The Initiation of Sarah
A shy coed discovers psychic powers after joining a sorority.
The Initiation of Sarah, a 1978 American made-for-TV supernatural horror film directed by Robert Day, aired on ABC on February 5, 1978. Kay Lenz stars as a shy, withdrawn young woman who, after joining a sorority, learns she possesses psychic powers. The film sparked controversy when it first aired because it included a scene in which Morgan Fairchild, after being thrown into a fountain, appears with her wet clothing clinging to her body—a provocative moment for network television at the time. ABC Family later remade the film in 2006, with Fairchild returning to play Mrs. Wells, the adoptive mother of the title character Sarah and her sister Lindsay. Fairchild initially regretted playing Jennifer in the 1978 version but later changed her mind after producer Chuck Fries noted that while finding an ingenue was easy, finding someone convincing as a "bitch" was difficult.
The story opens with Sarah and her beautiful sister Patty driving to college, with a flashback later revealing them playing on a beach at sunset. Patty wanders off with a young man who tries to force himself on her, but he recoils, implying Sarah used telekinesis to save her. The sisters then drive to college, where Patty plans for both to join Alpha Nu Sigma (ΑΝΣ), their mother's former sorority. Sarah, adopted shortly after birth, notes that Patty is their mother's only biological child and that their mother favors Patty. At a rush week party, Patty is welcomed into ΑΝΣ, but the sorority girls dismiss Sarah, directing her to the refreshment table and then to Phi Epsilon Delta (ΦΕΔ). Both sisters visit ΦΕΔ, where only the awkward, shy "Mouse" shows interest in Sarah. After rush week, Patty is thrilled to join ΑΝΣ but hurt when its president, Jennifer, insists she stop speaking to Sarah, who was accepted into ΦΕΔ. This strains the sisters' relationship, as Sarah resents Patty's compliance.
Over the semester, Sarah develops a relationship with Paul, a psychology teaching assistant, and grows closer to Mouse. She is unsettled by ΦΕΔ's house mother, Mrs. Hunter, who recognizes Sarah's powers and urges her to use them to lead ΦΕΔ to victory over ΑΝΣ. It is strongly implied, though never confirmed, that Mrs. Hunter is Sarah's biological mother, having had an affair with Sarah's adopted father. Patty repeatedly tries to talk to Sarah but fails.
Quick Facts
- Genre
- Horror / Thriller
- Screenplay
- Don Ingalls / Carol Saraceno / Kenette Gfeller
- Story
- Tom Holland / Carol Saraceno
- Director
- Robert Day
- Starring
- Kay Lenz / Shelley Winters / Morgan Fairchild / Tony Bill / Morgan Brittany / Tisa Farrow
- Theme Music Composer
- Johnny Harris
- Country
- United States
- Language
- English
- Executive Producer
- Charles W. Fries
- Producer
- Jay Benson
- Location
- 357 S. Lorraine Blvd., Los Angeles, California
- Cinematography
- Ric Waite
Facts from the source article.
Lore & Background
The film opens with Sarah (Kay Lenz) and her beautiful sister Patty (Morgan Brittany) driving to college, with a flashback later showing them playing on the beach. After Patty is nearly assaulted, Sarah uses telekinesis to save her. The sisters go to college, where Patty is welcomed into the Alpha Nu Sigma sorority, while Sarah is directed to the less popular Phi Epsilon Delta house. There, she meets Mouse (Tisa Farrow) and the house mother Mrs. Hunter (Shelley Winters), who recognizes Sarah's powers and urges her to use them against the rival sorority. The film strongly implies Mrs. Hunter is Sarah's biological mother, though this is never confirmed.
Reader's Guide
The Initiation of Sarah is significant as an early made-for-TV horror film that courted controversy with its depiction of a wet T-shirt scene, a first for the medium. Its plot closely parallels the 1976 film Carrie, focusing on a female outcast with telekinetic powers, but it is remembered for its cast, including Morgan Fairchild and Shelley Winters. The film's legacy includes a 2006 remake on ABC Family, in which Fairchild returned in a different role. Critical reception for its DVD release has been mixed to positive, with reviewers noting its cheesiness but praising the acting. The film remains a notable example of late-1970s television horror and a cultural artifact of broadcast standards at the time.
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