More
A hedonistic soundtrack capturing the decadence and emptiness of the late sixties Riviera lifestyle.
More stands as a pivotal sonic document within the Pink Floyd chronology, serving as the soundtrack to a controversial cinematic project from the late sixties. It captures a fleeting moment of hedonistic excess on the French Riviera, marking a transition where the band began weaving narrative threads into their experimental soundscapes. Fans recognize it as a crucial stepping stone that introduced darker emotional tones before the band fully embraced thematic albums in subsequent years.
Quick Facts
- Longtype
- soundtrack album
- Artist
- Pink Floyd
- Released
- 13 June 1969
- Recorded
- January–February 1969
- Studio
- Pye, London
- Genre
- Psychedelic rock
- Label
- EMI Columbia
Facts from the source article.
Lore & Background
The music reflects the disorientation of that environment, blending heavy guitar riffs with melancholic melodies. It represents a time when the boundaries between the band's studio experiments and external storytelling began to blur. The narrative is not bound by a single protagonist but rather follows the collective experience of a group drifting through luxury and isolation. Themes of mortality lurk beneath the surface of celebration, suggesting that pleasure often masks a deeper void. This duality defines the emotional core of the work. The resulting audio captures the tension between artistic freedom and commercial constraints, creating a unique artifact in their discography.
Reader's Guide
This album functions as an auditory map to a specific time and place, translating the visual chaos of youth culture into sound. Unlike previous works focused purely on improvisation, this project required composing music to fit scenes of travel, celebration, and eventual tragedy. The sonic landscape shifts from upbeat rhythms to somber reflections, mirroring the narrative arc of excess leading to loss. Gilmour’s guitar work takes a more prominent role here, adding emotional weight that would define later classics. The production captures a raw energy distinct from their earlier psychedelic haze, grounding the music in a tangible reality. It serves as a bridge between their experimental roots and the cohesive storytelling of the seventies. The concept is less about a single character and more about an atmosphere—a collective mood of detachment amidst luxury. This world exists in the liminal spaces between parties, where music provides the only true connection.
Track listing
Side one
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | Cirrus Minor | Waters | 5:18 |
| 2 | The Nile Song | Waters | 3:26 |
| 3 | Crying Song | Waters | 3:33 |
| 4 | Up the Khyber (instrumental) | Mason, Wright | 2:12 |
| 5 | Green Is the Colour | Waters | 2:58 |
| 6 | Cymbaline | Waters | 4:50 |
| 7 | Party Sequence (instrumental) | 1:07 | |
| Total length | 23:24 | ||
Side two
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1 | Main Theme (instrumental) | 5:27 | |
| 2 | Ibiza Bar | 3:19 | |
| 3 | More Blues (instrumental) | 2:12 | |
| 4 | Quicksilver (instrumental) | 7:13 | |
| 5 | A Spanish Piece | Gilmour | 1:05 |
| 6 | Dramatic Theme (instrumental) | 2:15 | |
| Total length | 21:32 | ||
Track listing from the source article.
Did You Know?
- It was the band's first official soundtrack release for a feature film.
- Vocals were shared among band members and outside session singers.
- The associated film features a montage of vignettes rather than one continuous plot.
- Several tracks were composed specifically for scenes involving travel or introspection.
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