Sunday Bloody Sunday

Lore & Background

The song emerged from a riff written by the Edge in 1982 while Bono and Ali Hewson honeymooned in Jamaica. Feeling depressed after an argument with his girlfriend Aislinn O'Sullivan, the Edge channeled his frustration into music that initially lacked a title or chorus melody. The direct lyrical impetus came from a heated debate in a New York bar regarding the IRA's involvement in the St. Patrick's Day parade; the band decided to withdraw from the 1981 parade after learning that organizers had invited a group supporting NORAID, an Irish-American fundraising group for the IRA, as an honorary marshal. Drummer Larry Mullen Jr. clarified that the song is not about the politics of Northern Ireland or taking sides between Catholics and Protestants, but rather asks "How long?" regarding the daily loss of life through bitterness and hate. Although early versions contained the line "Don't talk to me about the rights of the IRA, UDA," it was removed to ensure a non-sectarian viewpoint.

Reader's Guide

While no promotional video was made for the single's original release, U2 utilized footage from their 5 June 1983 performance at Red Rocks Amphitheatre for the film U2 Live at Red Rocks: Under a Blood Red Sky. Directed by Gavin Taylor, this video features Bono waving a white flag amidst crimson mist created by wet weather and hot lights, an image Rolling Stone later cited as one of "50 Moments that Changed the History of Rock and Roll." The song has been performed over 600 times since its live debut in December 1982 in Glasgow. During early performances, particularly in Belfast at the Maysfield Leisure Centre, Bono explicitly stated "It's not a rebel song" to reassert its anti-sectarian message. Today, it remains one of U2's most performed tracks and is ranked 268th on Rolling Stone's list of "The 500 Greatest Songs of All Time," having been covered by over a dozen artists.

Did You Know?

• Producer Steve Lillywhite initially encouraged drummer Larry Mullen Jr. to use a click track, but Mullen only agreed after meeting Andy Newmark of Sly & the Family Stone.
• The distinctive drum sound was created by recording Larry Mullen's kit at the base of a staircase to capture natural reverb.
• The song's opening drum pattern developed into the track's hook after Mullen changed his mind about using a click track.