Dunno on the Moon

Background

The novel begins with Znayka, Fuchsia, and Seledochka discovering a moon mineral called lunite, which creates local weightlessness when near a magnet. This allows a spaceship to be sent to the Moon.

Dunno and Donut, excluded from the crew, stow away and prematurely cause the rocket to launch while hiding. After landing, Dunno falls into a cave and slides into the Moon's interior, where he finds a civilization of shorties living under capitalism. Donut, rather than panicking and returning to the rocket, stays on the Moon and later becomes a capitalist running a salt business.

On the Moon, Dunno, unfamiliar with money and private property, is arrested for vagrancy, lack of documents, parasitism, and eating raspberries without paying in a cafe. Mistaken for a gangster, he is jailed, where he meets Kozlik and Miga.

Miga and Zhulio propose a scheme with Dunno as figurehead to start a joint-stock company, the Society of Giant Plants, using fake/spoiled seeds from Earth. The company sells shares to the public, but monopolist Spruts bribes Miga and Zhulio, who flee with the funds. Dunno and Kozlik become homeless, eventually finding work in a flophouse.

Meanwhile, stock traders manipulate shares, and Skuperfild, a pasta factory owner, nearly goes bankrupt after buying shares that collapse due to the scam. He cuts wages, leading to a strike, and recruits new workers from flophouses, including Dunno and Kozlik.

Publication Journey and Enduring Recognition

Dunno on the Moon closes Nikolay Nosov's beloved trilogy, following The Adventures of Dunno and His Friends (1953–1954) and Dunno in the Sun City (1958). Blending fantasy with science-fiction elements, the novel first appeared in serialized form in the magazine Family and School during 1964–1965. A standalone book edition followed in 1965 from the publisher Detskaya Literatura, making the story accessible to young readers in a dedicated volume. The trilogy's cultural significance was formally acknowledged in 1969 when Nosov received the RSFSR State Prize commemorated to Nadezhda Krupskaya, a distinction that cemented the Dunno books as a cornerstone of Soviet children's literature.

Decades later, the narrative found new life on screen: between 1997 and 1999, the FAF Entertainment studio produced a film adaptation scripted by Vladimir Antonovich Golovanov and Sergei Ivanov, bringing Nosov's lunar adventure to a generation of viewers who had grown up reading the pages. From magazine serial to state-recognized classic to cinematic retelling, the work's trajectory mirrors the lasting appetite Russian audiences have maintained for Dunno's chaotic, good-hearted escapades.

The Anti-Hero at the Center

Dunno's very name translates from Russian as "I don't know," and that admission of ignorance defines his entire character. He is the most infamous personality in Flower City, a boy-Mite who oscillates between being ignorant, lazy, rude, and conceited, and simultaneously curious, kind, enterprising, and unbelievably lucky. Nosov deliberately echoes the Russian folk hero Ivan the Fool in shaping Dunno: a restless, mischievous ringleader who stumbles into ridiculous schemes not out of malice but through a complete lack of foresight.

His rival Znayka, whose name means "I know," views him as a bully, a slacker, and a fool, yet Dunno's luck repeatedly saves the day. In the Moon installment, his misadventures escalate dramatically: excluded from the official crew for stealing and nearly losing the weightlessness device, he instigates his best friend Roly-Poly to stow away on the rocket. Once on the Moon, his total unfamiliarity with money and private property turns every interaction into a comedy of errors, from eating a stranger's raspberries to being locked in a cell for refusing to pay at a café.

Capitalism in the Moon's Core

Beneath the Moon's surface, where the atmosphere has been lost and its inhabitants retreated inward, Nosov constructs a society that operates under capitalist principles—a pointed contrast to the communal world of Flower City. The lunar Mites use a currency called "ferting," a word Nosov derived from the British "farthing," subdivided into a hundred "santic" units borrowed from the French "centime." Dunno, having no concept of private ownership, stumbles into trouble at every turn: he eats raspberries in Mr. Klops's garden and is hounded as a thief; he refuses to pay at a street café and ends up in jail, where a simplified Bertillon identification system mistakes him for the notorious gangster Pretty Boy.

In his cell he meets Kozlik, a smart but unemployed Mite, and Miga, a small-time crook who, with the help of firearms dealer Zhulio, manipulates Dunno into co-founding a "Giant Plants Company." The supporting cast of Moon residents—Skuperfield the miser, Spruts and his assistant Krabs, Dubs, and the poor peasant Kolosok holding seeds Doono brought from Earth—paints a vivid, satirical portrait of a society stratified by wealth and exploitation.

A Galaxy of Boy-Mites

Nosov populates both Flower City and the Moon with a richly named ensemble of boy-Mites, each whose name is a playful Russian word tied to their profession or trait. Znayka ("I know") is the brilliant scientist and natural leader; Roly-Poly ("doughnut") is Dunno's chubby, sweet-toothed best friend; Bendum ("little bolt") and Twistum ("little peg") serve as mechanics; Dr. Pillman ("pill") is the physician; Glass-Eye ("piece of glass") studies astronomy; Blobs ("tube") paints; Trills ("gusli") plays music; and Posey ("bloomer") writes poetry.

Two girl-Mite scientists, Fuchsia and Selyodochka ("small herring"), accompany Doono on the expedition. Professor Starman, a full member of the Academy of Astronomical Sciences, begins as Doono's scientific opponent before becoming a colleague. Engineers Klyopka ("rivet") and architect Kubik ("block") round out the technical crew. On the Moon, the cast expands with Kozlik, Miga, Zhulio, Spruts, Krabs, Skuperfield, Dubs, Kolosok, and a rotating line of policemen—Figl, Migl, Drigl, and Vrigl—giving the story a bustling, almost theatrical density of supporting voices.