1980s British Documentary Television Series Codexery

The Day the Universe Changed

James Burke explores how knowledge reshapes reality.

The Day the Universe Changed: A Personal View by James Burke is a British documentary television series written and presented by science historian James Burke, originally broadcast on BBC1 from 19 March until 21 May 1985. The series examines how advances in science and technology have altered Western society's philosophical outlook. Its title reflects the idea that acquiring new knowledge effectively changes one's perception of the universe.

Quick Facts

Genre
Documentary
Writer
James Burke
Director
Richard Reisz
Theme music
Carl Davis
Country
United Kingdom
Language
English
Seasons
1
Episodes
10

Facts from the source article.

Did You Know?

Episodes

The series runs in roughly chronological order from the Middle Ages to the present. Episode 1, "The Way We Are: It Started with the Greeks," opens the sequence. Episode 2, "In the Light of the Above: Medieval Conflict: Faith & Reason," traces the shift from mysticism toward structured logic and reason. Episode 3, "Point of View: Scientific Imagination in the Renaissance," covers geometry's influence on art, cartography, and warfare.

Episode 4, "A Matter of Fact: Printing Transforms Knowledge," addresses printing's impact on knowledge perception and language standardization. Episode 5, "Infinitely Reasonable: Science Revises the Heavens," examines mathematics in astronomy and its effect on religious belief. Episode 6, "Credit Where It's Due: The Factory & Marketplace Revolution," looks at commerce's effects on work, identity, and rights. Episode 7, "What the Doctor Ordered: Social Impacts of New Medical Knowledge," discusses public health and medicine's changing status.

Episode 8, "Fit to Rule: Darwin's Revolution," covers systematization from Linnaeus to Darwin. Episode 9, "Making Waves: The New Physics: Newton Revised," explores magnetism, electricity, and light challenging Newtonian physics.

Reception

Alfred Unger of The Christian Science Monitor wrote that the series is "studded with flashes of insight amid its potpourri of intellectual revelations" and that Burke believes it will encourage viewers to examine what they know and possibly develop a new way of looking at things. John Corry of The New York Times described it as "television on a grand scale" and noted that Burke is interested in ideas that "bubble and perk throughout," adding that viewers may get lost but will likely stay interested. Diana Simmonds of The Sydney Morning Herald called the series "exciting" and compared Burke's television style to that of Robert Hughes or J.K. Galbraith, adding that Burke is also "naughty – like a mischievous elf."

Music

Carl Davis composed the main title theme and some incidental music. The series also made extensive use of brief extracts from classical music. Episode 1 includes works by Krzysztof Penderecki, William Walton, Ottorino Respighi, Michael Praetorius, Olivier Messiaen, Richard Wagner, Marcel Landowski, Vangelis, Dmitri Shostakovich, Ralph Vaughan Williams, and Prokofiev. Episode 2 features Messiaen, Respighi, Walton, Michael Tippett, and Benjamin Britten.

Episode 3 uses Respighi, Tomás Luis de Victoria, and Praetorius. Episode 4 includes Carl Orff, Giuseppe Verdi, and Camille Saint-Saëns. Episode 5 features Wolfgang Amadeus Mozart, Annibale Padovano, Vincenzo Galilei, David Bedford, Giovanni Pierluigi da Palestrina, and Henry Purcell. Episode 6 includes Vaughan Williams, Thomas Arne, George Lloyd, and Hubert Parry.

Episode 7 uses Igor Stravinsky, Christoph Willibald Gluck, Claude Joseph Rouget de Lisle, Johann Sebastian Bach, Shostakovich, Saint-Saëns, Aaron Copland, and Franz Liszt. Episode 8 features Franz von Suppe, Georg Friedrich Handel, Ludwig van Beethoven, Antonín Dvořák, Robert Busby, Wagner, Roberto Pregardio, Carl Nielsen, Arthur Honegger, and Pierre De Geyter.

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