Rock Music Groups from Toronto Codexery

Bond (Canadian band)

Canadian rock band with one album and a Juno nomination.

Bond (Canadian band)

Bond was a Canadian rock band formed in Toronto, Ontario in the late 1960s as Common Bond, shortening its name to Bond in 1970. The band is most noted for garnering a Juno Award nomination for Most Promising Group at the Juno Awards of 1976, despite releasing only one album during its lifetime.

formed
late 1960s (as Common Bond); renamed Bond in 1970
origin
Toronto, Ontario, Canada
genre
rock
years_active
late 1960s – 1979
notable_nomination
Juno Award for Most Promising Group (1976)
label
Columbia Records

Lore & Background

Bond formed in Toronto in the late 1960s as Common Bond, shortening its name in 1970. The band underwent frequent lineup changes, with vocalist and guitarist Bill Dunn as the only constant member. Other members included keyboardists Ted Trenholm, Gerry Mosby, John Jones, Mitch Lewis, and Chris Livingston; guitarists Barry Cobus, John Roles, Alex MacDougall, and Jim Lamarche; bassists Dunn and Roles; and drummers Jeff Hamilton, Kim Hunt, and Colin Walker. The band performed around Southern Ontario before signing to Columbia Records in 1974. Their self-titled debut album was released in 1975, supported by a tour as an opening act for The Stampeders. That year they released a cover of Barry Blue's 'Dancin' (On a Saturday Night)', which peaked at number 21 on the RPM Top Singles chart. This led radio programmers to label the band as bubblegum pop, and follow-up singles that did not fit that perception failed to gain enough airplay to chart well. The band released one new non-album single, 'I Can't Help It', in 1978, but broke up after that single also failed to chart.

Reader's Guide

Bond's significance lies primarily in their Juno Award nomination for Most Promising Group in 1976, a recognition that highlighted their early potential despite a brief career. Their only album, the self-titled Bond (1975), and the single 'Dancin' (On a Saturday Night)' gave them a brief moment in the Canadian spotlight, but the band's inability to escape the bubblegum pop label hindered subsequent releases. The band's legacy is also reflected in the later careers of its members, who went on to play with notable Canadian acts such as Chilliwack, Doucette, Crowbar, King Biscuit Boy, Zon, The Hunt, The Ian Thomas Band, and Payola$. Jim Lamarche had a brief solo career on A & M Records before becoming a studio engineer, while John Jones became a noted record producer. Bond's story illustrates the challenges faced by Canadian bands in the 1970s, where a single hit could define—and limit—a group's trajectory.

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