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Laxdæla saga

A 13th-century Icelandic saga of love, friendship, and enmity.

Laxdæla saga, also known as The Saga of the People of Laxárdalur, is one of the sagas of Icelanders, written in the 13th century CE. It tells of people in the Breiðafjörður area in western Iceland from the late 9th century CE to the early 11th century CE, focusing particularly on a love triangle between Guðrún Ósvífrsdóttir, Kjartan Ólafsson, and Bolli Þorleiksson. Second only to Njáls saga in the number of medieval manuscripts preserved, it remains popular for its poetic beauty and pathos.

Field
Medieval Icelandic literature
Nationality
Icelandic
Known for
Love triangle between Guðrún, Kjartan, and Bolli; poetic beauty and pathos
Period composed
1230–1260 CE
Manuscript preservation
Second only to Njáls saga in number of medieval manuscripts

Lore & Background

Guðrún Ósvífursdóttir is introduced as the most beautiful woman in Iceland. She has four husbands: she divorces the first, and the other three die. Kjartan and Bolli grow up as close friends, but both love Guðrún. Kjartan and Bolli travel to Norway, where they convert to Christianity under King Olaf Tryggvason. Kjartan is held as a hostage in Norway, while Bolli returns to Iceland and marries Guðrún. When Kjartan returns, he finds Guðrún married to Bolli, leading to enmity between the former friends.

Reader's Guide

Laxdæla saga is significant as a major work of medieval Icelandic literature, preserved in numerous manuscripts, with the oldest complete version in Möðruvallabók (mid-14th century) and fragments dating to ca. 1250. The author is unknown, though speculation suggests a woman due to the saga's unusually feminine perspective. The author's knowledge of the Breiðafjörður area indicates they lived in western Iceland. The saga cites written sources including Ari Þorgilsson, a lost Þorgils saga Höllusonar, and Njarðvíkinga saga, but its main sources were likely oral traditions. Scholars divide manuscripts into two groups: the Y group (including Möðruvallabók) contains ten additional chapters regarded as a separate work, Bolla þáttr Bollasonar, and differs in the narration of the theft of Kjartan's sword. The saga's legacy lies in its poetic beauty and pathos, and its enduring popularity among the Icelanders' sagas.

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