World Heritage Sites in the Czech Republic Codexery

Pilgrimage Church of Saint John of Nepomuk

A Baroque-Gothic pilgrimage

Pilgrimage Church of Saint John of Nepomuk

The Pilgrimage Church of Saint John of Nepomuk, known locally as Poutní kostel svatého Jana Nepomuckého, stands on Zelená hora (Green Hill) at the edge of Žďár nad Sázavou, Czech Republic, close to the old boundary between Moravia and Bohemia. It represents the final project of Johann Santini Aichel, a Bohemian architect who fused Borrominiesque Baroque with Gothic elements in both structure and ornament. The church was built after the Roman Catholic Church declared John of Nepomuk’s tongue incorruptible in 1719. Consecrated in 1720, construction continued until 1727. A serious fire later led to a change in the roof’s shape. Many of the furnishings were also designed by Santini, and the building is notable for its Gothic-inspired features and intricate symbolism, which were uncommon at the time. It became a World Heritage Site in 1994, with the nomination highlighting Santini’s use of mathematical ratios to create an independent spatial reality, where the number five dominates the layout and proportions.

The church was planned and built through the collaboration of Abbot Václav Vejmluva of the nearby Cistercian monastery in Žďár and architect Johann Santini Aichel. Vejmluva was a devoted follower of John of Nepomuk both before and after his beatification. Project preparation began between late April and early August 1719, directly after the discovery of preserved tissue in Nepomuk’s tomb at St. Vitus Cathedral on 15 April 1719. Santini was given the design, and Vejmluva is thought to have shared his ideas about the sanctuary and its symbols, but Santini worked independently, moving away from traditional religious forms. He transformed the abbot’s concept of a star-dominated church into an unusual shape that drew mixed contemporary reactions. As late as 1886, Friedrich Radnitzký called it a “visually mysterious phenomenon.” The project was completed quickly—dedicated in 1722—likely due to the strong collaboration between Vejmluva and Santini. The final building differs little from the original design.

On 17 July 1784, the roof and ambulatory caught fire. Local citizens, with significant help from Matěj Sychra, saved the church from total destruction. Permission to restore it came from the gubernium in 1792, on condition

location
Žďár nad Sázavou, Czech Republic
architect
Johann Santini Aichel
construction_start
1719
consecration
1720
completion
1727
world_heritage_designation
1994
dominant_number_in_design
5

Quick Facts

Location
Žďár nad Sázavou, Vysočina Region, Czech Republic
Criteria
(iv)(iv)
Year
1994
Area
0.64 ha
Buffer Zone
627.9 ha
Website
https: · www.zelena-hora.eu/en

Facts from the source article.

Lore & Background

The church was built through the collaboration of Václav Vejmluva, abbot of the Cistercian monastery in Žďár, and architect Johann Santini Aichel. Preparation of the project dates from late April to early August 1719, considered a direct reaction to the discovery of preserved tissue in the tomb of John of Nepomuk in St. Vitus Cathedral on 15 April 1719. Santini dealt with the project quite individually, departing from traditional shapes of religious buildings, and melded the abbot's idea of a star-dominated church into an extraordinarily impressive form that received mixed contemporary reviews. The project was finished unusually quickly, possibly because of strong cooperation between Vejmluva and Santini and their shared expertise in symbology.

Reader's Guide

The Pilgrimage Church of Saint John of Nepomuk is significant as the final work of Johann Santini Aichel and as a World Heritage Site recognized for its mathematical ratios and complex symbolism. The nomination dossier pointed out Santini's use of mathematical ratios aimed at 'the creation of an independent spatial reality', with the number 5 being dominant in the layout and proportions. The church combines Baroque and Gothic elements, pointing to the age when John of Nepomuk lived, worked, and was martyred. Its construction is based on the geometry of a circle, constantly repeating the number five as a reference to Nepomuk's five stars. The interior uses light in a baroque interpretation as a sign of god's presence, creating a paradox where the central area is illuminated only indirectly while side walkways are awash with light, making the building seem carried by light itself. The church and its surrounding cloister illustrate Santini's great architectonic and creative potency.

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