Rorschach Arkham Release
Self-taught, zero MFA, and the artist who put Rorschach's ink-stained rage on a page in *Before Watchmen*.
Bermejo walked into a WildStorm office as an intern in 1997 with almost no formal training to show for it — he's been self-taught the entire way through, and still is. His first credited art page landed in *Gen13* #43 (Sept. 1999), and after that he kept filling interiors and covers across the industry as an American comic book writer and artist. The work people pin to him, though, is the Azzarello pairing: *Lex Luthor: Man of Steel*, the *Joker* graphic novel, and the one that pulled him straight into the Watchmen orbit — *Before Watchmen: Rorschach*.
- Character
- Walter Kovacs (Rorschach)
- Universe
- Watchmen Continuity (Earth-5/Prime Earth)
Verified Timeline
Lore & Background
Lee Bermejo's work on *Before Watchmen: Rorschach* (2012–2013) was a collaboration with writer Brian Azzarello, continuing their partnership that began with *Lex Luthor: Man of Steel* (2005) and the *Joker* graphic novel (2008). In this limited series, Bermejo provided interior art and cover art, depicting Walter Kovacs in a story set before the events of the original *Watchmen*. The series explores Rorschach's uncompromising nature and his violent pursuit of justice. Bermejo's artistic style, honed through earlier projects like *Batman: Noël* (2011) which he both wrote and drew, brought a gritty, detailed visual approach to the character. Bermejo's career also includes drawing the Superman story in *Wednesday Comics* (2009) and launching *Suiciders* for Vertigo and *We Are Robin* for DC Comics in 2015.
In Their Own Story
In *Before Watchmen: Rorschach*, Bermejo and Azzarello crafted a narrative that delves into Rorschach's early vigilante career. The story follows Walter Kovacs as he investigates a series of murders connected to a conspiracy involving political figures and organized crime. Bermejo's illustrations capture the grim, rain-soaked streets of New York City and the shifting inkblot patterns of Rorschach's mask. Key moments include Rorschach's brutal interrogation of suspects and his confrontation with a villain known as the 'Bogeyman.' The series ends with Rorschach's journal entries, hinting at the paranoia and moral absolutism that define his character in the original *Watchmen*. Bermejo's art emphasizes the physical toll of Rorschach's lifestyle, showing scars and wear on his costume that reflect his relentless pursuit of truth.
Reader's Guide
For fans exploring Bermejo's *Before Watchmen: Rorschach*, the series is best understood as a prequel that expands on Rorschach's backstory without contradicting the original *Watchmen* timeline. Key issues include #1-4 of the limited series, published from 2012 to 2013. Bermejo's interior art is notable for its use of heavy shadows and detailed linework, which he developed through his self-taught approach. The collaboration with Azzarello mirrors their earlier work on *Joker* (2008), where they similarly explored a villain's perspective. Readers should note that Bermejo also drew variant covers for *Action Comics* #1000 (June 2018) and contributed to *All-New X-Men* #25 (2014) and *Daredevil* vol. 2 #100 (2007) for Marvel. His style is consistent across these projects, characterized by realistic proportions and atmospheric lighting.
Did You Know?
- Lee Bermejo's first credited comics work was in *Gen13* #43, published in September 1999.
- He collaborated with writer Brian Azzarello on three major projects: *Lex Luthor: Man of Steel* (2005), *Joker* (2008), and *Before Watchmen: Rorschach* (2012–2013).
- Bermejo both wrote and drew the *Batman: Noël* graphic novel in 2011.
- He was nominated for a 2023 Eisner Award for Best Painter/Multimedia Artist for *A Vicious Circle*.
- Bermejo drew the 2000s variant cover for *Action Comics* #1000, released in June 2018.
More in Story & Timeline
Elsewhere in the Watchmen universe
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