Saturday Night Live in the 2000s Codexery

Saturday Night (2010 film)

A documentary on the making of Saturday Night Live.

Saturday Night is a 2010 documentary film directed by James Franco that examines the production process of the NBC late-night live television sketch comedy series Saturday Night Live. Shot over six days in December 2008, the film was originally a school assignment for Franco at New York University. It premiered at the 2010 South by Southwest Film Festival and was later released on Hulu in 2014.

Quick Facts

Director
James Franco
Cinematography
  • Pedro Gómez Millán
  • Christina Voros
  • Sergie Krasikau
  • Aileen Taylor
Editing
Ian Olds
Studio
Rabbit Bandini Productions
Runtime
95 minutes
Country
United States
Language
English

Facts from the source article.

Did You Know?

Production

The film originated from a class assignment for Franco while he attended New York University's Tisch School of the Arts in 2008. After recently hosting Saturday Night Live, he chose cast member Bill Hader as the subject of his observational documentary. Franco first gained approval from SNL creator Lorne Michaels and host John Malkovich, then decided to shoot more footage for a feature-length documentary. After completion, the cast had to sign off on the picture, and Franco sought permission from NBC, where executive changes made approval difficult. The film was bought by Oscilloscope Films, but founder Adam Yauch's death in 2012 complicated theatrical distribution. It was uploaded to Hulu on September 26, 2014, for SNL's fortieth anniversary.

Reception

Upon its SXSW debut, the film drew positive reviews. Eric Kohn of IndieWire said its attempt to obtain a deeper truth gave it greater candor than typical fluff pieces. Karina Longworth of LA Weekly found it fascinating and worth seeing, though not flattering to the cast and writers. Dave Itzkoff of The New York Times called it a fairly straightforward behind-the-scenes look with details appealing to comedy nerds. After its Hulu release, Mike Ayers of The Wall Street Journal described it as essential viewing for those interested in comedy and the creative process.

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