse is incomplete and demands a second, special tear. Kira must traverse the boundary between the human world and Fairyland, where she learns of a rare pink-heart child born from the union of two different natures. That child, Ana, holds the key to completing the dark magic. The spell will activate at the next full moon, and only the Castle of the Witches holds the counter-spell—a fortress fairies are forbidden from entering. With the aid of a clumsy little fairy named Mily who grants Kira the power of flight, she embarks on a desperate rescue mission against the clock.

A Star-Studded Ensemble

The film assembles a remarkable Brazilian cast that blends returning performers with fresh faces. Xuxa Meneghel returns as Kira, the elf of light, alongside Ana Maria Braga as Queen Zinga, Debby Lagranha as Nanda, Emiliano Queiroz as King Mika, Tadeu Mello as Alface, and Guilherme Karan as Gorgon—all reprising their roles from the 2001 original. The sequel introduces Luciano Szafir as Rafael, Nanda's uncle, whose budding romance with Kira becomes a central thread. Vera Fischer steps in as Queen Dara, the mother of fairies, while Deborah Secco plays Epifânia, a witch who lacks any real aptitude for villainy. Thiago Fragoso appears as Dáfnis, and Betty Lago portrays the formidable mother witch Algaz. The witch coven is further populated by Cristina Pereira, Vic Militello, and Karen Acioly. The fairy realm teems with color, as a dozen young actresses bring to life fairies in blue, yellow, pink, turquoise, red, lilac, violet, orange, and green, creating a vivid visual tapestry for young audiences.

Box Office Triumph and Cultural Footprint

Released in Brazilian theatres on December 13, 2002, the sequel quickly demonstrated that audience appetite for Kira's adventures had not waned. According to Ancine records, the film attracted approximately 2,301,152 viewers across its theatrical run—a remarkable figure for a children's fantasy production. Its gross revenue surpassed 11,486,623 Brazilian reals, a sum that propelled it to the position of the fifth highest-grossing film of 2003 in Brazil. This commercial performance echoed and reinforced the success of the 2001 original, confirming that the franchise had carved out a reliable niche in the domestic market. To capitalize on the momentum, the accompanying soundtrack was released in January 2003, extending the film's cultural footprint beyond the cinema and into the listening habits of its young fanbase. The numbers collectively underscore how Xuxa's brand remained a powerful draw for family audiences in early-2000s Brazil.

Production Context and Creative Vision

The path to this sequel was neither straightforward nor guaranteed. An earlier attempt to produce a new children's film had been entirely scrapped due to complications with Globo Filmes. Xuxa then starred in Xuxa Popstar, which proved a box office hit, and simultaneously fulfilled a contractual obligation with Diler & Associados that required her to deliver two films targeting adolescents and one aimed at children. This contractual framework gave the green light to the new project. Xuxa expressed a clear desire to differentiate this film from her two prior cinematic efforts—Xuxa Requebra (1999) and Xuxa Popstar (2000)—signaling a creative pivot. The project was helmed by a trio of directors: Paulo Sérgio de Almeida, Rogério Gomes, and Márcio Vito, while the screenplay was crafted by Vivian Perl and Wagner de Assis. The result was a fantasy adventure that leaned more heavily into a structured fairy-tale narrative, with a defined magical hierarchy, a ticking-clock curse, and a romantic subplot, distinguishing it tonally from the more music-video-oriented style of its predecessors.