Another WolfCop

Lore & Background

The film is set a few months after the first film, with Lou Garou, aka WolfCop, continuing to fight crime in the small town of Woodhaven. His partner Tina Walsh has become police chief, but is frustrated by Garou's violent wolf-form tactics. A wealthy businessman named Sydney Swallows reopens the local brewery under the name Darkstar and creates a 'Chicken Milk' flavoured beer. Garou discovers that reptilian shapeshifters are active in town, and that his supposedly deceased friend Willie Higgins is actually alive and has been abducted by shifters. A talking parasite emerges from Willie's stomach, and a cyborg named Frank is built by Swallows's scientists. Garou is seriously wounded fighting Frank but is healed by Willie's sister Kat, a werecat. Swallows uses a glowing instrument to cause mini-shifters to burst from people who drink Chicken Milk, killing several spectators at a hockey game. Garou, with help from Kat and Tina, kills Swallows's henchmen, but Swallows escapes after rigging the arena with explosives. The film ends on a cliffhanger.

Reader's Guide

Another WolfCop received mixed to positive reviews. On Rotten Tomatoes, 65% of 17 critics' reviews were positive, with an average rating of 5.4/10. Noel Murray of the Los Angeles Times called it 'a one-stop shop for just that kind of good-natured vulgarity' and 'even grosser and wackier than its predecessor.' Trace Thurman of BloodyDisgusting.com wrote that it is 'not high art' but 'a fun, gory and hilarious midnight movie.' The film premiered a 'Ruff Cut' at Fantastic Fest in 2016 to positive reviews, and won the Audience Choice Award (Gold) for best Canadian/Quebec feature at the Fantasia International Film Festival. However, John Semley of the Globe and Mail gave it 1.5 out of 4, calling it 'brain dead, dumb and intermittently a bit fun.' Simon Abrams of RogerEbert.com also gave it 1.5 out of 4, describing it as 'the kind of bad movie that sounds amazing on paper, but is excruciating to watch.' The film earned an estimated $122,713 in DVD and Blu-ray sales. A sequel was promised in the final credits, and director Lowell Dean expressed hopes to continue the character in a third or fourth film.

Did You Know?

• The film's poster was modeled on the 1986 Sylvester Stallone film Cobra.
• The film was shot in Lumsden, Saskatchewan and Regina, Saskatchewan in early 2016.
• The film won the Audience Award for Best Canadian Feature (Gold) at the 2016 Fantasia International Film Festival.
• The film ends on a cliffhanger, with the final credits promising that 'WolfCop will return.'

Plot & Central Conflict

The story picks up several months after the original film, following Lou Garou, an alcoholic werewolf cop still patrolling the small town of Woodhaven. His partner Tina Walsh has been promoted to police chief, but she is increasingly exasperated by Garou's habit of brutally dispatching criminals in wolf form, all while she struggles to keep his true identity hidden from the townspeople. The main threat comes from Sydney Swallows, an obscenely wealthy self-help author who has breathed new life into Woodhaven's economy by reopening the old brewery as the trendy 'Darkstar' brand, complete with a bizarre 'Chicken Milk' flavoured beer. The plot escalates when Garou discovers his supposedly dead friend Willie Higgins alive inside a mysterious crate, only for a talking parasite to burst from Willie's stomach. Swallows is ultimately exposed as a shifter villain using a glowing metal instrument that emits high sound frequencies to force mini-shifters out of victims' chests. The climax unfolds at a newly built hockey arena where Swallows attempts to weaponize the entire crowd, and the film closes on a cliffhanger as survivors head toward a bar.

Production & Release

Penned and helmed by Lowell Dean, this sequel to the 2014 WolfCop was shot during the early months of 2016 across two Canadian locations: Lumsden in Saskatchewan and Sudbury in Ontario. The theatrical window opened on December 1, 2017. A deliberate design choice in the marketing was the promotional poster, which was explicitly modeled on the 1986 Sylvester Stallone action vehicle Cobra, giving the project a retro, over-the-top action-comedy visual identity. Before hitting general theatres, the picture screened under the working title 'Ruff Cut' at Fantastic Fest in Austin, Texas in 2016, where audiences responded warmly. Its Canadian debut came at the Fantasia International Film Festival in Montreal, Quebec, and it took home the Audience Choice Award (Gold) for best Canadian/Quebec feature. The total runtime sits at a brisk 82 minutes, a pace one reviewer specifically noted kept the proceedings moving despite his overall lukewarm verdict.

Critical Reception & Audience Response

On Rotten Tomatoes the film sits at a 65% approval rating drawn from 17 critics' reviews, with an average score of 5.4 out of 10, reflecting a notably divided critical landscape. On the positive end, Noel Murray of the Los Angeles Times dubbed it 'a one-stop shop for just that kind of good-natured vulgarity' and 'even grosser and wackier than its predecessor,' while cautioning it was not for every viewer. Trace Thurman of BloodyDisgusting.com framed it as 'a fun, gory and hilarious midnight movie that will scratch your itch for camp,' assuring fans of the first film they would not be disappointed. The negative camp was equally vocal: John Semley of the Globe and Mail awarded 1.5 out of 4 stars, calling it 'brain dead, dumb and intermittently a bit fun' but wishing for more substance. Simon Abrams of RogerEbert.com also gave 1.5 out of 4, describing it as 'the kind of bad movie that sounds amazing on paper, but is excruciating to watch.' The overarching takeaway among those who enjoyed it was that the sequel delivered precisely the unapologetic, campy, and vulgar tone the original had established.

Legacy, Home Media & Franchise Future

The closing credits carry an explicit promise that 'WolfCop will return,' and director Lowell Dean has publicly voiced his desire to keep the character active in some form, expressing hope of producing a third or even fourth installment. In terms of commercial performance on home media, the film generated an estimated $122,713 in combined DVD and Blu-ray sales, a modest figure that underscores its positioning as a niche cult-comedy title rather than a mainstream commercial event. The production's proudly Canadian identity is reinforced by its festival trajectory: an early Texas screening at Fantastic Fest, followed by its Canadian premiere at Fantasia in Montreal, where it claimed the Audience Choice Award (Gold) for best Canadian/Quebec feature. The poster's deliberate homage to the 1986 Cobra film, the 'Ruff Cut' screening title, and the unresolved cliffhanger ending all point to Dean's ambition to build a broader mythology around the character. For now, the franchise remains a beloved cult curiosity, adored by fans of the original but never achieving a wide commercial breakout.

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