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Streamline Moderne

A streamlined Art Deco style inspired by aerodynamics and ocean liners.

Streamline Moderne

Streamline Moderne, a global offshoot of Art Deco, took shape in the 1930s. Its look was driven by aerodynamics, favoring smooth curves, extended horizontal lines, and occasional nautical touches. In industrial design, the style lent a sleek, modern feel to items like trains, phones, buses, and household appliances. France knew it as *style paquebot*—"ocean liner style"—drawing heavily from the luxury liner SS *Normandie*, which first sailed in 1932.

As the Great Depression wore on, American industrial designers began stripping Art Deco of its decorative flourishes, replacing them with clean, aerodynamic lines. Some trace this shift to the 1933–34 "Century of Progress" World's Fair in Chicago. The resulting streamlined look suggested simplicity, motion, and speed, borrowing from—and influencing—modern transportation. Its cylindrical forms and long horizontal windows may have roots in the New Objectivity movement (linked to the German Werkbund) and early Futurist architecture. One early example is the 1923 Mossehaus in Berlin, a corner office building rebuilt by Erich Mendelsohn and Richard Neutra. The style also reflected tough economic times: sharp angles gave way to simple, aerodynamic curves, and ornament was replaced by smooth concrete and glass.

Streamline Moderne was the first architectural style to weave electric light into its structure. The first-class dining room of the SS *Normandie* (fitted out from 1933 to 1935) featured twelve tall pillars of Lalique glass and 38 internally lit columns. The Strand Palace Hotel foyer (1930) was an early use of internally lit architectural glass; it was saved from demolition by the Victoria and Albert Museum in 1969 and became the first Moderne interior preserved in a museum.

Architecturally, Streamline Moderne was most visible in buildings tied to movement—bus and train stations, airport terminals, roadside cafes, and port structures. It shared traits with modern architecture: horizontal orientation, rounded corners, glass brick walls or porthole windows, flat roofs, chrome hardware, and horizontal grooves or lines on walls. Buildings were often white or soft pastels. The Aquatic Park Bathhouse in San Francisco (built starting in 1936 by the Works Progress Administration) is a prime example, with its horizontal lines, rounded railings and windows, and ship-like details. Its interior retains original murals by Hilaire Hiler. Architects William Mooser Jr. and William Mooser III designed it; it now serves as the administrative center of the Aquatic Park Historic District. The Normandie Hotel in San Juan, Puerto Rico (opened 1942) was built in the shape of the SS *Normandie* and still displays the ship's original sign. New England's Sterling Streamliner Diners were designed to resemble streamlined trains. Hollywood's Julian Medical Building is considered a landmark and a crowning achievement of the style, with a rounded Moderne corner, windswept tower, and pylon-separated horizontally-reinforced windows. Streamline Moderne residences are rarer; the Lydecker House in Los Angeles, built by Howard Lydecker, is one example. In tract development, elements of the style occasionally appeared in postwar row housing in San Francisco's Sunset District.

In France, the *paquebot* style was inspired by the 1935 launch of the *Normandie*, with its Art Deco dining room and Lalique crystal columns. Buildings using variants appeared in Belgium and Paris. Architect Pierre Patout, a founder of Art Deco who designed the 1925 Exposition of Decorative Arts entrance and interiors for three ocean liners (the *Ile-de-France*, *L'Atlantique*, and *Normandie*), created a building at 3 boulevard Victor in Paris's 15th arrondissement. It lacked the American style's curving lines but featured a narrow "bow" at one end, long balcony decks, and smokestack-like projections on the roof. Another 1935 Paris apartment building at 1 Avenue Paul Doumer had terraces modeled after ship decks. The Flagey Building in Brussels (built 1938, designed by Joseph Diongre) was nicknamed "Packet Boat" or *paquebot*. Originally the headquarters of the Belgian National Institute of Radio Broadcasting, it was renovated and reopened in 2002 as the cultural center Le Flagey.

The 1933–34 Chicago World's Fair was the defining event for Streamline Moderne in the United States, introducing the style to the public. New automobiles adopted its smooth forms.

field
Architecture and industrial design
known_for
Aerodynamic curving forms, long horizontal lines, nautical elements, and use of
origins
1930s, influenced by the Great Depression, Chicago World's Fair 1933–1934, and t
also_called
Style paquebot (France)

Verified Timeline

192319251930193219331934193519361938194219692002

Lore & Background

As the Great Depression of the 1930s progressed, Americans saw a new architectural style emerge as industrial designers stripped Art Deco of its ornament in favor of an aerodynamically-inspired pure-line concept. Some argue that the origin can be traced back to the 'Century of Progress' Chicago World's fair in 1933–1934. The new streamlined look that emerged conveyed simplicity, motion, and speed, much derived from—and influencing—advanced forms of modern transportation. It had various roots: its cylindrical forms and long horizontal windowing may have been influenced by the New Objectivity artists—a movement connected to the German Werkbund—and by Futurist architecture of the early 20th century. An early example is the 1923 Mossehaus, the reconstruction of the corner of a Berlin office building by Erich Mendelsohn and Richard Neutra. The style was sometimes a reflection of the austere economic times; sharp angles were replaced with simple, aerodynamic curves, and ornament was replaced with smooth concrete and glass. The style was the first to incorporate electric light into architectural structure. In the first-class dining room of the SS Normandie, fitted out 1933–1935, twelve tall pillars of Lalique glass, and 38 columns lit from within illuminated the room. The Strand Palace Hotel foyer (1930), preserved from demolition by the Victoria and Albert Museum during 1969, was one of the first uses of internally lit architectural glass, and coincidentally was the first Moderne interior preserved in a museum.

Reader's Guide

Streamline Moderne appeared most overtly in buildings related to transportation and movement, such as bus and train stations, airport terminals, roadside cafes, and port buildings. It had characteristics common with modern architecture, including a horizontal orientation, rounded corners, the use of glass brick walls or porthole windows, flat roofs, chrome-plated hardware, and horizontal grooves or lines in the walls. Structures were frequently white or in subdued pastel colors. An example is the Aquatic Park Bathhouse in the Aquatic Park Historic District, in San Francisco. Built beginning in 1936 by the Works Progress Administration, it features the distinctive horizontal lines, classic rounded corners railing and windows of the style, resembling the elements of ship. The interior preserves much of the original decoration and detail, including murals by artist and color theoretician Hilaire Hiler. The architects were William Mooser Jr. and William Mooser III. Another example is Hollywood, California's Julian Medical Building, which has been described as a 'landmark', 'an architectural masterpiece', and 'one of the crowning achievements of Streamline Moderne.' Its distinctive features include a rounded Moderne corner, windswept tower, and pylon-separated horizontally-reinforced windows. In France, the style was called Paquebot, meaning ocean liner. The French version was inspired by the launch of the premier transatlantic liner Normandie in 1935. Buildings using variants of the style appeared in Belgium and in Paris, notably in a building at 3 boulevard Victor in the 15th arrondissement, by the architect Pierre Patout. Patout's building on Avenue Victor lacked the curving lines of the American version of the style, but it had a narrow 'bow' at one end, where the site was narrow, long balconies like the decks of a ship, and a row of projections like smokestacks on the roof. The defining event for streamline moderne design in the United States was the 1933–34 Chicago World's Fair, which introduced the style to the general public. The new automobiles adapted the smooth lines of ocean liners and airships, giving the impression of efficiency, dynamism, and speed. Examples include the 1934 Chrysler Airflow and the 1934 Studebaker Land Cruiser. Streamline style industrial design can be contrasted with functionalism, which represent a contrasting modernistic school. A leading design style in Europe at the same time, functionalism sought simple designs to lower the production costs, making them affordable to the large European working class.

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